Ratings
Financials
Revenue: $53,478,166
Budget: $16,000,000
Profit: + $37,478,166
Movie Details
Tag Line: How do I loathe thee? Let me count the ways.
Status: Released
Average Rating: 8
Release Date: Mar 30, 1999
Rating: PG-13
Run Time: 1h 37m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Mad Chance , Jaret Entertainment
Genres
Keywords
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Synopsis
On the first day at his new school, Cameron instantly falls for Bianca, the gorgeous girl of his dreams. The only problem is that Bianca is forbidden to date until her ill-tempered, completely un-dateable older sister Kat goes out, too. In an attempt to solve his problem, Cameron singles out the only guy who could possibly be a match for Kat: a mysterious bad boy with a nasty reputation of his own.
Crew
Department | Role | Name |
---|---|---|
Art | Set Decoration |
Charles Graffeo
|
Production Design |
Carol Winstead Wood
|
|
Art Direction |
Gilbert Wong
|
|
Set Dresser |
Mary Buri
Brady J. Condit
Virginia Apicella
|
|
Head Greensman |
Michael McCombe
|
|
Assistant Property Master |
John Sweeney
|
|
Painter |
Nick Worsfold
|
|
Art Department Coordinator |
Beth Lipson
|
|
Leadman |
Kenneth Milfred
Sean Fong
|
|
Property Master |
Tracy Farrington
|
|
Construction Coordinator |
Alun Vick
|
|
Camera | Director of Photography |
Mark Irwin
|
Camera Operator |
Robin Buerki
|
|
First Assistant Camera |
Gary Katsuya Ushino
|
|
Editing | Editor |
O. Nicholas Brown
|
First Assistant Editor |
Brett Carroll
|
|
Color Timer |
Gloria Kaiser
|
|
Assistant Editor |
Steve Moe
|
|
Costume & Make-Up | Costume Design |
Kimberly A. Tillman
|
Set Costumer |
Sally Roberts
Ann Miller
|
|
Makeup Artist |
Martin 'Vinnie' Hagood
|
|
Key Hair Stylist |
Pauletta O. Lewis
|
|
Costume Supervisor |
Alexandria Forster
|
|
Assistant Costume Designer |
Allyson B. Fanger
|
|
Sound | Original Music Composer |
Richard Gibbs
|
Orchestrator |
Richard Gibbs
Kevin Kliesch
|
|
Scoring Mixer |
Robert Fernandez
|
|
Sound Re-Recording Mixer |
Mel Metcalfe
Terry Porter
Dean A. Zupancic
|
|
Sound Editor |
Albert Gasser
|
|
Sound Effects Editor |
Nancy MacLeod
Nils C. Jensen
|
|
Music Editor |
Nick South
Shannon Erbe
|
|
Foley Artist |
Gregg Barbanell
|
|
Supervising ADR Editor |
Thomas Whiting
|
|
Supervising Sound Editor |
Donald J. Malouf
|
|
Production Sound Mixer |
Bayard Carey
|
|
Boom Operator |
David Schneider
|
|
Production | Producer |
Andrew Lazar
|
Executive Producer |
Seth Jaret
Jeffrey Chernov
|
|
Associate Producer |
Greg Silverman
|
|
Casting |
Marcia Ross
Gail Goldberg
Donna Morong
|
|
Unit Production Manager |
Ross T. Fanger
|
|
Production Assistant |
Mark Alkofer
Michele Mehaffey
Katrina Elder
|
|
Post Production Coordinator |
Charles Rapp
|
|
Co-Producer |
Jody Hedien
|
|
First Assistant Accountant |
John Catron
|
|
Production Coordinator |
Denise Heinrich
|
|
Publicist |
Blanche Aurore Duault
|
|
Assistant Production Coordinator |
Brett Boydstun
|
|
Directing | Director |
Gil Junger
|
First Assistant Director |
K.C. Colwell
|
|
Script Supervisor |
Nancy Karlin
|
|
Second Assistant Director |
Darin Rivetti
|
|
Second Second Assistant Director |
Sally Sue Beisel
|
|
Writing | Writer |
Karen McCullah
Kirsten Smith
|
Crew | Executive Music Producer |
Ralph Sall
|
Stunts |
Jimmy N. Roberts
Wesley Scott
|
|
Steadycam |
Robin Buerki
|
|
Unit Publicist |
Toni Atterbury
|
|
Choreographer |
Marguerite Pomerhn Derricks
|
|
Set Production Assistant |
Trish Stanard
Anna E. Hayward
|
|
Transportation Captain |
Edward Lassak
|
|
Stunt Coordinator |
Ben Scott
Jeffrey G. Barnett
|
|
Special Effects Coordinator |
Casey Pritchett
|
|
Post Production Supervisor |
Miguel Ángel Poveda
|
|
Visual Effects | Digital Compositor |
Michael Curtis
|
Department | Role | Name |