27: The Cursed Club
(2018) The best case. The worst policeman. | Released
Ratings
3.9
3.6
100%
Financials
Revenue: $133,546
Budget: $0
Profit: + $133,546
Movie Details
Tag Line: The best case. The worst policeman.
Status: Released
Average Rating: 4
Release Date: Jan 4, 2018
Rating: 2018-01-04
Run Time: 1h 20m
Original Language: Spanish
Website: -
Production Countries: Argentina
Production Companies: Cine Argentino , INCAA , Del Toro Films , Boikot Films , Buffalo Films
Genres
Keywords
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Synopsis
Following the death of a musician under suspicious circumstances, a researcher and a music fan examine why rock stars often die at 27.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Nicanor Loreti
|
| Script Supervisor |
Bernardo Bronstein
|
|
| Assistant Director |
Martín Armoya
|
|
| Continuity |
Bernardo Bronstein
|
|
| Second Assistant Director |
Inés Villanueva
|
|
| Writing | Writer |
Nicanor Loreti
Paula Manzone
Alex Cox
|
| Art | Production Design |
Catalina Oliva
|
| Art Direction |
Catalina Oliva
|
|
| Set Designer |
Cecilia Jacquemin
|
|
| Assistant Set Designer |
Milagros Garro
Victoria Cachan
|
|
| Props |
Valentín Carminati
|
|
| Production | Production Assistant |
Kutty Canteros
Eduardo Alvarez
|
| Executive Producer |
Néstor Sánchez Sotelo
Horacio Mentasti
Esteban Mentasti
|
|
| Production Director |
Néstor Sánchez Sotelo
|
|
| Production Manager |
Federico Peña
|
|
| Producer's Assistant |
Adrián López
Kutty Canteros
Arelis Ruiz Arias
|
|
| Production Trainee |
Roy Elfenbaum
|
|
| Administration |
María Belén Dono
|
|
| Sound | Sound Recordist |
Luciana Migliano
|
| Boom Operator |
Cristian Rolon
Lucas Pablo Ulecia Sanz
|
|
| Sound |
Pablo Sala
|
|
| Sound Designer |
Pablo Sala
|
|
| Music |
Pablo Sala
|
|
| Visual Effects | Special Effects Supervisor |
Alberto Jaceniuk
|
| Visual Effects |
Juan Solo
Pablo Zamparini
|
|
| Crew | Stunt Double |
Nahuel Lozano
|
| Cinematography |
Mariano Suárez
|
|
| Video Assist Operator |
Kaiken Meternicht
|
|
| Special Effects Coordinator |
Lanfranco Burattini
|
|
| Special Effects Technician |
Román Kampelmacher
Constanza Pugliese
Hernán Ricci
|
|
| Camera | Camera Operator |
Mariano Suárez
Pablo Parés
|
| First Assistant Camera |
Benjamín Delgado
Lucas Timerman
Santiago Abate
|
|
| Focus Puller |
Benjamín Delgado
Lucas Timerman
Santiago Abate
|
|
| Second Assistant Camera |
Federico Jose Casagrande
|
|
| Steadicam Operator |
Gustavo Triviño
|
|
| Key Grip |
Mariano Razzetto
|
|
| Grip |
Emilio Razzetto
Sebastián Navone
|
|
| Still Photographer |
Lucas Cheja
|
|
| Lighting | Gaffer |
Carlos Chango Diaz
|
| Electrician |
Salvador Berciani
David Sroka Cubero
Matías Moccia
|
|
| Lighting Manager |
Jorge Martínez
|
|
| Costume & Make-Up | Costume Design |
Gustavo Alderete
|
| Assistant Costume Designer |
Natalia González
|
|
| Makeup Designer |
Elizabet Gora
|
|
| Hair Designer |
Barbara Querido
|
|
| Special Effects Makeup Artist |
Rebeca Martínez
|
|
| Editing | Editor |
Emanuel Flax
|
| Color Grading |
Pablo Parés
|
|
| Department | Role | Name |
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