3 A.M.
(2001) Driving the night shift can be deadly. | Released
Ratings
5.5
5.9
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line: Driving the night shift can be deadly.
Status: Released
Average Rating: 6
Release Date: Jul 1, 2001
Rating: 2001-07-01
Run Time: 1h 28m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: 40 Acres and a Mule Filmworks
Genres
Keywords
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Synopsis
The feature film directing debut of Spike Lee protege Lee Davis takes the viewer into the world of taxi drivers. Developed in the Sundance Laboratory, this film offers dove-tailing stories centering on the lives of individual taxi drivers as they reflect on and experience romance, politics, sociology, and spirituality.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Lee Davis
|
| Script Supervisor |
Michael Taylor
|
|
| First Assistant Director |
Sarah Gyllenstierna
|
|
| Second Assistant Director |
Rafael Osorio
|
|
| Writing | Writer |
Lee Davis
|
| Production | Producer |
Spike Lee
Sam Kitt
|
| Casting |
Lina Todd
|
|
| Executive Producer |
Danny Glover
|
|
| Co-Producer |
Callum Greene
Anthony Katagas
|
|
| Co-Executive Producer |
Paul Kurta
Spike Lee
Sam Kitt
|
|
| Production Manager |
Anthony Katagas
|
|
| Casting Associate |
Nicole Wohl
|
|
| Location Manager |
Jonathan Shepard
|
|
| Camera | Director of Photography |
Enrique Chediak
|
| Additional Camera |
John Bentham
|
|
| Camera Operator |
David Knox
|
|
| Grip |
Gary Martone
Tally Morse
|
|
| Editing | Editor |
Susan E. Morse
|
| Color Timer |
Alfredo Frasson
|
|
| Assistant Editor |
Perri Pivovar
|
|
| Art | Production Design |
Ted Glass
|
| Set Decoration |
Andrew Baseman
|
|
| Art Direction |
Doug Ellis
|
|
| Art Department Assistant |
Courtney Engelstein
|
|
| Property Master |
Peter Gelfman
|
|
| Sound | Original Music Composer |
Branford Marsalis
|
| Production Sound Mixer |
Todd Milner
|
|
| Sound Effects Editor |
Glenfield Payne
|
|
| Music Editor |
James Flatto
|
|
| Dialogue Editor |
Kimberly R. McCord-Wilson
|
|
| Foley Editor |
Dave Flynch
|
|
| Costume & Make-Up | Costume Design |
Luca Mosca
|
| Key Hair Stylist |
Mary Cooke
|
|
| Makeup Artist |
Diane Hammond
|
|
| Crew | Scenic Artist |
Ann Marie Auricchio
|
| Special Effects |
Andrew Mortelliti
|
|
| Stunts |
Lisa France
John Patrick McLaughlin
|
|
| Post Production Supervisor |
Paul Leonardo Jr.
Jamey Pryde
|
|
| Transportation Co-Captain |
Mike Easter
|
|
| Visual Effects | Visual Effects Supervisor |
Steven Meyer
|
| Lighting | Electrician |
James J. Ferris
|
| Best Boy Electric |
Brooke Stanford
|
|
| Department | Role | Name |