51
(2011) Welcome to the Future | Released
Ratings
4.1
3.5
Financials
Revenue: $0
Budget: $1,000,000
Profit: - $-1,000,000
Movie Details
Tag Line: Welcome to the Future
Status: Released
Average Rating: 4
Release Date: Feb 26, 2011
Rating: 2011-02-26
Run Time: 1h 27m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: After Dark Films
Genres
Keywords
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Synopsis
Due to political pressure from the American public, the Air Force has decided to allow two well-known reporters limited access to the most secretive base on the planet. But when one of the base’s “long-term visitors” exploits this unprecedented visit as a chance to liberate himself and his fellow alien captives, Area 51 turns from a secure government base to a horrifying destination of terror.
Crew
| Department | Role | Name |
|---|---|---|
| Writing | Writer |
Lucy Mukerjee-Brown
|
| Author |
Kenny Yakkel
|
|
| Directing | Director |
Jason Connery
|
| Script Supervisor |
Nicole Staudenmaier
|
|
| First Assistant Director |
Brian O'Sullivan
|
|
| Art | Art Direction |
Michelle Jones
|
| Production Design |
Nate Jones
|
|
| Leadman |
S. Todd Whitaker
|
|
| Construction Coordinator |
James Eubank
|
|
| Art Department Coordinator |
Kristin Cheramie
|
|
| Swing |
Ryan Sanson
|
|
| Title Designer |
D.J. Shea
|
|
| Editing | Editor |
Andrew Bentler
|
| Assistant Editor |
Stacey England
Andrew Drazek
|
|
| Colorist |
John Portnoy
|
|
| Online Editor |
Adam Rowe
|
|
| Costume & Make-Up | Costume Supervisor |
Doré Cermak
|
| Costume Design |
Kim Martínez
|
|
| Key Makeup Artist |
Kimberly Amacker
|
|
| Key Hair Stylist |
Marina Hart
|
|
| Key Costumer |
Hannah Gates
|
|
| Makeup Artist |
Marisa Rodriguez
|
|
| Sound | Music |
Ian Honeyman
|
| Sound Re-Recording Mixer |
Jon Vogl
|
|
| Supervising Sound Effects Editor |
George Haddad
|
|
| ADR Mixer |
Michael Russo
|
|
| Boom Operator |
Jae Kim
|
|
| Foley Mixer |
Peggy Blum
|
|
| ADR Supervisor |
Kimaree Long
|
|
| Sound Effects Editor |
David Barbee
|
|
| Sound Mixer |
Ben Jacob
|
|
| Sound Supervisor |
Jon Vogl
|
|
| Foley Artist |
Monique Reymond
|
|
| Production | Casting |
Sally Lear
Mark Teschner
|
| Producer |
Courtney Solomon
Moshe Diamant
Yoram Barzilai
|
|
| Extras Casting |
Hank Langlois
|
|
| Casting Director |
Brent Caballero
|
|
| Location Manager |
Hamilton Ridenour
|
|
| Production Secretary |
Hope Demling
|
|
| Production Coordinator |
Emily Morrow
|
|
| Camera | Still Photographer |
Cook Allender
|
| Camera Operator |
Josh Harrison
Lawles Bourque
|
|
| Director of Photography |
Yaron Levy
|
|
| Best Boy Grip |
Patrick Robert Wong
|
|
| Key Grip |
Tom Hunt
Graham Chart
|
|
| First Assistant Camera |
Nicholas Piatnik
Neil Chartier
|
|
| Second Assistant Camera |
Jefferson Fugitt
|
|
| Dolly Grip |
Adam Beard
|
|
| Steadicam Operator |
Josh Harrison
|
|
| First Assistant "A" Camera |
Zachary Sieffert
|
|
| Second Unit Director of Photography |
Samuel Brownfield
|
|
| Grip |
Malik Fuller
|
|
| Crew | Special Effects Coordinator |
Ron Keller
|
| Stunt Coordinator |
Danny Cosmo
|
|
| Production Controller |
Dorit Yosha
|
|
| Lighting | Gaffer |
Paul Marshall
|
| Lighting Technician |
Eric Bader
Guy Broussard
Brandon Swain
|
|
| Electrician |
David J. Lukinovich Jr.
Mike Johnson
|
|
| Best Boy Electric |
Ronald 'Ronnie' Martin
|
|
| Visual Effects | Visual Effects Supervisor |
D.J. Shea
|
| Visual Effects Coordinator |
Jana Gadjeva
Juan Soto
Victor Trichkov
|
|
| Animation |
Daniel Tchalakov
|
|
| Department | Role | Name |
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