A Fistful of Dollars
(1964) In his own way he is, perhaps, the most dangerous man who ever lived! | Released
Ratings
65%
7.8
8
98%
Financials
Revenue: $14,500,000
Budget: $200,000
Profit: + $14,300,000
Movie Details
Tag Line: In his own way he is, perhaps, the most dangerous man who ever lived!
Status: Released
Average Rating: 8
Release Date: Sep 12, 1964
Rating: 1967-01-18
Run Time: 1h 39m
Original Language: Italian
Website: -
Production Countries: Germany , Italy , Spain
Production Companies: Jolly Film , Ocean Films , Constantin Film
Sources:
Genres
Keywords
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Synopsis
The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Sergio Leone
|
| Assistant Director |
Franco Giraldi
Julio Sempere
Mario Caiano
Tonino Valerii
|
|
| Second Unit Director |
Franco Giraldi
|
|
| Script Supervisor |
María Antonia Puerta
Tilde Watson
|
|
| Production | Producer |
Arrigo Colombo
Giorgio Papi
|
| Production Manager |
Jaime Comas Gil
Ramón Crespo
Franco Palaggi
Günter Raguse
|
|
| Unit Manager |
Fernando Rossi
|
|
| Unit Production Manager |
Anselmo Zabala
|
|
| Production Assistant |
Jerónimo Montoro
Marta Pons
Eugenio Villar
|
|
| Production Secretary |
Pietro Santini
|
|
| Publicist |
Géneviève Hersent
|
|
| Associate Producer |
Pietro Santini
|
|
| Sound | Original Music Composer |
Ennio Morricone
|
| Sound |
Elio Pacella
|
|
| Conductor |
Ennio Morricone
|
|
| Music Arranger |
Alessandro Alessandroni
|
|
| Musician |
Alessandro Alessandroni
Michele Lacerenza
Bruno Battisti D'Amario
|
|
| Theme Song Performance |
Cantori Moderni Di Alessandroni
Peter Tevis
|
|
| Camera | Director of Photography |
Federico G. Larraya
Massimo Dallamano
|
| Camera Operator |
Stelvio Massi
José María Sánchez
|
|
| Second Assistant Camera |
Eduardo Noé
Domenico Parrello
|
|
| First Assistant Camera |
Ramón Sempere
|
|
| Still Photographer |
Julio Wizuete
|
|
| Editing | Editor |
Roberto Cinquini
Alfonso Santacana
|
| Assistant Editor |
Alicia Castillo
|
|
| Art | Art Direction |
Carlo Simi
|
| Set Decoration |
Sigfrido Burman
Francisco Rodríguez Asensio
Carlo Simi
|
|
| Assistant Set Decoration |
Adolfo Cofiño
Rafael Pérez Murcia
|
|
| Property Master |
Luis Ocaña
|
|
| Title Designer |
Igino Lardani
|
|
| Assistant Art Director |
Carlo Leva
|
|
| Costume & Make-Up | Hairstylist |
Dolores Clavel
|
| Makeup Artist |
Alberto Gutiérrez
Sam Watkins
|
|
| Assistant Makeup Artist |
José Luis Pérez
|
|
| Makeup Department Head |
José María Sánchez
|
|
| Wardrobe Designer |
María Casado
|
|
| Costumer |
Carlo Simi
|
|
| Writing | Screenstory |
Adriano Bolzoni
Víctor Andrés Catena
Sergio Leone
|
| Dialogue |
Mark Lowell
|
|
| Screenplay |
Víctor Andrés Catena
Jaime Comas Gil
Sergio Leone
Fernando Di Leo
Duccio Tessari
Tonino Valerii
|
|
| Original Story |
Akira Kurosawa
Ryuzo Kikushima
|
|
| Crew | Special Effects |
Manuel Baquero
Giovanni Corridori
|
| Stunt Coordinator |
Benito Stefanelli
|
|
| Stunts |
Benito Stefanelli
Nosher Powell
William R. Thompkins
Romano Puppo
Antonio Montoya
|
|
| Master at Arms |
William R. Thompkins
|
|
| Technical Advisor |
William R. Thompkins
|
|
| Visual Effects | Animation |
Igino Lardani
|
| Department | Role | Name |