A Good Woman Is Hard to Find
(2019) There are no limits to a mother's love | Released
Ratings
6.1
6.8
100%
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line: There are no limits to a mother's love
Status: Released
Average Rating: 6
Release Date: Oct 25, 2019
Rating: 18
Run Time: 1h 37m
Original Language: English
Website: -
Production Countries: Belgium , France , United Kingdom
Production Companies: February Films , Frakas Productions , Superbe Films
Genres
Keywords
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Synopsis
The recently widowed mother of two, Sarah, is desperate to know who murdered her husband in front of her young son, rendering him mute. Coerced into helping a low-life drug dealer stash narcotics stolen from the local Mr. Big, she's forced into taking drastic action to protect her children, evolving from downtrodden submissive to take-charge vigilante.
Crew
| Department | Role | Name |
|---|---|---|
| Sound | Supervising Sound Editor |
Nick Baldock
|
| Sound Designer |
Peter Baldock
|
|
| Production Sound Mixer |
Paul Heymans
|
|
| Foley Artist |
Patrick Singer
Kristiana Udre
|
|
| Supervising Dialogue Editor |
Adrian Furdui
|
|
| Boom Operator |
Thomas Berliner
|
|
| Original Music Composer |
Matthew Pusti
|
|
| Foley Editor |
James Matthews
|
|
| Sound Editor |
Olivia Celeste Barry
|
|
| Production | Executive Producer |
James Atherton
Jan Pace
Jang Won-seok
Abner Pastoll
Lee Bum-su
|
| Associate Producer |
Ronan Blaney
|
|
| Casting |
Mathilde Snodgrass
Carla Stronge
|
|
| Location Manager |
Catherine Geary
|
|
| Producer |
Junyoung Jang
Guillaume Benski
Jean-Yves Roubin
|
|
| Co-Producer |
Jean-Yves Roubin
Cassandre Warnauts
|
|
| Casting Associate |
Michael Hooley
|
|
| Production Manager |
Marie-Thérése Mackle
|
|
| Production Coordinator |
Molly Stack
|
|
| Costume & Make-Up | Costume Design |
Elise Ancion
|
| Special Effects Makeup Artist |
Dan Martin
|
|
| Makeup Artist |
Liz Boston
|
|
| Art | Production Design |
Gillian Devenney
|
| Standby Art Director |
Virginia Apicella
|
|
| Set Decoration |
Megan Britton
|
|
| Assistant Art Director |
Andrew Robinson
|
|
| Property Master |
Neal Hughes
|
|
| Property Buyer |
Catherine Brannigan
|
|
| Art Department Assistant |
Benen Dillon
|
|
| Writing | Writer |
Ronan Blaney
|
| Crew | Stunt Coordinator |
Joe Condren
|
| Directing | Director |
Abner Pastoll
|
| Second Assistant Director |
Maéva Buisse
Neil Winterlich
|
|
| First Assistant Director |
Laurie Mahon
|
|
| Third Assistant Director |
Dario Cappellini
|
|
| Script Supervisor |
Orla Finucane
|
|
| Editing | Editor |
Abner Pastoll
|
| Assistant Editor |
Lauren L'Estrange
Stéphanie Merken
|
|
| Camera | Director of Photography |
Richard C Bell
|
| "B" Camera Operator |
Joe Ransom
|
|
| Focus Puller |
Ondřej Rybár
|
|
| Grip |
Reece Hearnshaw
|
|
| Second Assistant Camera |
Tanmoye Khan
|
|
| Digital Imaging Technician |
Cel Bothwell-Fitzpatrick
|
|
| Still Photographer |
Joanne Mullin
Christopher Barr
|
|
| Lighting | Gaffer |
Brian Livingstone
|
| Best Boy Electric |
Steven Livingstone
|
|
| Visual Effects | Visual Effects Coordinator |
Stéphanie Pottier
|
| Digital Compositor |
Nicolas Corson
|
|
| Department | Role | Name |