After Yang
(2022) The future has never looked so human. | Released
Ratings
6.4
Financials
Revenue: $131,465
Budget: $0
Profit: + $131,465
Movie Details
Tag Line: The future has never looked so human.
Status: Released
Average Rating: 6
Release Date: Mar 4, 2022
Rating: 2022-06-07
Run Time: 1h 36m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: A24 , Cinereach , Per Capita Productions
Genres
Keywords
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Synopsis
When his young daughter's beloved companion — an android named Yang — malfunctions, Jake searches for a way to repair him. In the process, Jake discovers the life that has been passing in front of him, reconnecting with his wife and daughter across a distance he didn't know was there.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Kogonada
|
| Second Second Assistant Director |
Alex Backus
|
|
| Second Assistant Director |
Robin Takao D'Oench
|
|
| First Assistant Director |
David Ketterer Spencer
|
|
| Camera | Director of Photography |
Benjamin Loeb
|
| Best Boy Grip |
Richard Auth
|
|
| Grip |
Garrick Cisneros
Omar King
Bridgid Swanick
|
|
| Key Grip |
Ethan June
|
|
| Still Photographer |
Linda Källérus
|
|
| Dolly Grip |
Kenneth Kildee
|
|
| Second Assistant Camera |
Olivia Kimmel
|
|
| Editing | Editor |
Kogonada
|
| Art | Art Direction |
Max Wixom
|
| Set Decoration |
Joanne Ling
|
|
| Production Design |
Alexandra Schaller
|
|
| Art Department Assistant |
Christina Bowman
|
|
| Key Carpenter |
Peter Bundrick
|
|
| Leadman |
Joe Cagen
Will Comacho
|
|
| Assistant Art Director |
Rosa Callejas
Todd Ivins
|
|
| Set Dresser |
George Couri
Jacobsen Erin
Henry Padilla
Meriam Rodriguez
|
|
| Property Master |
Bridget Rafferty
|
|
| Props |
Shane Torres
|
|
| Graphic Designer |
Matthew Vidalis
|
|
| Costume & Make-Up | Costume Design |
Arjun Bhasin
|
| Hair Department Head |
Jon Carter
|
|
| Contact Lens Painter |
Kevin Carter
|
|
| Key Hair Stylist |
Danielle Crawford
|
|
| Makeup Artist |
Ivy Ermert
|
|
| Makeup Department Head |
Amy L. Forsythe
|
|
| Key Makeup Artist |
Heidi Pakdel
|
|
| Hairstylist |
Isata Allen
|
|
| On Set Dresser |
Judith C. Posey
|
|
| Wardrobe Supervisor |
Mariah Fidalgo
|
|
| Key Costumer |
Felicity Gifford
|
|
| Costumer |
Carl Skeris
|
|
| Production | Line Producer |
Becky Glupczynski
|
| Producer |
Andrew Goldman
Caroline Kaplan
Paul S. Mezey
Theresa Park
|
|
| Casting |
Rebecca Dealy
Jessica Kelly
|
|
| Executive Producer |
Philipp Engelhorn
|
|
| Unit Production Manager |
Taylor Shung
|
|
| Associate Producer |
Alexander Weinstein
|
|
| Writing | Short Story |
Alexander Weinstein
|
| Writer |
Kogonada
|
|
| Sound | Sound Designer |
Ruy García
|
| Sound Mixer |
Jonathan Walter Reyes
|
|
| Foley Mixer |
Jo Caron
|
|
| ADR Recordist |
Kristin Catuogno
|
|
| ADR Mixer |
Mark DeSimone
Nick Roberts
|
|
| Foley Artist |
Guy Francoeur
|
|
| ADR Editor |
Marissa Littlefield
|
|
| Sound Effects Editor |
Samuel Miille
|
|
| Dialogue Editor |
Branka Mrkic
|
|
| Boom Operator |
Richard Topham III
|
|
| Original Music Composer |
Aska Matsumiya
|
|
| Main Title Theme Composer |
Ryuichi Sakamoto
|
|
| Songs |
Mitski
|
|
| Crew | Post Production Supervisor |
Jeremy Newmark
|
| Scenic Artist |
Marlene Eckhardt
Carl Eckhoff
|
|
| Carpenter |
Chris Paquette
|
|
| Choreographer |
Celia Rowlson-Hall
|
|
| Thanks |
Lars Knudsen
|
|
| Visual Effects | Digital Compositor |
Eric M. Beaver
|
| Visual Effects Coordinator |
Jared Levin
|
|
| Visual Effects Supervisor |
Ilia Mokhtareizadeh
|
|
| Compositing Supervisor |
Kyle Zemborain
|
|
| Lighting | Rigging Grip |
Chris Beattie
|
| Gaffer |
Andrew Hubbard
|
|
| Electrician |
Emmett Kerr-Perkinson
|
|
| Key Rigging Grip |
Justin LaValley
|
|
| Rigging Gaffer |
Lori Dinsmore
|
|
| Department | Role | Name |