Ratings
33%
5.8
5.7
13%
Financials
Revenue: $57,700,000
Budget: $35,000,000
Profit: + $22,700,000
Movie Details
Tag Line: The few. The proud. The totally insane.
Status: Released
Average Rating: 6
Release Date: Aug 10, 1990
Rating: 1990-08-10
Run Time: 1h 52m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: IndieProd Company Productions , Carolco Pictures
Genres
Keywords
People Rated This
Main Cast
Crew
| Department | Role | Name |
|---|---|---|
| Camera | Director of Photography |
Roger Deakins
|
| Steadicam Operator |
Mark O'Kane
|
|
| Camera Operator |
Mike Proudfoot
Gordon Hayman
|
|
| Still Photographer |
Frank Connor
|
|
| Aerial Camera |
Fraser Taggart
|
|
| Clapper Loader |
Nikki Williams
|
|
| Directing | Director |
Roger Spottiswoode
|
| Second Assistant Director |
Artist W. Robinson
|
|
| Script Supervisor |
Angela Wharton
|
|
| First Assistant Director |
Albert M. Shapiro
|
|
| Production | Casting |
Janet Hirshenson
Jane Jenkins
|
| Executive Producer |
Mario Kassar
Andrew G. Vajna
|
|
| Producer |
Daniel Melnick
Jon Jashni
|
|
| Co-Producer |
John Eskow
Allen Shapiro
|
|
| Line Producer |
Michael J. Kagan
|
|
| Production Coordinator |
Patsy de Lord
|
|
| Production Accountant |
Bob Kocourek
|
|
| Unit Production Manager |
Gerry Levy
|
|
| Post Production Coordinator |
Noori Dehnahi
|
|
| Costume & Make-Up | Costume Design |
John Mollo
|
| Key Makeup Artist |
Peter Robb-King
|
|
| Hairstylist |
Tricia Cameron
|
|
| Makeup Supervisor |
Lois Burwell
|
|
| Assistant Costume Designer |
Barbara Rutter
|
|
| Hair Supervisor |
Elaine Bowerbank
|
|
| Sound | Assistant Sound Editor |
Bob Beher
Per Hallberg
Lisa Miller
|
| Supervising Sound Editor |
Lon Bender
|
|
| Sound Mixer |
Simon Kaye
|
|
| Original Music Composer |
Charles Gross
|
|
| Foley Artist |
Alicia Stevenson
Dan O'Connell
|
|
| Sound Re-Recording Mixer |
David E. Campbell
Gregg Rudloff
John T. Reitz
|
|
| ADR Editor |
Avram D. Gold
Joseph A. Mayer
|
|
| Supervising Music Editor |
Curtis Roush
|
|
| Dolby Consultant |
Thom 'Coach' Ehle
|
|
| Supervising ADR Editor |
Devon Heffley Curry
|
|
| Music Supervisor |
Becky Mancuso-Winding
Tim Sexton
|
|
| Foley Supervisor |
Sukey Fontelieu
|
|
| Boom Operator |
Tommy Staples
|
|
| Editing | Editor |
John Bloom
Lois Freeman-Fox
|
| Color Timer |
Phil Hetos
|
|
| First Assistant Editor |
William Henry
|
|
| Associate Editor |
Paul Hodgson
|
|
| Negative Cutter |
Brian Ralph
|
|
| Art | Production Design |
Allan Cameron
|
| Art Direction |
Tony Reading
Steve Spence
|
|
| Assistant Art Director |
Dennis Bosher
Lek Chaiyan Chunsuttiwat
|
|
| Set Decoration |
Fred Carter
|
|
| Visual Effects | Special Effects Supervisor |
George Gibbs
|
| Crew | Stunt Coordinator |
Vic Armstrong
|
| Stunts |
Steven Lambert
Doug Coleman
John Cenatiempo
Billy D. Lucas
Donna Evans
Dana Dru Evenson
Chere Rae
|
|
| Unit Publicist |
Rob Harris
|
|
| Armorer |
Carl Schmidt
|
|
| Video Assist Operator |
Robert Toft
|
|
| Writing | Screenplay |
Richard Rush
John Eskow
|
| Novel |
Christopher Robbins
|
|
| Lighting | Gaffer |
John Higgins
|
| Best Boy Electric |
Kevin Edland
|
|
| Department | Role | Name |
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