Ratings
Financials
Revenue: $34,300,000
Budget: $7,000,000
Profit: + $27,300,000
Movie Details
Tag Line: ...no introduction necessary.
Status: Released
Average Rating: 7
Release Date: Apr 13, 2000
Rating: 2000-01-21
Run Time: 1h 42m
Original Language: English
Website: -
Production Countries: Canada , United States of America
Production Companies: Lionsgate , Pressman Film , Muse Productions , Am Psycho Productions
Sources:
Genres
Keywords
People Rated This
Where to watch American Psycho
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Synopsis
A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.
Crew
Department | Role | Name |
---|---|---|
Directing | Director |
Mary Harron
|
Script Supervisor |
Dawn Sorokolit
|
|
First Assistant Director |
Andrew Shea
|
|
Second Assistant Director |
Jennifer Deathe
|
|
Third Assistant Director |
Cassandra Cronenberg
|
|
Production | Producer |
Christian Halsey Solomon
Chris Hanley
Edward R. Pressman
|
Casting |
Kerry Barden
Billy Hopkins
Suzanne Smith Crowley
|
|
Executive Producer |
Michael Paseornek
Jeff Sackman
Joseph Drake
|
|
Co-Producer |
Ernie Barbarash
Clifford Streit
Rob Weiss
Alessandro Camon
|
|
Line Producer |
Victoria Hirst
|
|
Location Manager |
Michael Blecher
|
|
Production Coordinator |
Nancy Jackson
|
|
Casting Associate |
Jennifer McNamara
Mark Bennett
|
|
Executive In Charge Of Production |
Lauren McLaughlin
|
|
Local Casting |
Clare Walker
|
|
Assistant Production Manager |
Keitha M. Redmond
|
|
Extras Casting |
Megan Conacher
|
|
ADR Voice Casting |
Sondra James
|
|
Editing | Editor |
Andrew Marcus
|
Negative Cutter |
Catherine Rankin
|
|
Color Timer |
Chris Hinton
|
|
Camera | Director of Photography |
Andrzej Sekula
|
Camera Operator |
Paul Boucher
|
|
Still Photographer |
Kerry Hayes
|
|
First Assistant Camera |
Jayson Clute
|
|
Second Assistant Camera |
Steve Mrkobrada
|
|
Camera Trainee |
Marcel Janisse
|
|
Key Grip |
Chris Faulkner
|
|
Dolly Grip |
Stewart Grayburn
|
|
Art | Production Design |
Gideon Ponte
|
Set Decoration |
Jeanne Develle
|
|
Art Direction |
Andrew M. Stearn
|
|
Construction Coordinator |
Jamie Burke
|
|
Set Decorating Coordinator |
Britt Matheson
|
|
Property Master |
Michael Followes
|
|
Title Designer |
Marlene McCarty
|
|
Costume & Make-Up | Costume Design |
Isis Mussenden
|
Hairstylist |
John Quaglia
|
|
Makeup Artist |
Sandra Wheatle
Margot Boccia
|
|
Set Dressing Artist |
Patrick Tarr
|
|
Assistant Costume Designer |
Gersha Phillips
Barbara Preser
|
|
Seamstress |
Christine Hartmann
|
|
Key Hair Stylist |
Lucy Orton
|
|
Writing | Novel |
Bret Easton Ellis
|
Screenplay |
Mary Harron
Guinevere Turner
|
|
Crew | Special Effects Coordinator |
Michael Kavanagh
|
Stunt Coordinator |
Matt Birman
|
|
Post Production Supervisor |
Philip Stilman
|
|
Sound | Music Supervisor |
Barry Cole
Christopher Covert
|
Boom Operator |
Mark "Boomwallah" McNeilly
|
|
Supervising Sound Editor |
Jane Tattersall
|
|
Sound Effects Editor |
David McCallum
|
|
Sound Designer |
Benjamin Cheah
Paul Urmson
|
|
Music Editor |
Jeff Wolpert
|
|
Sound Mixer |
Henry Embry
Bernie Zuch
|
|
Sound Re-Recording Mixer |
Keith Elliott
Peter Kelly
|
|
Dialogue Editor |
Garrett Kerr
|
|
Foley Artist |
Andy Malcolm
Goro Koyama
|
|
Original Music Composer |
John Cale
|
|
Supervising Dialogue Editor |
Fred Brennan
|
|
Foley Mixer |
Ron Mellegers
Andrew Tay
|
|
Lighting | Gaffer |
Franco Tata
|
Best Boy Electric |
Mark Cowden
|
|
Department | Role | Name |