American Psycho
(2000) Killer looks. | Released
Ratings
64%
7.4
7.6
68%
Financials
Revenue: $34,300,000
Budget: $7,000,000
Profit: + $27,300,000
Movie Details
Tag Line: Killer looks.
Status: Released
Average Rating: 7
Release Date: Apr 13, 2000
Rating: 2000-01-21
Run Time: 1h 42m
Original Language: English
Website: -
Production Countries: Canada , United States of America
Production Companies: Lionsgate , Pressman Film , Muse Productions , Christian Halsey Solomon Productions
Sources:
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Keywords
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Synopsis
A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.
Crew
| Department | Role | Name |
|---|---|---|
| Writing | Screenplay |
Mary Harron
Guinevere Turner
|
| Novel |
Bret Easton Ellis
|
|
| Production | Producer |
Christian Halsey Solomon
Chris Hanley
Edward R. Pressman
|
| ADR Voice Casting |
Sondra James
|
|
| Assistant Production Manager |
Keitha M. Redmond
|
|
| Extras Casting |
Megan Conacher
|
|
| Casting |
Billy Hopkins
Kerry Barden
Suzanne Smith Crowley
|
|
| Executive Producer |
Joseph Drake
Jeff Sackman
Michael Paseornek
|
|
| Co-Producer |
Clifford Streit
Rob Weiss
Ernie Barbarash
Alessandro Camon
|
|
| Executive In Charge Of Production |
Lauren McLaughlin
|
|
| Line Producer |
Victoria Hirst
|
|
| Production Coordinator |
Nancy Jackson
|
|
| Casting Associate |
Jennifer McNamara
Mark Bennett
|
|
| Location Manager |
Michael Blecher
|
|
| Local Casting |
Clare Walker
|
|
| Camera | Director of Photography |
Andrzej Sekula
|
| First Assistant Camera |
Jayson Clute
|
|
| Camera Trainee |
Marcel Janisse
|
|
| Key Grip |
Chris Faulkner
|
|
| Dolly Grip |
Stewart Grayburn
|
|
| Second Assistant Camera |
Steve Mrkobrada
|
|
| Still Photographer |
Kerry Hayes
|
|
| Camera Operator |
Paul Boucher
|
|
| Art | Set Decoration |
Jeanne Develle
|
| Production Design |
Gideon Ponte
|
|
| Set Decorating Coordinator |
Britt Matheson
|
|
| Property Master |
Michael Followes
|
|
| Art Direction |
Andrew M. Stearn
|
|
| Construction Coordinator |
Jamie Burke
|
|
| Title Designer |
Marlene McCarty
|
|
| Editing | Editor |
Andrew Marcus
|
| Negative Cutter |
Catherine Rankin
|
|
| Color Timer |
Chris Hinton
|
|
| Directing | Director |
Mary Harron
|
| First Assistant Director |
Andrew Shea
|
|
| Third Assistant Director |
Cassandra Cronenberg
|
|
| Second Assistant Director |
Jennifer Deathe
|
|
| Script Supervisor |
Dawn Sorokolit
|
|
| Costume & Make-Up | Costume Design |
Isis Mussenden
|
| Hairstylist |
John Quaglia
|
|
| Makeup Artist |
Margot Boccia
Sandra Wheatle
|
|
| Assistant Costume Designer |
Barbara Preser
Gersha Phillips
|
|
| Seamstress |
Christine Hartmann
|
|
| Set Dressing Artist |
Patrick Tarr
|
|
| Key Hair Stylist |
Lucy Orton
|
|
| Sound | Supervising Dialogue Editor |
Fred Brennan
|
| Foley Mixer |
Andrew Tay
Ron Mellegers
|
|
| Music Supervisor |
Christopher Covert
Barry Cole
|
|
| Boom Operator |
Mark "Boomwallah" McNeilly
|
|
| Music Editor |
Jeff Wolpert
|
|
| Supervising Sound Editor |
Jane Tattersall
|
|
| Sound Designer |
Paul Urmson
Benjamin Cheah
|
|
| Sound Effects Editor |
David McCallum
|
|
| Sound Re-Recording Mixer |
Keith Elliott
Peter Kelly
|
|
| Sound Mixer |
Bernie Zuch
Henry Embry
|
|
| Foley Artist |
Andy Malcolm
Goro Koyama
|
|
| Dialogue Editor |
Garrett Kerr
|
|
| Original Music Composer |
John Cale
|
|
| Songs |
Huey Lewis
Phil Collins
|
|
| Lighting | Best Boy Electric |
Mark Cowden
|
| Gaffer |
Franco Tata
|
|
| Crew | Special Effects Coordinator |
Michael Kavanagh
|
| Post Production Supervisor |
Philip Stilman
|
|
| Stunt Coordinator |
Matt Birman
Frank Ferrara Sr.
|
|
| Department | Role | Name |