An Eye for an Eye
(1981) Kane's justice is revenge. Kane's weapon is himself. | Released
Ratings
5.2
5.5
Financials
Revenue: $7,680,000
Budget: $0
Profit: + $7,680,000
Movie Details
Tag Line: Kane's justice is revenge. Kane's weapon is himself.
Status: Released
Average Rating: 5
Release Date: Aug 14, 1981
Rating: 1981-08-14
Run Time: 1h 46m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Wescom Barber International , Adams Apple Film Company , South Street Films
Genres
Keywords
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Synopsis
Sean Kane is forced to resign from the San Francisco Police Department's Narcotics Division when he goes berserk after his partner is murdered. He decides to fight alone and follows a trail of drug traffickers into unexpected high places.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Steve Carver
|
| Assistant Director |
Yoram Ben-Ami
|
|
| Second Assistant Director |
Louis S. Muscate
Donald P. Borchers
|
|
| Script Supervisor |
Roshani Engineer-Wiskes
|
|
| Production | Associate Producer |
Mel Novak
James Bruner
|
| Producer |
Frank Capra, Jr.
|
|
| Executive Producer |
Robert Rehme
|
|
| Location Manager |
Jack English
|
|
| Production Manager |
Lee Rafner
|
|
| Casting |
Barbara Hanley
Cathy Henderson
|
|
| Production Coordinator |
Patti Whitman
|
|
| Production Accountant |
Andy Howard
|
|
| Publicist |
Susan Alschuler
|
|
| Assistant Accountant |
Stephanie Rosekind
|
|
| Sound | Music |
William Goldstein
|
| Sound Effects Designer |
Gene Corso
|
|
| Music Editor |
Dan Carlin Sr.
|
|
| Sound Mixer |
Richard I. Birnbaum
Ray West
Mel Metcalfe
Richard Tyler
|
|
| Boom Operator |
David Kirschner
|
|
| Writing | Screenplay |
William Gray
James Bruner
|
| Story |
James Bruner
|
|
| Editing | Editor |
Anthony Redman
|
| Additional Editor |
Priscilla Nedd-Friendly
|
|
| Assistant Editor |
Jeff Freeman
|
|
| Camera | Director of Photography |
Roger Shearman Jr.
|
| Camera Operator |
Dick Colean
Ralph Gerling
|
|
| First Assistant Camera |
Michael D. Weldon
|
|
| Second Assistant Camera |
Jeff Miller
|
|
| Assistant Camera |
Peter Berkson
|
|
| Still Photographer |
Robin Ryan
|
|
| Key Grip |
Mike Pantages
|
|
| Grip |
William Dreyfuss
|
|
| Dolly Grip |
Leo Loverro
|
|
| Art | Production Design |
Sandy Veneziano
|
| Art Direction |
Vance Lorenzini
|
|
| Set Designer |
Sandy Veneziano
|
|
| Set Decoration |
Don Watson
|
|
| Leadman |
Paul Dal Porto
|
|
| Property Master |
Kaye Trapp
|
|
| Construction Coordinator |
Douglas R. Elliott
|
|
| Crew | Special Effects |
Roger George
|
| Stunt Coordinator |
Aaron Norris
|
|
| Post Production Supervisor |
Paula Benson-Himes
|
|
| Craft Service |
Richard Olague
|
|
| Transportation Coordinator |
Martin T. Hill
|
|
| Transportation Captain |
Ralph Pierce
|
|
| Lighting | Gaffer |
William Maley
|
| Best Boy Electric |
Joe Crowley
|
|
| Costume & Make-Up | Costume Supervisor |
Yvonne Kubis
|
| Wardrobe Assistant |
Jill Maley
|
|
| Makeup Artist |
J. Yvonne Curry
|
|
| Hairstylist |
Pat Grover
|
|
| Department | Role | Name |