Babylon 5: The Legend of the Rangers - To Live and Die in Starlight
(2002) | Released
Ratings
6
6.1
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line:
Status: Released
Average Rating: 6
Release Date: Apr 30, 2002
Rating:
Run Time: 1h 30m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Babylonian Productions , Legendary Films Inc. , Sci-Fi Channel
Genres
Keywords
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Synopsis
After being punished for retreat from combat, Ranger David Martel is given command of the Liandra, a haunted 20-year old Minbari fighting ship. He's escorting ambassadors to a secret archaeological site, the oldest city on record and a clue to a dangerous ancient race.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Casting |
Meg Liberman
Susan Taylor Brouse
Lynne Carrow
Cami Patton
|
| Executive Producer |
J. Michael Straczynski
Douglas Netter
|
|
| Producer |
Ron McLeod
|
|
| Production Manager |
S. Lily Hui
|
|
| Production Coordinator |
Carol Schafer
|
|
| Costume & Make-Up | Makeup Artist |
Lisa Love
|
| Prosthetic Makeup Artist |
Christopher Mark Pinhey
Brad Proctor
Vicki Syskakis
Patricia Murray
Lise Kuhr
Shauna Magrath
|
|
| Prosthetic Designer |
Bill Terezakis
|
|
| Costume Design |
Crystine Booth
|
|
| Hairstylist |
Pauline L. Tremblay
|
|
| Prosthetic Supervisor |
Rachel Griffin
|
|
| Assistant Makeup Artist |
Juliana Vit
|
|
| Assistant Hairstylist |
Beverly K. Sewers
|
|
| Directing | Director |
Michael Vejar
|
| Script Supervisor |
Wendy Mclean
|
|
| First Assistant Director |
Alysse Leite-Rogers
|
|
| Writing | Writer |
J. Michael Straczynski
|
| Crew | Creator |
J. Michael Straczynski
|
| Stunt Coordinator |
Scott J. Ateah
Steven McMichael
|
|
| Unit Publicist |
Patricia Johnson
|
|
| Scenic Artist |
Peter Bradshaw
|
|
| Special Effects Coordinator |
Dan Keeler
|
|
| Transportation Coordinator |
Ian 'Moss' Urquhart
|
|
| Makeup Effects |
Pearl Louie
|
|
| Carpenter |
Herman Alexander
|
|
| Compositor |
George L. Wright
|
|
| Sound | Original Music Composer |
Christopher Franke
|
| Foley Editor |
Dario DiSanto
|
|
| Sound Re-Recording Mixer |
Iain Pattison
Paul A. Sharpe
Mark Klausmayer
|
|
| Supervising Sound Editor |
Jacqueline Cristianini
Real Gauvreau
|
|
| Sound Designer |
Real Gauvreau
|
|
| Sound Effects Editor |
Adam Boyd
|
|
| Sound Mixer |
David M. Cyr
|
|
| Boom Operator |
Philip J. MacCormick
|
|
| Camera | Camera Operator |
Richard Walden
Jill MacLauchlan
|
| Still Photographer |
Eike Schroter
|
|
| Director of Photography |
Henry Chan
|
|
| Key Grip |
John Zulinski
|
|
| First Assistant Camera |
Francis Kramer
|
|
| Visual Effects | Digital Compositor |
Aruna Inversin
Janeen Elliott
Kathryn Bolt
Rick Smith
Seth Martiniuk
Sarah Norton
|
| 3D Artist |
Kimberley Liptrap
Alec McClymont
|
|
| Visual Effects Coordinator |
Sarah McMurdo
|
|
| Visual Effects Supervisor |
Mark Savela
|
|
| Modeling |
Inna Itkin
|
|
| Lighting | Gaffer |
George Campbell
|
| Best Boy Electric |
Neil Wildman
|
|
| Rigging Gaffer |
Keith Mukai
|
|
| Editing | Editor |
Stein Myhrstad
|
| Dialogue Editor |
Kirby Jinnah
|
|
| Assistant Editor |
Willy A. Wilson
|
|
| Art | Production Design |
Ken Rabehl
Stephen Geaghan
|
| Art Direction |
Ken Rabehl
|
|
| Set Decoration |
Barry Kemp
|
|
| Assistant Set Decoration |
James Purvis
|
|
| Construction Coordinator |
Harry Griffin-Beale
|
|
| Property Master |
Clive Edwards
|
|
| Construction Foreman |
John Quesenberry
|
|
| Assistant Property Master |
Alfio Berardo
|
|
| Painter |
Colin Comeau
|
|
| Swing |
George Amaroso
|
|
| Department | Role | Name |
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