Barry Munday
(2010) A comedy that hits you right where it counts. | Released
Ratings
28%
5.7
5.9
43%
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line: A comedy that hits you right where it counts.
Status: Released
Average Rating: 6
Release Date: Mar 13, 2010
Rating: 2010-03-13
Run Time: 1h 35m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Prospect Pictures , Stick 'N' Stone Productions , Corner Store Entertainment , Far Hills Pictures
Genres
Keywords
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Synopsis
Barry Munday, a libido-driven wage slave who spends all his time either ogling, fantasizing about or trying to pick up women, wakes up in hospital after a freak attack only to find that his testicles have been removed.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Chris D'Arienzo
|
| Script Supervisor |
Lina Shanklin
|
|
| First Assistant Director |
Chad Rosen
|
|
| Second Assistant Director |
Tessa Lyn Stephenson
|
|
| Production | Producer |
Mickey Barold
Stone Douglass
Eric Kopeloff
Matt Weaver
Casey Engelhardt
|
| Executive Producer |
Barry Habib
Scott Prisand
Robert Ortiz
Jeff Davis
Carl Levin
Marcos Siega
|
|
| Location Manager |
George McDowell Agnew
|
|
| Co-Executive Producer |
Marc Bell
|
|
| Unit Production Manager |
Casey Engelhardt
Divi Crockett
|
|
| Casting Assistant |
Michelle Wade Byrd
|
|
| Associate Producer |
Casey Engelhardt
Bradley M. Goodman
|
|
| Casting |
Mary Vernieu
J.C. Cantu
Venus Kanani
|
|
| Production Coordinator |
Nate Cohen
|
|
| Co-Producer |
Tom Pellegrini
|
|
| Casting Associate |
Lindsay Graham Ahanonu
|
|
| Art | Title Designer |
Donavan McDougle
|
| Production Design |
Paul Oberman
|
|
| Set Decoration |
Ryan Welsch
|
|
| Leadman |
Chris Carriveau
|
|
| Art Department Coordinator |
Abigail Sheiner
|
|
| Costume & Make-Up | Costume Design |
Frank Helmer
|
| Key Makeup Artist |
Ashley Fox
|
|
| Writing | Screenplay |
Chris D'Arienzo
|
| Novel |
Frank Turner Hollon
|
|
| Editing | Editor |
Joan Sobel
|
| Digital Intermediate Colorist |
Maxine Gervais
|
|
| Digital Intermediate Producer |
Adam Ohl
|
|
| Sound | Music |
Jude Christodal
|
| Production Sound Mixer |
Harrison D. Marsh
|
|
| Boom Operator |
Tom Fox
|
|
| Utility Sound |
Peter Hanson
|
|
| Supervising Sound Editor |
Simon Chase
Lon Bender
|
|
| Dialogue Editor |
Richard Fordham
|
|
| Sound Re-Recording Mixer |
Joe Barnett
Mathew Waters
|
|
| Music Editor |
Lee Scott
Ronald J. Webb
|
|
| Sound Effects Editor |
Kevin Penney
David Mackie
Dror Mohar
|
|
| Music Supervisor |
Janet Billig Rich
|
|
| Camera | Director of Photography |
Morgan Susser
|
| Key Grip |
Charles M. Smallwood
|
|
| Best Boy Grip |
Richard Fezzey
|
|
| Dolly Grip |
Keith Talley
|
|
| Crew | Post Production Supervisor |
Bradley M. Goodman
|
| Stunt Coordinator |
Lou Simon
|
|
| Department | Role | Name |