Ratings
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line: Every friendship has its price
Status: Released
Average Rating: 5
Release Date: Jun 2, 2010
Rating: 2010-06-02
Run Time: 1h 36m
Original Language: English
Website: Link
Production Countries: United Kingdom
Production Companies: Fourth Culture Films , Dangerous Productions , FineLight Films , Motion Picture House
Genres
Keywords
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Synopsis
The Baseline is the centre of the East London grime club scene and the queue regularly stretches around the block. Danny works on the door - breaking up fights and managing drunk kids. However, when he rescues Terry, the club owner and local gang leader, from a hitman, Danny is suddenly plunged deep into an underworld he had tried so hard to avoid. Danny is promoted to manager, but only on the condition that he turns a blind eye to the shady goings on both on and off the dance-floor. Danny and his girlfriend Jessica dream of setting up their own club, but Danny is forced to make the ultimate sacrifice when he has to choose between loyalty, morality and his own dreams of escape
Crew
Department | Role | Name |
---|---|---|
Writing | Writer |
Brendon O'Loughlin
Freddie Connor
Sheraiah Larcher
|
Production | Producer |
Brendon O'Loughlin
Steffen Wild
Rupert Bryan
Freddie Connor
|
Casting |
Rory O'Donnell
|
|
Location Manager |
Joe Haines
|
|
Casting Assistant |
William Buckingham
|
|
Production Coordinator |
Kate Schofield
|
|
Costume & Make-Up | Costume Design |
Joanne Mosley
|
Costume Assistant |
Lucy McGill
|
|
Hair Designer |
Ricci-Lee Berry
|
|
Makeup Designer |
Agnes Legere
|
|
Makeup Artist |
Chloe Fletcher
|
|
Directing | Director |
Brendon O'Loughlin
|
Script Supervisor |
Irene Maffei
|
|
Second Assistant Director |
Alex Paterakis
Ryan Wheeler
|
|
First Assistant Director |
Vaughn Stein
|
|
Sound | Music |
Nigel Clarke
Michael Csányi-Wills
|
Supervising Sound Editor |
Roland Heap
|
|
Music Editor |
Roland Heap
|
|
Sound Re-Recording Mixer |
Paul Cotterell
|
|
Sound Effects Editor |
Udit Duseja
|
|
Musician |
Nick Kingsley
|
|
ADR Mixer |
Robert Farr
|
|
Foley Artist |
Sue Harding
Rowena Wilkinson
|
|
Boom Operator |
Andrew Daynes
|
|
Dialogue Editor |
Marc Specter
|
|
Foley Editor |
Ben Brazier
|
|
Production Sound Mixer |
Marc Specter
|
|
Sound Mixer |
Jake Whitelee
|
|
Art | Production Design |
Celina Norris
|
Assistant Art Director |
Kieran Banks
|
|
Art Department Assistant |
Annabelle Coliadis
Ben Gibbons
|
|
Title Designer |
Peter Dickinson
|
|
Editing | Editor |
Jason Denning
|
Camera | Still Photographer |
Nigel Rogers
|
Steadicam Operator |
Pete Murray
|
|
Director of Photography |
Andreas Thalhammer
Xiaosu Han
|
|
Camera Operator |
Craig Viveiros
|
|
Epk Director |
Azi Rahman
|
|
Grip |
Stefan Vucsina
|
|
Second Unit Director of Photography |
James Friend
|
|
Additional First Assistant Camera |
Nicolas Lastschenko
|
|
First Assistant Camera |
Alexander Püringer
|
|
Additional Grip |
Samuel Lowes
|
|
Lighting | Gaffer |
Hannes Schindler
|
Crew | Post Production Supervisor |
Dan Bentham
|
Stunt Coordinator |
Peter Pedrero
|
|
Visual Effects | Visual Effects Producer |
Lorea Hoye
|
Visual Effects Supervisor |
Tom Collier
|
|
Digital Compositor |
Rich Nosworthy
Glen Pratt
Luke Butler
Naomi Butler
Angela Stanley
|
|
Animation |
Peter Dickinson
|
|
Visual Effects Coordinator |
Samantha Tracey
|
|
Special Effects Supervisor |
John Rafique
Dan Martin
|
|
Department | Role | Name |