Basic Instinct
(1992) A brutal murder. A brilliant killer. A cop who can't resist the danger. | Released
Ratings
41%
6.9
6.9
53%
Financials
Revenue: $352,927,224
Budget: $49,000,000
Profit: + $303,927,224
Movie Details
Tag Line: A brutal murder. A brilliant killer. A cop who can't resist the danger.
Status: Released
Average Rating: 7
Release Date: Mar 20, 1992
Rating: R
Run Time: 2h 07m
Original Language: English
Website: Link
Production Countries: United States of America , France
Production Companies: Carolco Pictures , Canal+
Genres
Keywords
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Synopsis
A violent police detective investigates a brutal murder that might involve a manipulative and seductive novelist.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Casting |
Howard Feuer
|
| Executive Producer |
Mario Kassar
|
|
| Producer |
Alan Marshall
|
|
| Location Manager |
Ellen Lent
|
|
| Unit Production Manager |
William S. Beasley
|
|
| Associate Producer |
William S. Beasley
Louis D'Esposito
|
|
| Production Assistant |
Nicole Boxer
|
|
| Casting Assistant |
Jakki Fink
|
|
| Publicist |
Lauren Beth Strogoff
|
|
| Production Accountant |
Jim Davidson
|
|
| Key Set Production Assistant |
Catherine Marie McDonald
|
|
| Production Coordinator |
Christine A. Johnston
|
|
| Extras Casting |
Mariann H.W. Lee
|
|
| Casting Associate |
Aslihan Coker
|
|
| Location Assistant |
Scott Beatty
|
|
| Assistant Accountant |
Jeff Ledbetter
|
|
| Assistant Production Coordinator |
Tim August
|
|
| Production Secretary |
Craig Dietrich
|
|
| Sound | Original Music Composer |
Jerry Goldsmith
|
| Orchestrator |
Alexander Courage
|
|
| Sound Editor |
Dean Beville
|
|
| Foley Editor |
Dean Beville
|
|
| Supervising Dialogue Editor |
Scott A. Hecker
|
|
| Music Editor |
Kenneth Hall
|
|
| Sound Effects Editor |
Ron Bartlett
|
|
| ADR Supervisor |
Norman B. Schwartz
|
|
| Foley Recordist |
Nerses Gezalyan
|
|
| Supervising Sound Effects Editor |
Stephen Hunter Flick
|
|
| Sound Re-Recording Mixer |
Carlos Delarios
|
|
| Foley Mixer |
Greg Orloff
|
|
| Dialogue Editor |
David A. Arnold
|
|
| Dolby Consultant |
Douglas Greenfield
|
|
| ADR Editor |
Nicholas Korda
|
|
| Musician |
Perry Montague Mason
|
|
| Music Coordinator |
Robin Glenn
|
|
| Sound Recordist |
Fred Runner
|
|
| Music Supervisor |
Harry Shannon
|
|
| Assistant Dialogue Editor |
Doug Kent
|
|
| ADR Mixer |
Thomas J. O'Connell
|
|
| Camera | Director of Photography |
Jan de Bont
|
| Key Grip |
Dave Childers
|
|
| First Assistant Camera |
Steve Adcock
|
|
| Steadicam Operator |
Larry McConkey
|
|
| Still Photographer |
Ralph Nelson Jr.
|
|
| Second Assistant Camera |
Jeffrey Greeley
|
|
| Camera Operator |
Kim Marks
|
|
| Best Boy Grip |
Robert J. Babin
|
|
| Grip |
Don Estes
|
|
| Dolly Grip |
Joseph Graham
|
|
| Art | Production Design |
Terence Marsh
|
| Art Direction |
Mark Billerman
William Cruse
|
|
| Set Decoration |
Anne Kuljian
|
|
| Assistant Art Director |
Roy Barnes
|
|
| Title Designer |
Wayne Fitzgerald
|
|
| Set Designer |
Stephen Myles Berger
|
|
| Swing |
Jonathan Bobbitt
|
|
| Property Master |
Dennis J. Parrish
|
|
| Production Illustrator |
David Lowery
|
|
| Construction Foreman |
Chris Chichotka
|
|
| Standby Painter |
Jennifer Clinard
|
|
| Painter |
Craig T. Shordon
|
|
| Construction Coordinator |
Richard W. Clot
|
|
| Leadman |
Gary E. Roloff
|
|
| Location Scout |
Jim Baldwin
|
|
| Assistant Property Master |
Gary F. Kieldrup
|
|
| Art Department Assistant |
Stephen Hessel
|
|
| Crew | Presenter |
Mario Kassar
|
| Special Effects |
John Frazier
|
|
| Special Effects Coordinator |
John Frazier
|
|
| Stunt Coordinator |
M. James Arnett
Charlie Picerni
|
|
| Stunts |
Seth Arnett
Gary Epper
Manny Perry
|
|
| Stand In |
Ron Roggé
|
|
| Stunt Double |
Donna Evans
Sandy Berumen
Janet Brady
|
|
| Aerial Coordinator |
Robert 'Bobby Z' Zajonc
|
|
| Propmaker |
Randy L. Childs
|
|
| Special Sound Effects |
John Pospisil
|
|
| Special Effects Technician |
Bruce Y. Kuroyama
|
|
| Public Relations |
Allen Burry
|
|
| Carpenter |
Gregory Lynch Jr.
|
|
| Cableman |
Mauriece Jacks Jr.
|
|
| Set Production Assistant |
Robin Allen
|
|
| Transportation Coordinator |
Randy Burke
|
|
| Choreographer |
Bill Landrum
|
|
| Post Production Supervisor |
Michael R. Sloan
|
|
| Transportation Captain |
Candace Wells
|
|
| Scenic Artist |
B.J. Fredrickson
|
|
| Special Effects Assistant |
Harold Selig
|
|
| Driver |
Homer Albin
James Marett
|
|
| Transportation Co-Captain |
Daniel B. Briggs
|
|
| Craft Service |
Frank Cunha
|
|
| Set Medic |
Christopher Desmond
|
|
| Projection |
Mike Kaufman
|
|
| Costume & Make-Up | Costume Design |
Ellen Mirojnick
|
| Costume Supervisor |
Michael Dennison
|
|
| Makeup Effects Designer |
Rob Bottin
|
|
| Makeup Artist |
David Forrest
|
|
| Hairstylist |
Audrey L. Anzures
|
|
| Set Dressing Artist |
J. Michael Davis
|
|
| Directing | Director |
Paul Verhoeven
|
| Second Unit Director |
M. James Arnett
|
|
| First Assistant Director |
Louis D'Esposito
|
|
| Second Second Assistant Director |
Michael Viglietta
|
|
| Script Supervisor |
Trudy Ramirez
|
|
| Writing | Screenplay |
Joe Eszterhas
|
| Editing | Editor |
Frank J. Urioste
|
| First Assistant Editor |
Derek Brechin
|
|
| Editorial Production Assistant |
Douglas Kunin
|
|
| Color Timer |
Bob Putynkowski
|
|
| Visual Effects | Visual Effects |
Al Magliochetti
|
| Lighting | Gaffer |
Leslie J. Kovacs
|
| Electrician |
Miles Anderson
|
|
| Rigging Grip |
Paul Threlkeld
|
|
| Best Boy Electric |
Benny McNulty
|
|
| Rigging Gaffer |
E. Christopher Reed
|
|
| Department | Role | Name |
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