Best Laid Plans
(1999) Keeping a relationship alive can be murder | Released
Ratings
40%
5.8
6.2
43%
Financials
Revenue: $0
Budget: $7,000,000
Profit: - $-7,000,000
Movie Details
Tag Line: Keeping a relationship alive can be murder
Status: Released
Average Rating: 6
Release Date: Apr 9, 1999
Rating: R
Run Time: 1h 32m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Fox 2000 Pictures , Dogstar Films
Genres
Keywords
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Synopsis
Rich, successful Bryce meets beautiful Lissa at a bar one night and invites her back to his house, not suspecting for a moment that Lissa isn't really who she seems. What unfolds next is a dangerous, tangled web of double-crosses and seduction.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Casting |
Mali Finn
|
| Producer |
Chris Moore
Sean Bailey
Alan Greenspan
Betsy Beers
|
|
| Executive Producer |
Mike Newell
|
|
| Casting Associate |
Emily Schweber
|
|
| Co-Producer |
Nancy Paloian
|
|
| Post Production Accountant |
Susan J. Bonno-Buckner
|
|
| Unit Production Manager |
Dwayne Shattuck
|
|
| Location Manager |
Diane Friedman
|
|
| Production Coordinator |
Linda Warrilow
|
|
| Production Accountant |
Harvey Malkin
|
|
| Assistant Production Coordinator |
Christopher Kahn
|
|
| Production Secretary |
Sarah Yang
|
|
| Writing | Writer |
Ted Griffin
|
| Sound | Original Music Composer |
Craig Armstrong
|
| Sound Mixer |
Reinhard Stergar
|
|
| Boom Operator |
Kevin Hyde
|
|
| Crew | Special Effects Coordinator |
Gary D'Amico
|
| Special Effects |
Philip Bartko
Jay Bartus
|
|
| Stunt Coordinator |
Spike Silver
|
|
| Transportation Coordinator |
Matthew Ballard
|
|
| Special Effects Assistant |
Jeff Miller
|
|
| Transportation Captain |
Guy J. Graves
|
|
| Art | Set Designer |
Sloane U'Ren
|
| Assistant Art Director |
David Sandefur
|
|
| Production Design |
Sophie Becher
|
|
| Art Direction |
John Zachary
|
|
| Art Department Coordinator |
Ann Shea
|
|
| Property Master |
Gay Perello
|
|
| Set Decoration |
Nicki Roberts
|
|
| Directing | First Assistant Director |
Paul N. Martin
|
| Second Second Assistant Director |
Basil Grillo
|
|
| Director |
Mike Barker
|
|
| Script Supervisor |
Jacqueline R. Clay
|
|
| Second Assistant Director |
L. David Silva
|
|
| Editing | Editor |
Sloane Klevin
|
| Camera | Director of Photography |
Ben Seresin
|
| Camera Operator |
Nathaniel Goodman
|
|
| Key Grip |
Sean Patrick Crowell
|
|
| Steadicam Operator |
Gregory W. Smith
|
|
| Still Photographer |
Jim Sheldon
|
|
| First Assistant Camera |
Michelle Crenshaw
Mark Strasburg
|
|
| Best Boy Grip |
John Koth
|
|
| Dolly Grip |
Steve Ruffing
|
|
| Costume & Make-Up | Key Makeup Artist |
Brad Wilder
|
| Assistant Makeup Artist |
Sherilyn Stetz
|
|
| Key Hair Stylist |
Brenda Blatt
|
|
| Lighting | Electrician |
Glen Magers
|
| Gaffer |
Lonnie S. Gatlin
|
|
| Rigging Grip |
Clayton Fowler
|
|
| Department | Role | Name |
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