Big Mommas: Like Father, Like Son
(2011) Momma's got back-up. | Released
Ratings
22%
5.5
4.4
5%
Financials
Revenue: $83,600,000
Budget: $32,000,000
Profit: + $51,600,000
Movie Details
Tag Line: Momma's got back-up.
Status: Released
Average Rating: 6
Release Date: Feb 16, 2011
Rating: PG-13
Run Time: 1h 47m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: Regency Enterprises , New Regency Pictures , Friendly Films (II) , Runteldat Entertainment , The Collective Studios , Friendly Films Productions , 20th Century Fox
Genres
Keywords
People Rated This
Watch Big Mommas: Like Father, Like Son
Purchase (Rent or Buy this movie)
Synopsis
FBI agent Malcolm Turner and his 17-year-old son, Trent, go undercover at an all-girls performing arts school after Trent witnesses a murder. Posing as Big Momma and Charmaine, they must find the murderer before he finds them.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Executive Producer |
Arnon Milchan
Martin Lawrence
Jeff Kwatinetz
Jeremiah Samuels
|
| Casting |
Kim Coleman
Alexa L. Fogel
Mark Fincannon
|
|
| Producer |
David T. Friendly
Michael Green
|
|
| Unit Production Manager |
Jeremiah Samuels
|
|
| Location Casting |
Mark Fincannon
|
|
| Executive Assistant |
Sean Lampkin
|
|
| Associate Producer |
Darice Rollins
William Paul Clark
|
|
| Production Assistant |
Carmen Matheny
|
|
| Production Coordinator |
Ainslie Thomas
|
|
| Editing | Editor |
Priscilla Nedd-Friendly
|
| Negative Cutter |
Gary Burritt
|
|
| Assistant Editor |
Anthony Rosc
|
|
| Sound | Original Music Composer |
David Newman
|
| Music Supervisor |
Dave Jordan
Jojo Villanueva
|
|
| Sound Mixer |
Nerses Gezalyan
|
|
| Production Sound Mixer |
Whit Norris
|
|
| Sound Re-Recording Mixer |
Beau Borders
Kevin O’Connell
|
|
| Music Editor |
Tom Kramer
|
|
| Sound Effects Editor |
Karen Vassar Triest
|
|
| Supervising Sound Editor |
Kelly Oxford
|
|
| Camera | Director of Photography |
Anthony B. Richmond
|
| Camera Operator |
Jeffrey Greeley
|
|
| Still Photographer |
John Johnson
|
|
| Key Grip |
Art Bartels
|
|
| Steadicam Operator |
Rick Drapkin
|
|
| Crew | Choreographer |
Jamal Sims
|
| Stand In |
Michael L. Covington
Cody Rowlett
|
|
| Stunt Coordinator |
Lonnie R. Smith Jr.
|
|
| Stunts |
Lena Fennema
Reece Fleetwood
David Fletcher
Stan Lee Rice
|
|
| Writing | Story |
Don Rhymer
Matt Fogel
|
| Characters |
Darryl Quarles
|
|
| Screenplay |
Matt Fogel
|
|
| Directing | Director |
John Whitesell
|
| Script Supervisor |
Gail Hunter
|
|
| Assistant Director |
William Paul Clark
|
|
| Art | Art Direction |
Mark Garner
|
| Production Design |
Meghan C. Rogers
|
|
| Construction Coordinator |
Thomas A. Morris Jr.
|
|
| Set Designer |
Doug Fick
Justin O'Neal Miller
|
|
| Leadman |
Patrick Fuhrman
|
|
| Set Decoration |
Frank Galline
|
|
| Property Master |
Tracy Farrington
|
|
| Costume & Make-Up | Costume Design |
Leah Katznelson
|
| Makeup Department Head |
Beverly Jo Pryor
|
|
| Hair Department Head |
Camille Friend
|
|
| Lighting | Gaffer |
Russell Engels
|
| Electrician |
David Parker
|
|
| Department | Role | Name |
Join the discussion
Please Log in to comment