Ratings
81%
7.2
7.7
94%
Financials
Revenue: $4,229,114
Budget: $1,500,000
Profit: + $2,729,114
Movie Details
Tag Line: Breaking up is hard to do.
Status: Released
Average Rating: 7
Release Date: Mar 26, 1984
Rating: 2000-07-07
Run Time: 1h 37m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: River Road Productions , Foxton Entertainment
Sources:
Genres
Keywords
People Rated This
Main Cast
Crew
| Department | Role | Name |
|---|---|---|
| Editing | Editor |
Ethan Coen
Don Wiegmann
Joel Coen
|
| Editorial Consultant |
Edna Ruth Paul
|
|
| Negative Cutter |
Victor Concepcion
|
|
| Colorist |
Sheri Eisenberg
|
|
| Assistant Editor |
Peggy Connolly
|
|
| Production | Producer |
Ethan Coen
Joel Coen
|
| Production Assistant |
David McGill
Melanie Hecht
Darrell Kreitz
Van Brooks
Richard Woolsey
Shawn Malone
Adam Smith
Tom Martin
Webster Lewin
Ingrid Weigand
John Woodward
|
|
| Casting Associate |
Peter Golden
Phil DiMaggio
|
|
| Production Office Coordinator |
Alma Kuttruff
|
|
| Casting |
Edith M. Clark
Julie Hughes
Barry Moss
|
|
| Location Manager |
Edith M. Clark
|
|
| Location Coordinator |
Don Hartack
|
|
| Associate Producer |
Mark Silverman
|
|
| Executive Producer |
Daniel F. Bacaner
|
|
| Location Assistant |
H. Harris Willcockson
|
|
| Production Consultant |
Bruce Campbell
Sam Raimi
|
|
| Directing | Director |
Joel Coen
|
| Third Assistant Director |
Shannon Wood
|
|
| Script Supervisor |
Andreas Laven
|
|
| First Assistant Director |
Deborah Reinisch
|
|
| Second Assistant Director |
Steve Love
|
|
| Camera | Director of Photography |
Barry Sonnenfeld
|
| Key Grip |
Tom Prophet Jr.
|
|
| Focus Puller |
David J. Frederick
|
|
| Best Boy Grip |
Richard Creasy
|
|
| Clapper Loader |
Don Kirk
|
|
| Still Photographer |
Blaine Pennington
|
|
| Grip |
Angelo Louis Suasnovar Jr.
|
|
| Assistant Camera |
David J. Frederick
|
|
| Sound | Original Music Composer |
Carter Burwell
|
| Music Producer |
Murri Barber
|
|
| Sound Effects |
Lewis Goldstein
Blake Leyh
|
|
| Music Editor |
Todd Kasow
|
|
| Dolby Consultant |
Bradford L. Hohle
|
|
| Sound Re-Recording Mixer |
Mel Zelniker
|
|
| Sound Editor |
Michael R. Miller
Skip Lievsay
|
|
| Sound Mixer |
Lee Orloff
|
|
| Boom Operator |
Peter F. Kurland
|
|
| Art | Art Department Assistant |
Dave Pearce
Michael Peal
Jeffrey Michael Adams
Kathy Baker
Robert A. Sturtevant
Kirk Hunter
|
| Property Master |
Shirley Belwood
|
|
| Set Dresser |
Nancy Griffith
|
|
| Production Design |
Jane Musky
|
|
| Assistant Production Design |
Steve Roll
|
|
| Assistant Property Master |
Marcos E. González
|
|
| Graphic Designer |
Beth Perry
|
|
| Title Designer |
Dan Perri
|
|
| Lighting | Gaffer |
Joey Forsyte
|
| Electrician |
John Shaw
Don Wiegmann
|
|
| Assistant Electrician |
Julie Gant
|
|
| Visual Effects | Photo Retouching |
David Wander
|
| Writing | Writer |
Joel Coen
Ethan Coen
|
| Costume & Make-Up | Wardrobe Assistant |
Chelle Coleman
|
| Costume Design |
Sara Medina-Pape
|
|
| Special Effects Makeup Artist |
Paul R. Smith
|
|
| Prosthetic Makeup Artist |
Paul R. Smith
|
|
| Makeup Artist |
Jean Ann Black
|
|
| Crew | Special Effects Coordinator |
Loren Bivens
|
| Dialogue Coach |
Lizanne Brazell
|
|
| Carpenter |
Robert A. Sturtevant
|
|
| Driver |
Joseph Lockwood
|
|
| Special Effects |
Michael O'Sullivan
|
|
| Presenter |
Ben Barenholtz
Jim Pedas
Ted Pedas
|
|
| Stand In |
Bruce Campbell
|
|
| Thanks |
Ivan Bigley
Earl Miller
Hilary Nye
George Majesski
Ron Seres
|
|
| Special Sound Effects |
Fred Szymanski
Jun Mizumachi
|
|
| Animal Coordinator |
Marty Mahoney
|
|
| Department | Role | Name |
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