Bottle Rocket
(1996) They're not really criminals, but everyone's got to have a dream. | Released
Ratings
65%
6.7
7.1
85%
Financials
Revenue: $1,040,879
Budget: $7,000,000
Profit: - $-5,959,121
Movie Details
Tag Line: They're not really criminals, but everyone's got to have a dream.
Status: Released
Average Rating: 7
Release Date: Feb 21, 1996
Rating: 1996-02-21
Run Time: 1h 31m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Gracie Films , Columbia Pictures , Boyle-Taylor Productions
Sources:
Genres
Keywords
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Synopsis
Upon his release from a mental hospital following a nervous breakdown, the directionless Anthony joins his friend Dignan, who seems far less sane than the former. Dignan has hatched a harebrained scheme for an as-yet-unspecified crime spree that somehow involves his former boss, the (supposedly) legendary Mr. Henry.
Crew
| Department | Role | Name |
|---|---|---|
| Sound | Original Music Composer |
Mark Mothersbaugh
|
| Supervising Sound Editor |
Roxanne Jones McCarthy
Jeremy J. Gordon
|
|
| Sound Effects Editor |
Steven Ticknor
Mark Larry
Rich Tavtigian
John M. Chalfant
|
|
| Dialogue Editor |
Devin Joseph
Harry Cheney
David M. Cowan
|
|
| Sound Re-Recording Mixer |
R. Russell Smith
Carlos Delarios
Robert Appere
|
|
| Boom Operator |
Thom Dunaway
|
|
| ADR Editor |
John Sisti
|
|
| Foley Mixer |
Carmine Rubino
David W. Alstadter
|
|
| Foley Supervisor |
Scott A. Tinsley
|
|
| Utility Sound |
Eddie Sykes
|
|
| Assistant Sound Editor |
Ali Derakhshan
|
|
| Foley Editor |
Willy Allen
Allan Bromberg
|
|
| Music Editor |
Kim Naves
|
|
| Production Sound Mixer |
Stacy Brownrigg
|
|
| Directing | Director |
Wes Anderson
|
| First Assistant Director |
Jim Goldthwait
|
|
| Script Supervisor |
Scott Peterson
|
|
| Second Second Assistant Director |
Jim Flowers
|
|
| Second Assistant Director |
Heather Kritzer
|
|
| Camera | Director of Photography |
Robert D. Yeoman
|
| Key Grip |
Phill Fulton
|
|
| First Assistant Camera |
John Boccaccio
|
|
| Steadicam Operator |
Ralph Watson
John Nuler
|
|
| Grip |
Stephen Beasley
|
|
| Second Assistant Camera |
Paul Janossy
|
|
| Dolly Grip |
Michael Dunson
|
|
| Camera Loader |
Sheridan Farrell
|
|
| Still Photographer |
Deana Newcomb
|
|
| Editing | Editor |
David Moritz
|
| First Assistant Editor |
Daniel R. Padgett
|
|
| Assistant Editor |
Terry Hubbard
Holly Sachi
|
|
| Negative Cutter |
Theresa Repola Mohammed
|
|
| Production | Producer |
Cynthia Hargrave
Polly Platt
|
| Executive Producer |
Richard Sakai
Michael Taylor
Barbara Boyle
James L. Brooks
|
|
| Associate Producer |
Michael Lang
Andrew Wilson
|
|
| Co-Producer |
Ray Zimmerman
L.M. Kit Carson
|
|
| Production Coordinator |
Lisa Matsukawa
|
|
| Assistant Production Coordinator |
James C. Flores
|
|
| Location Manager |
Charles C. Chambers
|
|
| Assistant Location Manager |
John DeWees
Anthony Miller
|
|
| Casting |
Liz Keigley
|
|
| Unit Production Manager |
Ray Zimmerman
|
|
| Costume & Make-Up | Makeup Artist |
Manny Sarris Jr.
|
| Wardrobe Assistant |
Tere Duncan
|
|
| Wardrobe Supervisor |
Heather Mosher
|
|
| Costumer |
Cathie Filian
|
|
| Makeup Designer |
Nena Smarz
|
|
| Hair Designer |
Nena Smarz
|
|
| Costume Design |
Karen Patch
|
|
| Crew | Special Effects |
Randy E. Moore
|
| Stunt Coordinator |
Russell Towery
|
|
| Visual Effects | Special Effects Supervisor |
Margaret Johnson
|
| Lighting | Assistant Chief Lighting Technician |
Curtis Failor
|
| Chief Lighting Technician |
Chris Morley
|
|
| Art | Assistant Set Decoration |
Gretchen Goetz
|
| Construction Coordinator |
Roy Metcalf
|
|
| Set Dresser |
McPherson O. Downs
|
|
| Assistant Set Dresser |
James L. Avery Jr.
Eric Henshaw
Christian Kastner
|
|
| Leadman |
Ross Dreyer
|
|
| Set Decoration |
Sandy Reynolds-Wasco
|
|
| Art Direction |
Jerry Fleming
|
|
| Production Design |
David Wasco
|
|
| Writing | Writer |
Wes Anderson
Owen Wilson
|
| Department | Role | Name |