Brown's Requiem
(1998) In L.A., The Law Is Still For Sale. | Released
Ratings
5
5.9
50%
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line: In L.A., The Law Is Still For Sale.
Status: Released
Average Rating: 5
Release Date: Nov 1, 1998
Rating: 1998-11-01
Run Time: 1h 44m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: J & T Productions , Savvy Lad, Inc
Genres
Keywords
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Synopsis
Fritz Brown is an ex-LAPD, recovering alcoholic who now splits his time repossessing cars for a used car lot and staffing his one-man private detective agency. When a filthy caddie named Freddy "Fat Dog" Baker wanders into Fritz's office one day, flashing a wad of cash, Fritz is hired to follow Fat Dog's kid sister Jane, who is holed up with a Beverly Hills sugar daddy named Sol Kupferman. Kupferman is a 70 year-old bag man for the mob, and Fat Dog claims that "Solly K" is up to something evil that may harm Jane. The trail leads Fritz to an encounter with his dark past in the person of Haywood Cathcart, current head of LAPD internal affairs and the person who kicked Fritz off the police force.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Jason Freeland
|
| First Assistant Director |
George Bamber
|
|
| Second Assistant Director |
Robin Sheldon Jorden
|
|
| Script Supervisor |
Gabi Endicott
|
|
| Second Second Assistant Director |
Romano Paoletti
|
|
| Writing | Writer |
Jason Freeland
|
| Novel |
James Ellroy
|
|
| Production | Producer |
Tim Youd
David Scott Rubin
|
| Executive Producer |
Mark Ezralow
Theodore J. Farnsworth
John McDonnell III
|
|
| Casting |
Joseph Middleton
|
|
| Associate Producer |
Michael Rooker
Erik Kritzer
Kit jennings
Matt Radecki
Scott J. Jones
|
|
| Unit Production Manager |
Mark B. Lasser
|
|
| Production Coordinator |
Richard E. Chapla Jr.
|
|
| Assistant Production Coordinator |
Philip Lester
|
|
| Casting Associate |
Michelle Morris
|
|
| Camera | Director of Photography |
Seo Mutarevic
|
| First Assistant Camera |
David Sammons
|
|
| Second Assistant Camera |
Andrew Bikichky
|
|
| Additional Second Assistant Camera |
Gary Webster
Nathan Berggren
|
|
| Editing | Editor |
Toby Yates
|
| Assistant Editor |
Bryan Lamoureux
|
|
| Art | Production Design |
Marc L. Rizzo
|
| Art Direction |
Mike Islas
|
|
| Set Decoration |
Nick Ralbovsky
|
|
| Assistant Art Director |
Mehrnaz Ghappari
|
|
| Additional Set Dresser |
Sandy Adams
|
|
| Assistant Set Dresser |
Janette E. Kim
|
|
| Costume & Make-Up | Costume Design |
Mimi Melgaard
|
| Costume Supervisor |
Ruth Allegra Peña
|
|
| On Set Dresser |
Liba Daniels
|
|
| Key Makeup Artist |
Shirra
|
|
| Key Hair Stylist |
Cindy Dalvano
|
|
| Assistant Makeup Artist |
Merc Arceneaux
Alejandra Motamed
|
|
| Special Effects Makeup Artist |
Rob Burman
|
|
| Prosthetic Makeup Artist |
Rob Burman
|
|
| Sound | Supervising Sound Editor |
Andrew DeCristofaro
|
| Sound Re-Recording Mixer |
Marshall Garlington
Ken Teaney
|
|
| Sound Effects Editor |
Laura Kamper
Michael Kamper
Tim Walston
Elisabeth Flaum
|
|
| Supervising Sound Effects Editor |
Ann Scibelli
|
|
| Original Music Composer |
Cynthia Millar
|
|
| Sound Mixer |
B.J. Lehn
|
|
| Boom Operator |
Vincent Schelly
|
|
| Music Supervisor |
Todd Rosenberg
|
|
| Dialogue Editor |
Paul Curtis
John C. Stuver
|
|
| ADR Mixer |
Eric Thompson
|
|
| Foley Mixer |
Eric Thompson
|
|
| ADR Recordist |
Shawn Kennelly
|
|
| Foley Artist |
Joan Rowe
Sean Rowe
|
|
| Sound Re-Recording Assistant |
Juan Peralta
Laura Kamper
|
|
| Music Consultant |
Greg Longstreet
|
|
| Music Editor |
Kim Naves
Michael Baber
Jennifer Blank
|
|
| Crew | Post Production Supervisor |
Teresa Kelly
|
| Special Effects Coordinator |
David Waine
|
|
| Stunt Coordinator |
Kurt Bryant
|
|
| Department | Role | Name |