Carrie
(1976) If you've got a taste for terror… take Carrie to the prom. | Released
Ratings
85%
7.3
7.4
93%
Financials
Revenue: $33,800,000
Budget: $1,800,000
Profit: + $32,000,000
Movie Details
Tag Line: If you've got a taste for terror… take Carrie to the prom.
Status: Released
Average Rating: 7
Release Date: Nov 3, 1976
Rating: 1976-11-16
Run Time: 1h 38m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: United Artists
Sources:
Genres
Keywords
People Rated This
epw
Compatibility : N/AShared : N/Ajustingrilewlov44
Compatibility : N/AShared : N/Acdp
Compatibility : N/AShared : N/Ashaleen bean
Compatibility : N/AShared : N/A
lisbeth salander
Compatibility : N/AShared : N/Akeli.rey
Compatibility : N/AShared : N/Aeleanor.evans
Compatibility : N/AShared : N/Arolandbekk
Compatibility : N/AShared : N/A
Where to watch Carrie
Watch with a paid subscrition
Watch for free with ads
Purchaseble on (Rent or Buy episodes, seasons or full series)
Synopsis
Withdrawn and sensitive teen Carrie White faces taunting from classmates at school and abuse from her fanatically pious mother. When strange occurrences start happening around Carrie, she begins to suspect that she has supernatural powers.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Casting |
Harriet B. Helberg
|
| Producer |
Paul Monash
|
|
| Production Secretary |
Patricia Heade
|
|
| Associate Producer |
Louis A. Stroller
|
|
| Editing | Editor |
Paul Hirsch
|
| Assistant Editor |
Michael Kirchberger
|
|
| Sound | Original Music Composer |
Pino Donaggio
|
| Sound mixer |
Bert Hallberg
|
|
| Sound Editor |
Dan Sable
|
|
| Music Supervisor |
Michael Arciaga
|
|
| Boom Operator |
David Rust
|
|
| Assistant Sound Editor |
Lois Freeman
|
|
| Costume & Make-Up | Costume Design |
Rosanna Norton
|
| Hairstylist |
Adele Taylor
|
|
| Makeup Artist |
Wes Dawn
|
|
| Costumer |
Agnes Lyon
|
|
| Writing | Novel |
Stephen King
|
| Screenplay |
Lawrence D. Cohen
|
|
| Art | Art Direction |
Jack Fisk
Bill Kenney
|
| Set Decoration |
Robert Gould
|
|
| Painter |
Ken Patterson
|
|
| Property Master |
Gary Seybert
|
|
| Directing | Director |
Brian De Palma
|
| Script Supervisor |
Hannah Scheel
|
|
| Second Unit Director |
Dick Ziker
|
|
| Second Assistant Director |
Bill Scott
|
|
| First Assistant Director |
Donald Heitzer
|
|
| Camera | Director of Photography |
Mario Tosi
|
| Still Photographer |
Dave Friedman
Wynn Hammer
|
|
| Camera Operator |
Joel King
|
|
| Dolly Grip |
Ken Miller
|
|
| Best Boy Grip |
James Dyer
|
|
| Second Assistant Camera |
Joseph Cosko Jr.
|
|
| Key Grip |
Gene Griffith
|
|
| First Assistant Camera |
Dustin Blauvelt
|
|
| Crew | Special Effects |
Greg Auer
|
| Stunts |
Glory Fioramonti
Janet Brady
Mary Peters
|
|
| Stunt Double |
Mags Kavanaugh
|
|
| Stunt Coordinator |
Dick Ziker
|
|
| Lighting | Gaffer |
Joe Pender
|
| Department | Role | Name |