Chinatown
(1974) You get tough. You get tender. You get close to each other. Maybe you even get close to the truth. | Released
Ratings
86%
7.9
8.2
98%
Financials
Revenue: $30,000,000
Budget: $6,000,000
Profit: + $24,000,000
Movie Details
Tag Line: You get tough. You get tender. You get close to each other. Maybe you even get close to the truth.
Status: Released
Average Rating: 8
Release Date: Jun 20, 1974
Rating: 1974-06-20
Run Time: 2h 10m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Paramount Pictures , Long Road Productions , Robert Evans Company
Sources:
Genres
Keywords
People Rated This
raymondr62
Compatibility : N/AShared : N/Athorsten.scholz
Compatibility : N/AShared : N/Aerik.liljenwall
Compatibility : N/AShared : N/Axero_one
Compatibility : N/AShared : N/Aryanb
Compatibility : N/AShared : N/Abifurcation
Compatibility : N/AShared : N/Aepw
Compatibility : N/AShared : N/Aorla.sorensen
Compatibility : N/AShared : N/A
Where to watch Chinatown
Watch with a paid subscrition
Purchaseble on (Rent or Buy episodes, seasons or full series)
Synopsis
Private eye Jake Gittes lives off of the murky moral climate of sunbaked, pre-World War II Southern California. Hired by a beautiful socialite to investigate her husband's extra-marital affair, Gittes is swept into a maelstrom of double dealings and deadly deceits, uncovering a web of personal and political scandals that come crashing together.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Roman Polanski
|
| Assistant Director |
Hawk Koch
|
|
| Script Supervisor |
May Wale Brown
|
|
| Second Assistant Director |
Michele Ader
|
|
| Production | Producer |
Robert Evans
|
| Casting |
Jane Feinberg
Mike Fenton
|
|
| Unit Production Manager |
C.O. Erickson
|
|
| Associate Producer |
C.O. Erickson
|
|
| Sound | Original Music Composer |
Jerry Goldsmith
|
| Sound Editor |
Bob Cornett
|
|
| Music Editor |
John C. Hammell
|
|
| Sound Mixer |
Larry Jost
|
|
| Sound Re-Recording Mixer |
Charles Grenzbach
|
|
| Boom Operator |
Clint Althouse
|
|
| Camera | Director of Photography |
John A. Alonzo
|
| Camera Operator |
Hugh K. Gagnier
|
|
| Key Grip |
Bernie Schwartz
|
|
| Editing | Editor |
Sam O'Steen
|
| Assistant Editor |
Florence Williamson
|
|
| Art | Production Design |
Richard Sylbert
|
| Art Direction |
W. Stewart Campbell
|
|
| Set Decoration |
Ruby R. Levitt
|
|
| Title Designer |
Wayne Fitzgerald
|
|
| Property Master |
Bill MacSems
|
|
| Costume & Make-Up | Costume Design |
Anthea Sylbert
|
| Makeup Artist |
Hank Edds
Lee C. Harmon
|
|
| Hairstylist |
Susan Germaine
Vivienne Walker
|
|
| Wardrobe Supervisor |
Richard Bruno
Jean Merrick
|
|
| Crew | Special Effects |
Logan Frazee
|
| Stunt Coordinator |
Hal Needham
|
|
| Lighting | Gaffer |
Earl Gilbert
|
| Writing | Writer |
Robert Towne
Roman Polanski
|
| Department | Role | Name |