Crimson Tide
(1995) Danger runs deep. | Released
Ratings
66%
7.2
7.3
87%
Financials
Revenue: $157,387,195
Budget: $53,000,000
Profit: + $104,387,195
Movie Details
Tag Line: Danger runs deep.
Status: Released
Average Rating: 7
Release Date: May 12, 1995
Rating: R
Run Time: 1h 56m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Hollywood Pictures , Don Simpson/Jerry Bruckheimer Films
Genres
Keywords
People Rated This
Watch Crimson Tide
Purchase (Rent or Buy this movie)
Synopsis
After the Cold War, a breakaway Russian republic with nuclear warheads becomes a possible worldwide threat. U.S. submarine Capt. Frank Ramsey signs on a relatively green but highly recommended Lt. Cmdr. Ron Hunter to the USS Alabama, which may be the only ship able to stop a possible Armageddon. When Ramsay insists that the Alabama must act aggressively, Hunter, fearing they will start rather than stop a disaster, leads a potential mutiny to stop him.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Production Coordinator |
Crys Forsyth-Smith
|
| Producer |
Jerry Bruckheimer
Don Simpson
|
|
| Casting Associate |
Matthew Barry
|
|
| Casting |
Victoria Thomas
|
|
| Associate Producer |
James W. Skotchdopole
|
|
| Executive Producer |
Bill Unger
Lucas Foster
Mike Moder
|
|
| Unit Production Manager |
Michael Fottrell
|
|
| ADR Voice Casting |
Barbara Harris
|
|
| Assistant Location Manager |
Mark B. Johnson
|
|
| Location Manager |
Craig Pointes
|
|
| Production Assistant |
Vanessa Bendetti
|
|
| Production Accountant |
Jan Garner
|
|
| Second Assistant Accountant |
Linda C. Azevedo
|
|
| First Assistant Accountant |
Linden Johnson
|
|
| Extras Casting |
David Anthony
|
|
| Assistant Production Coordinator |
Jennifer Good
|
|
| Camera | Director of Photography |
Dariusz Wolski
|
| Additional Photography |
Dan Mindel
|
|
| Underwater Director of Photography |
Jim Dickson
|
|
| Still Photographer |
Richard Foreman Jr.
Linda R. Chen
|
|
| Aerial Camera |
Kurt E. Soderling
|
|
| Camera Operator |
Martin Schaer
|
|
| Steadicam Operator |
Dan Kneece
|
|
| Underwater Camera |
Tom Boyd
|
|
| Grip |
Hilary Klym
|
|
| Best Boy Grip |
Thomas Gibson
|
|
| Key Grip |
J. Michael Popovich
|
|
| Dolly Grip |
Larry Sweet
|
|
| Second Assistant Camera |
John Ellingwood
|
|
| First Assistant Camera |
Dennis J. Laine
|
|
| Assistant Camera |
Duane Mieliwocki
|
|
| Camera Loader |
Shai Greenberg
|
|
| Sound | Original Music Composer |
Hans Zimmer
|
| Music Editor |
Bob Badami
Will Kaplan
|
|
| ADR Editor |
Denise Horta
|
|
| Additional Sound Re-Recording Mixer |
Greg P. Russell
|
|
| Sound mixer |
William B. Kaplan
|
|
| Boom Operator |
Earl Sampson
|
|
| Conductor |
Nick Glennie-Smith
|
|
| Supervising ADR Editor |
Juno J. Ellis
|
|
| Orchestrator |
Bruce Fowler
|
|
| Foley Editor |
Fred Burke
|
|
| Sound Re-Recording Mixer |
Gregory H. Watkins
Rick Kline
Kevin O’Connell
|
|
| Foley Artist |
Kevin Bartnof
|
|
| Supervising Sound Editor |
George Watters II
|
|
| Sound Editor |
Midge Costin
|
|
| Assistant Sound Engineer |
Bruno Roussel
|
|
| Assistant Sound Editor |
Marva Fucci
|
|
| Foley Mixer |
Eric Gotthelf
|
|
| ADR Mixer |
Bob Baron
|
|
| Sound Effects Editor |
Kevin Clark
|
|
| Sound Recordist |
Matt Araki
|
|
| Utility Sound |
Michael McCormack
|
|
| Editing | Editor |
Chris Lebenzon
|
| Assistant Editor |
Andrea Bottigliero
|
|
| Color Timer |
Bob Putynkowski
|
|
| Negative Cutter |
Mary Beth Smith
|
|
| First Assistant Editor |
Rick Howe
|
|
| Associate Editor |
David Dresher
|
|
| Art | Art Direction |
James J. Murakami
Donald B. Woodruff
Dianne Wager
|
| Production Design |
Michael White
|
|
| Set Decoration |
Mickey S. Michaels
|
|
| Production Illustrator |
Sean Hargreaves
|
|
| Assistant Art Director |
Daniel Maltese
|
|
| Set Designer |
Richard Lawrence
|
|
| Construction Coordinator |
Dennis DeWaay
|
|
| Location Scout |
Dow Griffith
|
|
| Property Master |
Michael Papac
|
|
| Title Designer |
Robert Dawson
|
|
| Assistant Property Master |
Rick Chavez
|
|
| Standby Painter |
John Hinkle
|
|
| Construction Foreman |
Steve Fegley
|
|
| Leadman |
Edward G. Fitzgerald
|
|
| Swing |
Robert Camron
|
|
| Directing | Director |
Tony Scott
|
| First Assistant Director |
James W. Skotchdopole
|
|
| Script Supervisor |
P.R. Tooke
|
|
| Second Assistant Director |
John Wildermuth
|
|
| Second Second Assistant Director |
Angela C. Tortu
|
|
| Costume & Make-Up | Costume Design |
George L. Little
|
| Makeup Artist |
Ellen Wong
|
|
| Hairstylist |
Ron Scott
|
|
| Costume Supervisor |
Ellis Cohen
|
|
| Writing | Screenplay |
Michael Schiffer
|
| Story |
Michael Schiffer
Richard P. Henrick
|
|
| Lighting | Chief Lighting Technician |
Claudio Miranda
|
| Gaffer |
David Bartholomew
|
|
| Rigging Grip |
Ted Lewis
|
|
| Electrician |
Michael S. Adler
|
|
| Assistant Chief Lighting Technician |
Al DeMayo
|
|
| Visual Effects | Visual Effects Supervisor |
Hoyt Yeatman
|
| Modeling |
Matsune Suzuki
|
|
| 24 Frame Playback |
Monte Swann
|
|
| Compositing Artist |
John Murrah
|
|
| Visual Effects |
Tim Sassoon
|
|
| Visual Effects Producer |
Cecil Kramer
|
|
| Compositing Supervisor |
Blaine Kennison
|
|
| Crew | Driver |
Chris Haynes
|
| Additional Music |
Christopher Ward
|
|
| Lighting Camera |
Jan Richter-Friis
|
|
| Special Effects Coordinator |
Al Di Sarro
|
|
| Transportation Coordinator |
Michael Antunez
|
|
| Special Sound Effects |
John P. Fasal
|
|
| Unit Publicist |
Gabriela Gutentag
|
|
| Stunt Coordinator |
Steve Picerni
|
|
| Visual Effects Editor |
Thomas R. Bryant
|
|
| Special Effects |
Darrell Pritchett
|
|
| Stunts |
Chuck Picerni Jr.
Conn Horgan
|
|
| Digital Effects Supervisor |
Dan DeLeeuw
|
|
| Craft Service |
Ernest H. Lauterio
|
|
| Digital Producer |
Angie Russell
|
|
| Cableman |
Peggy Names
|
|
| Post Production Supervisor |
Miguel Ángel Poveda
|
|
| Transportation Captain |
Eddie A. Canett
|
|
| Special Effects Technician |
Gustavo R. Ferreyra
|
|
| Technical Advisor |
Skip Beard
|
|
| Department | Role | Name |
Join the discussion
Please Log in to comment