Ratings
Financials
Revenue: $0
Budget: $2,800,000
Profit: - $-2,800,000
Movie Details
Tag Line: Ever feel like something is watching you?
Status: Released
Average Rating: 5
Release Date: Dec 26, 2000
Rating: 2000-12-26
Run Time: 1h 34m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Flat Dog Corporation , Nu Image
Sources:
Genres
Keywords
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Synopsis
A group of friends including Brady Turner, Claire and Duncan McKay go out on a boat trip on a lake in Southern California, but their joyful weekend turns into horror, when a giant killer crocodile searching for its stolen eggs, picks off anyone who gets in its way. Can they all escape in one piece or will they slowly and painfully fall to the mammoth reptile.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Tobe Hooper
|
| Second Assistant Director |
Kevin Wyrauch
Maximillian D. Day
|
|
| First Assistant Director |
Thomas Burke
|
|
| Production | Producer |
Boaz Davidson
Danny Lerner
Frank DeMartini
|
| Associate Producer |
Lee Lazarow
Vern Crofoot
|
|
| Unit Production Manager |
Dwayne Shattuck
|
|
| Executive Producer |
Avi Lerner
Trevor Short
Danny Dimbort
|
|
| Co-Executive Producer |
Eddy Chamichian
|
|
| Line Producer |
Víctor Zavala Kugler
Antonio Zavala Kugler
|
|
| Casting |
Dori Zuckerman
Cathy Henderson
|
|
| Supervising Producer |
Alejandra Cárdenas
|
|
| Post Production Coordinator |
Jordan Kessler
|
|
| Production Coordinator |
Dave Duce
|
|
| Key Set Production Assistant |
Kent D. Smith
|
|
| Camera | Still Photographer |
Eric H. Lasher
|
| Costume & Make-Up | Makeup Artist |
Sergio López
|
| Key Hair Stylist |
Sergio López
|
|
| Key Makeup Artist |
Phillip Pico
|
|
| Costume Design |
Carin Hooper
|
|
| Art | Painter |
Phil Carbonaro
|
| Production Design |
Whitney Brooke Wheeler
Peter Kanter
|
|
| Set Decoration |
Mae Brunken
|
|
| Art Direction |
Dan Statler
John Marshall
|
|
| Assistant Property Master |
Vern Crofoot
Chris Dechert
|
|
| Property Master |
Lee Lazarow
|
|
| Set Dresser |
René Marquéz
Gabrael Wilson
|
|
| Sound | Foley |
Eric Shemkovitz
|
| Boom Operator |
Chris Sposa
William Munro
|
|
| Sound Mixer |
David Chornow
|
|
| Sound Editor |
Colin Bates
|
|
| Original Music Composer |
Serge Colbert
|
|
| Writing | Story |
Boaz Davidson
|
| Screenplay |
Adam Gierasch
Michael D. Weiss
Jace Anderson
|
|
| Crew | Post Production Supervisor |
Todd Gilbert
George Gale
|
| Special Effects |
Sergio Jara Jr.
|
|
| Mix Technician |
Eric Shemkovitz
|
|
| Special Effects Coordinator |
Chiz Hasegawa
Sergio Jara
George Phillips
|
|
| Pyrotechnician |
Richard L. Hill
|
|
| Cinematography |
Eliot Rockett
|
|
| Stunts |
Carin Berger
Maximillian D. Day
|
|
| Visual Effects | 3D Animator |
Robert F. Peppler
Steve Carpenter
John Ortman
Bryan Blevins
|
| Digital Compositors |
Eric Reinhard
Kevin Kutchaver
David Rednour
John Gust Anderson
|
|
| Visual Effects Supervisor |
Kevin O'Neill
|
|
| 3D Artist |
Adam Klein
|
|
| 3D Supervisor |
Doug Beswick
Everett Burrell
|
|
| 3D Modeller |
Owen Hammer
|
|
| Mechanical Designer |
Wes C. Caefer
|
|
| Visual Effects Coordinator |
Edward Irastorza
|
|
| Creature Technical Director |
Greg Nicotero
|
|
| Visual Effects Producer |
Theresa Rowlee
|
|
| Editing | Editor |
Andy Horvitch
Alain Jakubowicz
|
| Assistant Editor |
Alison Learned Wolf
|
|
| Department | Role | Name |
