Ratings
Financials
Revenue: $48,900,000
Budget: $16,000,000
Profit: + $32,900,000
Movie Details
Tag Line: They destroyed everything he had, everything he was. Now, crime has a new enemy and justice has a new face.
Status: Released
Average Rating: 6
Release Date: Aug 24, 1990
Rating: 1990-08-24
Run Time: 1h 35m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Universal Pictures , Renaissance Pictures
Sources:
Genres
Keywords
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Synopsis
Dr. Peyton Westlake is on the verge of realizing a major breakthrough in synthetic skin when his laboratory is destroyed by gangsters. Having been burned beyond recognition and forever altered by an experimental medical procedure, Westlake becomes known as Darkman, assuming alternate identities in his quest for revenge and a new life with a former love.
Crew
| Department | Role | Name |
|---|---|---|
| Writing | Screenplay |
Chuck Pfarrer
Sam Raimi
Ivan Raimi
Daniel Goldin
Joshua Goldin
|
| Story |
Sam Raimi
|
|
| Production | Producer |
Robert Tapert
|
| Production Manager |
Paul Hellerman
Issy Shabtay
Patricia Whitcher
|
|
| Location Manager |
Gerrit V. Folsom
|
|
| Casting |
Nancy Nayor
|
|
| Line Producer |
Daryl Kass
|
|
| Production Coordinator |
Kristin Smith
|
|
| Casting Assistant |
Debbie DeRango
|
|
| Production Executive |
Tom Prince
|
|
| First Assistant Accountant |
April A. Janow
|
|
| Sound | Original Music Composer |
Danny Elfman
|
| Foley |
James Moriana
Jeffrey Wilhoit
Pat Carol
|
|
| Supervising Sound Editor |
Terry Rodman
|
|
| Sound Effects Editor |
Dino DiMuro
Mark Lanza
Steve Mann
|
|
| Sound Re-Recording Mixer |
Robert Thirlwell
Matthew Iadarola
Dan Wallin
|
|
| Music Editor |
Bob Badami
|
|
| Orchestrator |
Steve Bartek
|
|
| ADR Editor |
Andrea Horta
Mark P. Stoeckinger
Joseph A. Mayer
|
|
| ADR Mixer |
Jeff Courtie
Christina Tucker
|
|
| ADR Supervisor |
Bill Voigtlander
|
|
| Assistant Sound Editor |
Robert Batha
Jill Smith
|
|
| Foley Mixer |
Alan Holly
|
|
| Foley Supervisor |
John Murray
|
|
| Sound Editor |
David A. Arnold
Neal Burger
Mark Lanza
Steve Mann
Patrick O'Sullivan
Dino DiMuro
Kevin Hearst
Scott Martin Gershin
|
|
| Sound Mixer |
Don Summer
|
|
| Sound Supervisor |
Michael D. Wilhoit
|
|
| Camera | Director of Photography |
Bill Pope
|
| Helicopter Camera |
Frank M. Holgate
|
|
| Still Photographer |
Melinda Sue Gordon
|
|
| First Assistant Camera |
Gary D. Scott
|
|
| Grip |
Kevin 'Rambo' Fitzgerald
Kurt Grossi
Kim Heath
Tim Durr
|
|
| Steadicam Operator |
László Regos
|
|
| Editing | Editor |
Bud S. Smith
David Stiven
Bob Murawski
|
| First Assistant Editor |
Richard Alderete
|
|
| Additional Editor |
Kathie Weaver
|
|
| Assistant Editor |
Jody Fedele
Bob Murawski
Darrin Navarro
|
|
| Supervising Editor |
Bud S. Smith
M. Scott Smith
|
|
| Costume & Make-Up | Costume Design |
Grania Preston
|
| Makeup Artist |
Larry Hamlin
|
|
| Set Costumer |
Lisa Burnett
Lynda Foote
|
|
| Hair Department Head |
Susan Exton-Stranks
|
|
| Key Makeup Artist |
Deborah K. Larsen
|
|
| Special Effects Makeup Artist |
Tony Gardner
Larry Hamlin
|
|
| Art | Production Design |
Randy Ser
|
| Art Direction |
Phil Dagort
|
|
| Set Decoration |
Julie Kaye Fanton
|
|
| Art Department Coordinator |
Elizabeth Flaherty
|
|
| Assistant Art Director |
Michael Paul Clausen
Thomas Fichter
Gary Frutkoff
|
|
| Construction Foreman |
Ron Ervin
David McKlveen
|
|
| Set Designer |
Ginni Barr
George Denes Suhayda
|
|
| Painter |
Barbara A. Bordo
|
|
| Title Designer |
Pablo Ferro
|
|
| Property Master |
Kirk Corwin
|
|
| Assistant Property Master |
John Harrington
|
|
| Assistant Set Decoration |
Michele Poulik
|
|
| Construction Coordinator |
Scott Meehan
|
|
| Props |
Christopher Gilman
|
|
| Set Dresser |
Edmond Scott Ratliff
John Smart
|
|
| Storyboard Artist |
Janet Kusnick
Ric Scott
Pete von Sholly
|
|
| Crew | Scenic Artist |
Roger Nall
|
| Visual Effects Art Director |
Tim Donahue
|
|
| Stunt Coordinator |
Christopher Doyle
|
|
| Unit Publicist |
Stacy Ivers
|
|
| Armorer |
Tony Didio Jr.
|
|
| Pilot |
Harry Hauss
|
|
| Carpenter |
Allan Johnson
|
|
| Propmaker |
Thomas D. Krausz
|
|
| Special Effects Technician |
Werner Hahnlein
Ric Scott
|
|
| Stunts |
Debbie Evans
Gene LeBell
Manny Perry
Gregory J. Barnett
Chuck Borden
Allan Graf
Lane Leavitt
Sherry Peterson
Tim Trella
John Casino
|
|
| Utility Stunts |
Barbara Anne Klein
|
|
| Visual Effects | Visual Effects Producer |
Julia Gibson
|
| Visual Effects Supervisor |
Craig Barron
William Mesa
Robert Skotak
|
|
| Animation |
Jammie Friday
|
|
| Mechanical Designer |
Randy Simper
Doug Beswick
Evan Brainard
Caleb Chung
Steve Dunham
Steve Frakes
Roger McCoin
|
|
| Visual Effects Camera |
Michael Lawler
John P. Mesa
Marcus Tate
|
|
| VFX Artist |
Ric Scott
|
|
| Visual Effects |
Tom Boucher
Kendall Nishimine
|
|
| Lighting | Gaffer |
Dante Cardone
Max Pomerleau
|
| Rigging Grip |
Brad Wood
Wayne Kosky
Gary Drew
Tony Jefferson
Scott Sproule
|
|
| Directing | Script Supervisor |
Corinne Saaranen-Welch
|
| First Assistant Director |
Scott Javine
|
|
| Director |
Sam Raimi
|
|
| Second Assistant Director |
Francis R. Mahony III
|
|
| Department | Role | Name |







