Death Warrant
(1990) He loves a good fight. | Released
Ratings
6.2
5.6
Financials
Revenue: $16,853,487
Budget: $4,000,000
Profit: + $12,853,487
Movie Details
Tag Line: He loves a good fight.
Status: Released
Average Rating: 6
Release Date: Sep 14, 1990
Rating: R
Run Time: 1h 29m
Original Language: English
Website: -
Production Countries: Canada , United States of America
Production Companies: Pathé Pictures International , The Cannon Group , Metro-Goldwyn-Mayer
Genres
Keywords
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Synopsis
The Canadian policeman Louis Burke is assigned in a jail to investigate the murders of prisoners and jailors. When in jail, Louis, using his outstandings martial arts skills, is able to save his life and make himself respected in that violent world. At least, helped by two another prisoners, he succeded in finding the truth about the dreadful crimes. In a violent and corrupt prison, decorated cop Louis Burke must infiltrate the jail to find answers to a number of inside murders. What he finds is a struggle of life and death tied in to his own past.
Crew
| Department | Role | Name |
|---|---|---|
| Writing | Writer |
David S. Goyer
|
| Production | Producer |
Alan Ladd Jr.
Mark DiSalle
|
| Associate Producer |
Andrew G. La Marca
|
|
| Unit Production Manager |
John H. Burrows
|
|
| Casting |
Cathy Henderson
Michael Cutler
|
|
| Production Coordinator |
Valerie Mickaelian Kucera
|
|
| Location Manager |
Terry Gusto
|
|
| Assistant Production Coordinator |
Judy Biggs
|
|
| Production Accountant |
Nancy Ramey
|
|
| Costume & Make-Up | Wardrobe Supervisor |
Sanja Milković Hays
|
| Costume Design |
Joseph A. Porro
|
|
| Special Effects Makeup Artist |
Lance Anderson
Jeffrey S. Farley
|
|
| Makeup Artist |
Nina Kraft
|
|
| On Set Dresser |
R. Vincent Smith
|
|
| Assistant Hairstylist |
Gunnar Swanson
|
|
| Assistant Makeup Artist |
Susan Reiner
|
|
| Camera | Director of Photography |
Russell Carpenter
|
| Assistant Camera |
Ken Fisher
|
|
| Steadicam Operator |
Elizabeth Ziegler
|
|
| Still Photographer |
Marsha Blackburn
|
|
| First Assistant Camera |
Mark R. Jackson
|
|
| Second Assistant Camera |
Scott Hering
|
|
| Key Grip |
John Buckner
|
|
| Crew | Stunts |
Gilbert B. Combs
Gene LeBell
Gary Epper
Ronnie Rondell Jr.
Kurt Bryant
Michael Runyard
Gary Baxley
Kenny Endoso
|
| Stunt Coordinator |
Jeff Imada
|
|
| Special Effects Coordinator |
Greg Landerer
|
|
| Carpenter |
Gary Allan Worrell
|
|
| Sound | Music |
Gary Chang
|
| Music Editor |
Bill Black
Sherry Whitfield
|
|
| Sound Re-Recording Mixer |
Patrick Cyccone Jr.
Frank A. Montaño
|
|
| ADR Mixer |
Tommy Goodwin
|
|
| Foley Mixer |
Tommy Goodwin
|
|
| Assistant Sound Editor |
Michael Rafferty
Janelle Showalter
|
|
| Dialogue Editor |
David Campling
|
|
| Foley Editor |
Karola Storr
|
|
| Sound Recordist |
David Cunningham
|
|
| Sound Designer |
Mike Le Mare
|
|
| Foley Artist |
John Pospisil
Nancy Parker
|
|
| Music Supervisor |
Joachim H. Hansch
|
|
| Sound Effects Editor |
Anthony Palk
|
|
| Sound Mixer |
Robert J. Anderson Jr.
|
|
| ADR Recordist |
Dean St. John
|
|
| Foley Recordist |
Dean St. John
|
|
| Boom Operator |
Matthew McFadden
|
|
| Art | Property Master |
Michael Milgrom
|
| Production Design |
Curtis A. Schnell
|
|
| Set Decoration |
Richard K. Hummel
|
|
| Art Direction |
Robert Lee
|
|
| Leadman |
Michael Kraft
|
|
| Assistant Property Master |
William Shaw
|
|
| Art Department Coordinator |
Tommy Williams
|
|
| Directing | Director |
Deran Sarafian
|
| First Assistant Director |
Chase Newhart
|
|
| Second Assistant Director |
David Kelley
Mathew Dunne
|
|
| Script Supervisor |
Connie Barzaghi
|
|
| Editing | Editor |
G. Gregg McLaughlin
John A. Barton
|
| Assistant Editor |
Christopher Kroll
|
|
| Lighting | Lighting Technician |
Michael J. Schwartz
|
| Electrician |
George M. Chappell
Antar Abderrahman Jr.
Marc David Schultz
Chuck Mason
|
|
| Chief Lighting Technician |
Reginald F. Lake
|
|
| Department | Role | Name |