Deep Impact
(1998) Oceans rise. Cities fall. Hope survives. | Released
Ratings
40%
6.2
6.1
48%
Financials
Revenue: $349,464,664
Budget: $75,000,000
Profit: + $274,464,664
Movie Details
Tag Line: Oceans rise. Cities fall. Hope survives.
Status: Released
Average Rating: 6
Release Date: May 8, 1998
Rating: 1998-05-08
Run Time: 2h 01m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Paramount Pictures , DreamWorks Pictures , Amblin Entertainment , The Zanuck/Brown Company
Sources:
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Keywords
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Synopsis
A seven-mile-wide space rock is hurtling toward Earth, threatening to obliterate the planet. Now, it's up to the president of the United States to save the world. He appoints a tough-as-nails veteran astronaut to lead a joint American-Russian crew into space to destroy the comet before impact. Meanwhile, an enterprising reporter uses her smarts to uncover the scoop of the century.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Producer |
Richard D. Zanuck
David Brown
|
| Executive Producer |
Joan Bradshaw
Walter F. Parkes
Steven Spielberg
|
|
| Casting |
Allison Jones
Judith Bouley
|
|
| Location Manager |
George Herthel
|
|
| Associate Producer |
D. Scott Easton
|
|
| Unit Production Manager |
D. Scott Easton
|
|
| Production Supervisor |
Peter M. Tobyansen
|
|
| Production Coordinator |
Eileen Godoy
|
|
| Production Accountant |
Pam Kaye
|
|
| Assistant Location Manager |
Patrick Burn
|
|
| Location Assistant |
Brian Glazen
|
|
| Payroll Accountant |
Lori Ikeda
|
|
| Production Secretary |
Bob Merrick
|
|
| Production Assistant |
Todd Carroll
|
|
| Assistant Production Coordinator |
John Latenser V
|
|
| Casting Assistant |
Wendy Washbrook
|
|
| Assistant Accountant |
Laura Tiz
|
|
| Production Driver |
Shaun Ryan
|
|
| Extras Casting |
Kimberly Skyrme
|
|
| Production Executive |
Steven R. Molen
|
|
| Second Assistant Accountant |
Jan Cosby
|
|
| Key Production Assistant |
Jennifer L. Pearlman
|
|
| Travel Coordinator |
Kurt Zelnak
|
|
| Art Department Production Assistant |
Heather Kelton
|
|
| Editing | Editor |
David Rosenbloom
Paul Cichocki
|
| Color Timer |
Jim Passon
|
|
| First Assistant Editor |
Scott Janush
|
|
| Assistant Editor |
Ken Blackwell
|
|
| Negative Cutter |
Doug Jones
|
|
| Colorist |
Michael Healey
|
|
| Camera | Director of Photography |
Dietrich Lohmann
|
| Still Photographer |
Myles Aronowitz
|
|
| Camera Operator |
Scott E. Steele
Guy Norman Bee
|
|
| Steadicam Operator |
Guy Norman Bee
|
|
| Camera Technician |
Steven J. Winslow
|
|
| Key Grip |
Tim Ryan
|
|
| Aerial Director of Photography |
Phil Pastuhov
|
|
| Additional Camera |
Don Burgess
|
|
| Grip |
Nico Bally
|
|
| First Assistant Camera |
Andrew Priestley
|
|
| Camera Loader |
Cheli Clayton
|
|
| Assistant Camera |
John T. Connor
|
|
| Second Assistant Camera |
Mindy Bee
|
|
| Dolly Grip |
Steve Robertson
|
|
| Best Boy Grip |
Mike Fay
|
|
| Directing | Director |
Mimi Leder
|
| Second Assistant Director |
Lisa M. Rowe
Alison C. Rosa
Glen Trotiner
|
|
| Second Unit First Assistant Director |
Cara Giallanza
Michele Ziegler
|
|
| First Assistant Director |
Robert Rooy
Dana J. Kuznetzkoff
K.C. Colwell
|
|
| Script Supervisor |
Faith Conroy
|
|
| Script Coordinator |
Larry Leahy
|
|
| Second Unit Director |
E.J. Foerster
Mark Vargo
|
|
| Additional Second Assistant Director |
Wainani Young-Tomich
|
|
| Second Second Assistant Director |
Paula Case
|
|
| Costume & Make-Up | Costume Design |
Ruth Myers
|
| Hair Department Head |
Waldo Sanchez
|
|
| Prosthetics |
Gary Archer
|
|
| Set Costumer |
Bob Moore Jr.
Marsha Bozeman
|
|
| Makeup Department Head |
John M. Elliott Jr.
|
|
| Costume Supervisor |
Michelle Kurpaska
|
|
| Makeup Artist |
Barbara Lacy
|
|
| Costumer |
Anthony J. Lipin
|
|
| Sound | Original Music Composer |
James Horner
|
| Second Assistant Sound |
Jeff Cranford
Todd Harris
Jonathan Phillips
David Werntz
|
|
| Sound Editor |
Patrick J. Foley
|
|
| Supervising Sound Editor |
J. Paul Huntsman
Walter Newman
|
|
| Sound Effects Editor |
John Voss Bonds Jr.
Jayme S. Parker
Christopher S. Aud
Timothy A. Cleveland
George Nemzer
Mark L. Mangino
|
|
| Music Editor |
Joe E. Rand
|
|
| Sound Designer |
John P. Fasal
|
|
| Sound Recordist |
Philip Rogers
|
|
| Boom Operator |
Raul A. Bruce
|
|
| ADR Supervisor |
Joe Dorn
|
|
| Sound |
Mark Hopkins McNabb
|
|
| Foley Mixer |
Eric Gotthelf
|
|
| ADR Editor |
Andrew Somers
Kimberly Lowe Voigt
|
|
| Dialogue Editor |
Mark L. Mangino
John F. Reynolds
Andrew Somers
Patrick J. Foley
|
|
| Foley Artist |
Ginger Geary
|
|
| Supervising Music Editor |
Jim Henrikson
|
|
| Additional Sound Re-Recording Mixer |
David Raines
|
|
| Foley Supervisor |
Jeff Rosen
|
|
| Sound Assistant |
Robb Wilson
|
|
| Conductor |
James Horner
|
|
| Music Producer |
Simon Rhodes
|
|
| Visual Effects | Visual Effects Coordinator |
Janet Lewin
Adrienne Anderson
|
| Digital Compositor |
Danny Mudgett
Gregory Oehler
|
|
| Compositing Supervisor |
Jeff Heusser
|
|
| Animation |
Jason Ivimey
Philip Edward Alexy
Steve Nichols
|
|
| Visual Effects Supervisor |
Kenneth Jones
Scott Farrar
|
|
| Visual Effects Producer |
Denise Ream
|
|
| Modeling |
Craig Lyn
|
|
| Digital Compositors |
Suzanne Mitus-Uribe
|
|
| Visual Effects Production Assistant |
Paula Nederman
|
|
| Art | Property Master |
Tommy Tomlinson
Scott Nifong
Batia Grafka
|
| Assistant Property Master |
Michael D. Harrell
Kris Peck
César Díez Álava
|
|
| Sculptor |
David French
Cuitlahuac Morales Velazquez
|
|
| Set Dresser |
Shannon Curfman
David L. McGuire
Kristina Kilpe
|
|
| Greensman |
Frank McEldowney
Jeff Brown
|
|
| Props |
Gary Tuers
|
|
| Storyboard Artist |
Philip Keller
Michael Anthony Jackson
David Lowery
Raymond Prado
Richard K. Buoen
|
|
| Set Designer |
Dean Wolcott
Suzan Torres
Richard F. Mays
Josh Lusby
|
|
| Art Direction |
Dennis Bradford
Andrew Neskoromny
Gary Kosko
Thomas Valentine
|
|
| Production Design |
Leslie Dilley
|
|
| Set Decoration |
Peg Cummings
|
|
| Assistant Art Director |
Paul Sonski
Eric Rosenberg
Masako Masuda
|
|
| Construction Coordinator |
John Villarino
|
|
| Leadman |
Mark Sakamoto
|
|
| Location Scout |
Kathleen Beall
|
|
| Construction Foreman |
Robb W. Ward
|
|
| Concept Artist |
Derek Thompson
|
|
| Title Designer |
Phill Norman
|
|
| Set Buyer |
Carl Catanese
|
|
| Crew | Stunt Coordinator |
Charles Croughwell
|
| Transportation Coordinator |
Robert Neilson
|
|
| CG Supervisor |
Michael Bauer
|
|
| Propmaker |
Randy L. Childs
|
|
| Utility Stunts |
Scott Sproule
|
|
| Projection |
Timothy Greenwood
|
|
| Special Effects Coordinator |
Michael Lantieri
|
|
| Systems Administrators & Support |
Toby Gallo
|
|
| Driver |
Edward Cook
|
|
| Post Production Supervisor |
Bradley M. Goodman
|
|
| Stunts |
Seth Arnett
Joni Avery
Tom Morga
Jennifer Lamb
Debbie Evans
Cinda-Lin James
|
|
| Digital Effects Supervisor |
David Sosalla
|
|
| Transportation Captain |
Maylon Houston
|
|
| Visual Effects Art Director |
Alex Jaeger
|
|
| Video Assist Operator |
Roger Donegan
|
|
| Thanks |
Alex Humphrey
|
|
| Visual Effects Editor |
Timothy Eaton
|
|
| Technical Supervisor |
Patrick Phillips
|
|
| Stunt Double |
Cinda-Lin James
Leigh Hennessy
Danny Downey
|
|
| Stunt Driver |
Debbie Evans
Michael Alexander Collins
|
|
| Technical Advisor |
Bert Maatta
|
|
| In Memory Of |
Dietrich Lohmann
|
|
| Special Effects Technician |
Thomas Brown
|
|
| Special Effects Assistant |
Douglas Retzler
|
|
| Unit Publicist |
Stuart Fink
|
|
| Lighting | Gaffer |
Jack Coffen
|
| Electrician |
Eric S. Adamson
|
|
| Best Boy Electric |
Walter Bithell
|
|
| Rigging Grip |
Jerry Kim
|
|
| Lighting Technician |
James Frederick
|
|
| Chief Lighting Technician |
Jon R. Tower
|
|
| Writing | Writer |
Bruce Joel Rubin
Michael Tolkin
|
| Department | Role | Name |
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