Fever Pitch
(1997) Life Gets Complicated When You Love One Woman And Worship Eleven Men | Released
Ratings
55%
6.5
6.7
50%
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line: Life Gets Complicated When You Love One Woman And Worship Eleven Men
Status: Released
Average Rating: 7
Release Date: Apr 4, 1997
Rating: 1999-10-15
Run Time: 1h 42m
Original Language: English
Website: -
Production Countries: United Kingdom
Production Companies: Scala Productions , Wildgaze Films , Film4 Productions
Genres
Keywords
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Synopsis
A romantic comedy about a man, a woman and a football team. Based on Nick Hornby's best selling autobiographical novel, Fever Pitch. English teacher Paul Ashworth believes his long standing obsession with Arsenal serves him well. But then he meets Sarah. Their relationship develops in tandem with Arsenal's roller coaster fortunes in the football league, both leading to a nail biting climax.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Producer |
Amanda Posey
|
| Casting |
Liora Reich
|
|
| Line Producer |
Nick O'Hagan
|
|
| Executive Producer |
Nik Powell
Stephen Woolley
|
|
| Location Manager |
Bill Barringer
Benjamin Greenacre
|
|
| Camera | Director of Photography |
Chris Seager
|
| Still Photographer |
Laurie Sparham
Nick Wall
|
|
| Steadicam Operator |
Alf Tramontin
|
|
| Art | Art Direction |
Karen Wakefield
|
| Production Design |
Michael Carlin
|
|
| Assistant Art Director |
Steve Carter
|
|
| Standby Property Master |
Noel Cowell
|
|
| Art Department Assistant |
Jonni Fitzgerald
|
|
| Painter |
Simon Hutchinson
Guy Rutter
Lance Smith
|
|
| Storyboard Artist |
Douglas Ingram
|
|
| Property Master |
Mike Power
|
|
| Construction Manager |
Hank Schumacher
|
|
| Sign Painter |
Tony Staitham
|
|
| Costume & Make-Up | Costume Design |
Mary-Jane Reyner
|
| Makeup Artist |
Charmaine Fuller
|
|
| Hairstylist |
Charmaine Fuller
Penny Smith
|
|
| Writing | Novel |
Nick Hornby
|
| Screenplay |
Nick Hornby
|
|
| Sound | Original Music Composer |
Neill MacColl
Boo Hewerdine
|
| Sound Editor |
Michael Corden
|
|
| Boom Operator |
Simon Firsht
Steve Mayer
|
|
| Sound Mixer |
Jim Greenhorn
|
|
| Foley Artist |
Zane Hayward
|
|
| Dialogue Editor |
Stewart Henderson
|
|
| Sound |
Chris Nuttall
Aad Wirtz
|
|
| Supervising Sound Editor |
Patrick O'Neill
|
|
| Sound Re-Recording Mixer |
Garry Fiferman
|
|
| ADR Mixer |
Peter Gleaves
|
|
| Dolby Consultant |
Tim Partridge
|
|
| Directing | Director |
David Evans
|
| Second Assistant Director |
Sara Desmond
Mick Ward
|
|
| First Assistant Director |
Richard Whelan
|
|
| Script Supervisor |
Angela Wharton
|
|
| Editing | Editor |
Scott Thomas
|
| Negative Cutter |
Kim Norris
|
|
| Crew | Carpenter |
Emanuel Boumard
Jim Frankham
Roger Kiff
|
| Special Effects Technician |
Graham Hills
|
|
| Stunts |
Gary Powell
|
|
| Editorial Staff |
Steve Mercer
|
|
| Legal Services |
Jonathan Berger
|
|
| Visual Effects | Visual Effects |
Tim Baxter
Mark Nelmes
Dennis Michelson
|
| Digital Effects Producer |
Paddy Eason
|
|
| Visual Effects Producer |
Alison O'Brien
|
|
| Visual Effects Coordinator |
Tim Wellspring
|
|
| Lighting | Electrician |
Andy Cole
Gary Nagle
Gary Parnham
|
| Rigging Gaffer |
Mark Funnell
|
|
| Best Boy Electric |
Dave Owen
|
|
| Department | Role | Name |