Film Stars Don't Die in Liverpool
(2017) Love, just like in the movies. | Released
Ratings
65%
6.4
6.9
81%
Financials
Revenue: $3,179,847
Budget: $10,000,000
Profit: - $-6,820,153
Movie Details
Tag Line: Love, just like in the movies.
Status: Released
Average Rating: 6
Release Date: Nov 17, 2017
Rating:
Run Time: 1h 45m
Original Language: English
Website: -
Production Countries: United Kingdom
Production Companies: EON Productions , IM Global , Lionsgate
Genres
Keywords
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Synopsis
Liverpool, 1978: What starts as a vibrant affair between a legendary femme-fatale, the eccentric Academy Award-winning actress Gloria Grahame, and her young lover, British actor Peter Turner, quickly grows into a deeper relationship, with Turner being the person Gloria turns to for comfort.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Paul McGuigan
|
| Script Supervisor |
Susanna Lenton
|
|
| First Assistant Director |
Neil Wallace
|
|
| Third Assistant Director |
Lucy Eaton-Whitfield
Blandine Grimaldi
|
|
| Second Assistant Director |
Helen Fraser
|
|
| Art | Production Design |
Eve Stewart
|
| Set Decoration |
Liz Griffiths
|
|
| Supervising Art Director |
Tom Weaving
|
|
| Property Master |
Craig Price
|
|
| Construction Manager |
Jo Hawthorne
|
|
| Assistant Art Director |
Susannah Brough
|
|
| Art Direction |
Matt Sharp
|
|
| Graphic Designer |
Megan Jones
|
|
| Costume & Make-Up | Costume Design |
Jany Temime
|
| Costume Supervisor |
Annie Crawford
|
|
| Makeup Artist |
Julie Atkins
Laura Viana da Silva
Sarah Alice Hoyle
|
|
| Hair Designer |
Naomi Donne
|
|
| Makeup Designer |
Naomi Donne
|
|
| Key Hair Stylist |
Norma Webb
|
|
| Key Makeup Artist |
Norma Webb
|
|
| Assistant Costume Designer |
Richard Davies
Sally Turner
|
|
| Makeup & Hair |
Doone Forsyth
Nadine Keiser
|
|
| Production | Casting |
Debbie McWilliams
|
| Producer |
Barbara Broccoli
Colin Vaines
|
|
| Unit Production Manager |
Louise Killin
|
|
| Production Coordinator |
Joanne Dixon
|
|
| Location Manager |
Jane Soans
|
|
| Assistant Production Coordinator |
Roger Evans
|
|
| Production Manager |
Jaynie Miller
|
|
| Extras Casting |
Arron Cuthbertson
|
|
| Sound | Sound Re-Recording Mixer |
Richard Pryke
Brendan Nicholson
|
| Foley Artist |
Peter Burgis
Jason Swanscott
|
|
| Music Editor |
Peter Clarke
Richard Todman
|
|
| Foley Editor |
Derek Trigg
Linda Brenon
|
|
| Music Supervisor |
Ian Neil
|
|
| ADR Mixer |
Nick Baldock
Michael Miller
|
|
| ADR Editor |
Pablo Isola
|
|
| Music |
J. Ralph
|
|
| Production Sound Mixer |
John Midgley
|
|
| Dialogue Editor |
Jens Rosenlund Petersen
|
|
| Supervising Sound Editor |
Paul Davies
|
|
| Supervising Dialogue Editor |
Ian Morgan
|
|
| ADR Recordist |
Nick Jimenez
Miguel Coiz
|
|
| Foley Mixer |
Jemma Riley-Tolch
|
|
| Conductor |
Lee Reynolds
|
|
| Writing | Screenplay |
Matt Greenhalgh
|
| Writer |
Peter Turner
|
|
| Editing | Editor |
Nick Emerson
|
| Digital Intermediate Producer |
Marie Fernandes
|
|
| Associate Editor |
Christopher Lloyd
|
|
| Crew | Floor Runner |
Anastasia Harrold
Lily O'Hara
|
| Dialect Coach |
Jill McCullough
|
|
| Choreographer |
Anabel Kutay
Nicole Alphonce
|
|
| Lighting | Gaffer |
Eddie Knight
|
| Lighting Technician |
Mike Archer
|
|
| Electrician |
Andy Gowing
Vicente Vázquez
|
|
| Camera | Still Photographer |
Susie Allnutt
|
| Director of Photography |
Urszula Pontikos
|
|
| Steadicam Operator |
Derek Walker
|
|
| Key Grip |
Kevin Foy
|
|
| Focus Puller |
Jon Garwes
|
|
| Second Assistant "B" Camera |
Arron Monkman
|
|
| Second Assistant Camera |
Abigail Vosper
|
|
| Visual Effects | Visual Effects Producer |
Martin Gabriel
|
| Visual Effects Supervisor |
Uel Hormann
|
|
| Visual Effects Coordinator |
Hazel Wright
|
|
| Department | Role | Name |
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