Final Cut
(2022) | Released
Ratings
6.9
4.5
Financials
Revenue: $2,046,233
Budget: $4,300,000
Profit: - $-2,253,767
Movie Details
Tag Line:
Status: Released
Average Rating: 7
Release Date: May 18, 2022
Rating:
Run Time: 1h 50m
Original Language: French
Website: -
Production Countries: France , Japan , United Kingdom , United States of America
Production Companies: Wild Bunch , La Classe américaine , Getaway Films , BlueLight , Pan-Européenne , ENBU Seminar , GAGA Corporation , France 2 Cinéma , Ivanhoe Pictures , Sidney Kimmel Entertainment
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Synopsis
Things go badly for a small film crew shooting a low-budget zombie movie when they are attacked by real zombies.
Crew
| Department | Role | Name |
|---|---|---|
| Sound | Music |
Alexandre Desplat
|
| Sound Mixer |
Jean Minondo
|
|
| Sound |
Jean-Paul Hurier
|
|
| Dialogue Editor |
Anne Delacour
|
|
| ADR Editor |
Anne Delacour
|
|
| Sound Editor |
Ken Yasumoto
Selim Azzazi
|
|
| Boom Operator |
Malo Thouément
|
|
| Foley Mixer |
Elias Boughedir
|
|
| Sound Assistant |
Gaëtan Ricciuti
|
|
| Costume & Make-Up | Costume Design |
Virginie Montel
|
| Special Effects Makeup Artist |
Christophe Chabenet
Jean-Christophe Spadaccini
Denis Gastou
Kazuhito Kimura
Sandrine Dancet
|
|
| Costume Supervisor |
Ariane Daurat
|
|
| Key Makeup Artist |
Vesna Peborde
|
|
| Key Hair Stylist |
Margo Blache
|
|
| Makeup Artist |
Vichika Yorn
|
|
| Costume Assistant |
Johanna Buschmann
|
|
| Production | Producer |
Vincent Maraval
Brahim Chioua
John Penotti
Michel Hazanavicius
Alain de la Mata
Noémie Devide
|
| Executive Producer |
Sidney Kimmel
Tatsumi Yoda
Charlie Corwin
Koji Ichihashi
Robert Friedland
Kilian Kerwin
|
|
| Casting |
Christel Baras
Judith Chalier
|
|
| Production Designer |
Joan Le Boru
|
|
| Assistant Unit Manager |
Hugo Marquetty
|
|
| Production Assistant |
Carole Bonamy
Melanie Grywnow
Laetitia Daligault
|
|
| Production Accountant |
Salomé Votadoro
|
|
| Directing | Director |
Michel Hazanavicius
|
| First Assistant Director |
Julien Decoin
|
|
| Third Assistant Director |
Arthur Dezanneau
|
|
| Second Assistant Director |
Pepita Merret
|
|
| Writing | Writer |
Michel Hazanavicius
|
| Original Film Writer |
Shinichiro Ueda
Ryoichi Wada
|
|
| Crew | Stunt Coordinator |
Manu Lanzi
|
| Stunts |
Anthony Pho
|
|
| Cinematography |
Jonathan Ricquebourg
|
|
| Generator Operator |
Joel Canard
|
|
| Post Production Supervisor |
Frank Mettre
|
|
| Propmaker |
Bertrand Alberge
|
|
| Carpenter |
Olivier Richarth
Bernon Sebastien
Thomas Serre
|
|
| Visual Effects | Visual Effects Producer |
Nicolas Lacroix
Fanny Bilani
|
| Visual Effects Supervisor |
Philippe Aubry
|
|
| Art | Set Dresser |
Hélène Rey
|
| Props |
Guillaume Watrinet
|
|
| Title Designer |
Tom Kan
|
|
| Painter |
Camille Lemonnier
|
|
| Assistant Art Director |
Emma Szwarc
Marc Le Hingrat
|
|
| Storyboard Artist |
Maud Gircourt
|
|
| Construction Coordinator |
Claude Orceau
|
|
| Camera | Grip |
Manu Alberts
Alexandre Chapelard
Clement Clop
Romain Riché
Benjamin Chaudagne
|
| First Assistant Camera |
Romain Baudéan
Matthieu Agius
Simon Roche
|
|
| Key Grip |
Brice Pillot
|
|
| Second Assistant Camera |
Lola Pion
|
|
| Still Photographer |
Lisa Ritaine
|
|
| Editing | Editor |
Mickael Dumontier
|
| First Assistant Editor |
Laurent Pelé-Piovani
|
|
| Colorist |
Yov Moor
Anne-Sophie Queneuille
|
|
| Online Editor |
Jean-Louis Guichaoua
|
|
| Lighting | Gaffer |
Georges Harnack
|
| Electrician |
Stéphane Blum
Bruno Glasberg
|
|
| Department | Role | Name |
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