Footloose
(2011) There comes a time to cut loose | Released
Ratings
58%
6.6
5.9
69%
Financials
Revenue: $63,543,328
Budget: $24,000,000
Profit: + $39,543,328
Movie Details
Tag Line: There comes a time to cut loose
Status: Released
Average Rating: 7
Release Date: Oct 6, 2011
Rating: PG-13
Run Time: 1h 53m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: Weston Pictures , Dylan Sellers Productions , Zadan / Meron Productions
Genres
Keywords
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Synopsis
Ren MacCormack is transplanted from Boston to the small southern town of Bomont where loud music and dancing are prohibited. Not one to bow to the status quo, Ren challenges the ban, revitalizing the town and falling in love with the minister’s troubled daughter Ariel in the process.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Executive Producer |
Roger Birnbaum
Gary Barber
Jonathan Glickman
Timothy M. Bourne
|
| Casting |
Laray Mayfield
|
|
| Producer |
Craig Zadan
Neil Meron
Brad Weston
Dylan Sellers
|
|
| Unit Production Manager |
Timothy M. Bourne
Dale Williams
|
|
| ADR Voice Casting |
Barbara Harris
|
|
| Casting Assistant |
Sabyn Mayfield
|
|
| Casting Associate |
Julie Schubert
|
|
| Production Accountant |
Terri Greening
|
|
| Location Manager |
Ryan Schaetzle
|
|
| Production Coordinator |
Heath M. Howard
|
|
| Costume & Make-Up | Costume Design |
Laura Jean Shannon
|
| Key Hair Stylist |
Shunika Terry
|
|
| Makeup Department Head |
Vivian Baker
|
|
| Costume Supervisor |
Joulles Wright
|
|
| Key Costumer |
Kate Duke
|
|
| Key Makeup Artist |
Sarah Mays
|
|
| Hair Department Head |
Emanuel Millar
|
|
| Set Costumer |
Sarah Downer
Karen L. Young
|
|
| Assistant Costume Designer |
Ken Van Duyne
|
|
| Seamstress |
Cindy A. Ganoe
|
|
| Makeup Artist |
Teresa Foshee
|
|
| Art | Production Design |
Jon Gary Steele
|
| Art Direction |
Chris Cornwell
|
|
| Set Decoration |
Dena Roth
|
|
| Property Master |
Dwight Benjamin-Creel
|
|
| Set Designer |
Justin O'Neal Miller
|
|
| Art Department Coordinator |
Kelly Richardson
|
|
| Assistant Art Director |
Cameron Beasley
|
|
| Set Dresser |
Sedrick Lakpa
Sean MaComber
Lawrence Heap
Julie Kobsa
|
|
| Writing | Screenplay |
Dean Pitchford
Craig Brewer
|
| Story |
Dean Pitchford
|
|
| Crew | Choreographer |
Jamal Sims
|
| Special Effects Coordinator |
David Fletcher
|
|
| Post Production Supervisor |
Susan E. Novick
|
|
| Stunt Coordinator |
Lonnie R. Smith Jr.
|
|
| Unit Publicist |
Heidi Falconer
|
|
| Post Production Assistant |
Meyghan Hill
|
|
| Directing | Director |
Craig Brewer
|
| First Assistant Director |
Marty Eli Schwartz
Joe Camp III
|
|
| Script Supervisor |
Luca Kouimelis
|
|
| Second Assistant Director |
Rosemary C. Cremona
|
|
| Camera | Director of Photography |
Amy Vincent
|
| Still Photographer |
K.C. Bailey
|
|
| Camera Operator |
Jeffrey Greeley
Chris Jones
|
|
| Steadicam Operator |
Chris Jones
|
|
| Editing | Editor |
Billy Fox
|
| Additional Editing |
Scott Richter
|
|
| Assistant Editor |
Harry Yoon
|
|
| Color Timer |
Mato
|
|
| Sound | Original Music Composer |
Deborah Lurie
|
| Dialogue Editor |
David A. Whittaker
Simon Coke
|
|
| Music Editor |
Kevin McKeever
|
|
| Boom Operator |
Drew Ponder
|
|
| Sound Re-Recording Mixer |
Daniel J. Leahy
Mike Prestwood Smith
|
|
| Supervising Sound Editor |
Greg Hedgepath
Frank Smathers
|
|
| ADR Supervisor |
Bobbi Banks
|
|
| Assistant Sound Editor |
Gayle Wesley
|
|
| Sound mixer |
Mary H. Ellis
|
|
| Lighting | Chief Lighting Technician |
Christopher Prampin
|
| Department | Role | Name |
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