Ratings
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line: Comedy. It's in the timing. It's in the material. But mostly, it's in the bones.
Status: Released
Average Rating: 6
Release Date: Sep 20, 1995
Rating: 1995-09-20
Run Time: 2h 08m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Hollywood Pictures
Sources:
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Keywords
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Where to watch Funny Bones
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Synopsis
Tommy Fawkes wants to be a successful comedian. After his Las Vegas debut is a failure, he returns to Blackpool where his father—also a comedian—started, and where he spent the summers of his childhood.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Production Coordinator |
Tania Blunden
|
| Associate Producer |
Peter McMillan
|
|
| Assistant Location Manager |
Angus Smith
|
|
| Production Accountant |
Maggie Phelan
|
|
| Assistant Accountant |
Sheala Daniell
Sophie Dasic
|
|
| Producer's Assistant |
Francesca Castellano
Clare Awdry
|
|
| Producer |
Peter Chelsom
Simon Fields
|
|
| Casting |
Mary Gail Artz
Barbara Cohen
Kate Dowd
Janey Fothergill
Maggie Lunn
|
|
| Co-Producer |
Laurie Borg
|
|
| Executive Producer |
Nicholas Frye
|
|
| Location Manager |
Tony Clarkson
|
|
| Crew | Stunt Double |
Vincent Keane
Franklin Mark Henson
Sean McCabe
Mark Southworth
|
| Stunts |
Valentino Musetti
David Cronnelly
|
|
| Special Effects Technician |
David Myatt
Paul Kelly
John Fontana
|
|
| Choreographer |
Cristina Avery
|
|
| Dialogue Coach |
Joan Washington
|
|
| Stunt Coordinator |
Simon Crane
|
|
| Camera | Camera Loader |
Mike Roberts
|
| Underwater Camera |
Mike Valentine
|
|
| Focus Puller |
Simon Hume
|
|
| Clapper Loader |
Paddy Kiely
|
|
| Camera Trainee |
Barney Davis
|
|
| Director of Photography |
Eduardo Serra
|
|
| Still Photographer |
Alex Bailey
|
|
| Costume & Make-Up | Key Makeup Artist |
Pat Hay
|
| Key Hair Stylist |
Stephen Rose
|
|
| Makeup Artist |
Yvonne Coppard
Helen Johnson
|
|
| Hairstylist |
Tracy Smith
|
|
| Assistant Costume Designer |
Debbie Scott
|
|
| Costume Supervisor |
John Scott
|
|
| Wardrobe Assistant |
Nigel Egerton
Clare Spragge
|
|
| Costume Design |
Lindy Hemming
|
|
| Directing | First Assistant Director |
Michael Zimbrich
|
| Second Assistant Director |
Andrew Wood
Cliff Lanning
|
|
| Third Assistant Director |
Robert Grayson
|
|
| Director |
Peter Chelsom
|
|
| Script Supervisor |
June McDonald
|
|
| Sound | Sound Assistant |
Mike Trussler
|
| Dialogue Editor |
Peter Elliott
|
|
| Foley Editor |
Peter Holt
|
|
| ADR Editor |
Keith Lowes
|
|
| Assistant Sound Editor |
Timothy Vine
Norman A. Cole
|
|
| Foley Artist |
Diane Greaves
Jack Stew
|
|
| Original Music Composer |
John Altman
|
|
| Sound Mixer |
Peter Lindsay
|
|
| Supervising Sound Editor |
Glenn Freemantle
|
|
| Music Editor |
Dina Eaton
|
|
| Editing | First Assistant Editor |
Steven Maguire
|
| Assistant Editor |
Julian Pryce
|
|
| Editor |
Martin Walsh
|
|
| Negative Cutter |
Sylvia Wheeler
|
|
| Art | Assistant Art Director |
Luana Hanson
Grant Armstrong
|
| Set Decoration |
Tracey Gallacher
|
|
| Property Buyer |
Trisha Edwards
|
|
| Art Department Assistant |
Sally Gray
|
|
| Dressing Prop |
Martin Harrison
Piero Jamieson
Ian Shubrook
|
|
| Construction Manager |
Steve Ede
|
|
| Supervising Carpenter |
Tom Davies
|
|
| Standby Carpenter |
Tony Musk
|
|
| Production Design |
Caroline Hanania
|
|
| Art Direction |
Andrew Munro
|
|
| Property Master |
Gordon Fitzgerald
|
|
| Lighting | Best Boy Electric |
Billy Merrell
|
| Electrician |
Fred Brown
Stephen Finch
Darren Grosch
Mark 'Rocky' Evans
|
|
| Gaffer |
Chuck Finch
|
|
| Visual Effects | Special Effects Supervisor |
Tom Harris
|
| Writing | Writer |
Peter Chelsom
Peter Flannery
|
| Department | Role | Name |





