Ratings
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line: Comedy. It's in the timing. It's in the material. But mostly, it's in the bones.
Status: Released
Average Rating: 7
Release Date: Sep 20, 1995
Rating:
Run Time: 2h 08m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Hollywood Pictures
Genres
Keywords
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Synopsis
Tommy Fawkes wants to be a successful comedian. After his Las Vegas debut is a failure, he returns to Blackpool where his father—also a comedian—started, and where he spent the summers of his childhood.
Crew
Department | Role | Name |
---|---|---|
Art | Set Decoration |
Tracey Gallacher
|
Property Buyer |
Trisha Edwards
|
|
Production Design |
Caroline Hanania
|
|
Assistant Art Director |
Grant Armstrong
Luana Hanson
|
|
Construction Manager |
Steve Ede
|
|
Property Master |
Gordon Fitzgerald
|
|
Art Direction |
Andrew Munro
|
|
Dressing Prop |
Piero Jamieson
Martin Harrison
Ian Shubrook
|
|
Supervising Carpenter |
Tom Davies
|
|
Art Department Assistant |
Sally Gray
|
|
Standby Carpenter |
Tony Musk
|
|
Editing | Editor |
Martin Walsh
|
Negative Cutter |
Sylvia Wheeler
|
|
First Assistant Editor |
Steven Maguire
|
|
Assistant Editor |
Julian Pryce
|
|
Costume & Make-Up | Costume Design |
Lindy Hemming
|
Wardrobe Assistant |
Nigel Egerton
Clare Spragge
|
|
Hairstylist |
Tracy Smith
|
|
Key Makeup Artist |
Pat Hay
|
|
Makeup Artist |
Yvonne Coppard
Helen Johnson
|
|
Key Hair Stylist |
Stephen Rose
|
|
Assistant Costume Designer |
Debbie Scott
|
|
Costume Supervisor |
John Scott
|
|
Crew | Stunts |
David Cronnelly
Valentino Musetti
|
Stunt Coordinator |
Simon Crane
|
|
Stunt Double |
Vincent Keane
Mark Henson
Sean McCabe
|
|
Choreographer |
Cristina Avery
|
|
Special Effects Technician |
John Fontana
David Myatt
Paul Kelly
|
|
Dialogue Coach |
Joan Washington
|
|
Sound | Supervising Sound Editor |
Glenn Freemantle
|
Music |
John Altman
|
|
Dialogue Editor |
Peter Elliott
|
|
Foley Artist |
Jack Stew
Diane Greaves
|
|
Music Editor |
Dina Eaton
|
|
Sound Mixer |
Peter Lindsay
|
|
Assistant Sound Editor |
Timothy Vine
Norman A. Cole
|
|
Foley Editor |
Peter Holt
|
|
ADR Editor |
Keith Lowes
|
|
Sound Assistant |
Mike Trussler
|
|
Production | Casting |
Maggie Lunn
Mary Gail Artz
Barbara Cohen
Janey Fothergill
Kate Dowd
|
Producer |
Simon Fields
Peter Chelsom
|
|
Production Coordinator |
Tania Blunden
|
|
Co-Producer |
Laurie Borg
|
|
Executive Producer |
Nicholas Frye
|
|
Production Accountant |
Maggie Phelan
|
|
Location Manager |
Tony Clarkson
|
|
Assistant Accountant |
Sheala Daniell
Sophie Dasic
|
|
Producer's Assistant |
Francesca Castellano
Clare Awdry
|
|
Associate Producer |
Peter McMillan
|
|
Assistant Location Manager |
Angus Smith
|
|
Camera | Director of Photography |
Eduardo Serra
|
Still Photographer |
Alex Bailey
|
|
Camera Loader |
Mike Roberts
|
|
Underwater Camera |
Mike Valentine
|
|
Focus Puller |
Simon Hume
|
|
Clapper Loader |
Paddy Kiely
|
|
Camera Trainee |
Barney Davis
|
|
Directing | Second Assistant Director |
Andrew Wood
Cliff Lanning
|
Director |
Peter Chelsom
|
|
Script Supervisor |
June McDonald
|
|
First Assistant Director |
Michael Zimbrich
|
|
Third Assistant Director |
Robert Grayson
|
|
Writing | Writer |
Peter Chelsom
Peter Flannery
|
Lighting | Gaffer |
Chuck Finch
|
Best Boy Electric |
Billy Merrell
|
|
Electrician |
Fred Brown
Stephen Finch
Darren Grosch
Mark 'Rocky' Evans
|
|
Visual Effects | Special Effects Supervisor |
Tom Harris
|
Department | Role | Name |
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