Ratings
Financials
Revenue: $48,169,156
Budget: $50,000,000
Profit: - $-1,830,844
Movie Details
Tag Line: Failure is not an option.
Status: Released
Average Rating: 6
Release Date: Aug 19, 1997
Rating: R
Run Time: 2h 05m
Original Language: English
Website: -
Production Countries: United Kingdom , United States of America
Production Companies: Caravan Pictures , Largo Entertainment , Trap-Two-Zero Productions , Roger Birnbaum Productions , Moving Pictures , Scott Free Productions , Hollywood Pictures
Genres
Keywords
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Synopsis
In response to political pressure from Senator Lillian DeHaven, the U.S. Navy begins a program that would allow for the eventual integration of women into its services. The program begins with a single trial candidate, Lieutenant Jordan O'Neil, who is chosen specifically for her femininity. O'Neil enters the grueling training program under the command of Master Chief John James Urgayle, who unfairly pushes O'Neil until her determination wins his respect.
Crew
Department | Role | Name |
---|---|---|
Production | Producer |
Suzanne Todd
Ridley Scott
Demi Moore
Roger Birnbaum
|
Production Designer |
Arthur Max
|
|
Casting |
Louis DiGiaimo
Brett Goldstein
|
|
Associate Producer |
Terry Needham
Diane Minter Lewis
Tim McBride
|
|
Unit Production Manager |
Nigel Wooll
Michele Imperato
|
|
Co-Producer |
Nigel Wooll
|
|
Head of Production |
Ned Dowd
|
|
Executive Producer |
Danielle Alexandra
Julie Bergman Sender
Chris Zarpas
|
|
First Assistant Accountant |
Rick Baer
|
|
Location Manager |
Carol Flaisher
Mary Morgan
Errol Reichow
Ken Haber
|
|
Production Coordinator |
Shari Leibowitz
Clare St. John
Amy Taft
Allison Sherman
Deirdre de Tappan
|
|
Production Manager |
Donald Heitzer
|
|
Production Accountant |
Gary Gillingham
|
|
Extras Casting |
Billy Dowd
|
|
Assistant Accountant |
Rob Meisenholder
Chris McComb
Sarah Millar
|
|
Post Production Coordinator |
Marisa Johnston
|
|
Assistant Location Manager |
John McSweeney
|
|
Production Supervisor |
Daneen Conroy
|
|
Assistant Production Coordinator |
Catherine Schwenn
|
|
Directing | Director |
Ridley Scott
|
First Assistant Director |
Terry Needham
|
|
Second Unit Director |
Hugh Johnson
|
|
Second Assistant Director |
Adam Somner
Christopher Surgent
Darin Rivetti
J. David Brightbill
|
|
Script Supervisor |
Luca Kouimelis
Marion Tumen
|
|
Editing | Editor |
Pietro Scalia
|
Additional Editor |
Pamela Power
|
|
Negative Cutter |
Jason Wheeler
|
|
Associate Editor |
Chris Innis
|
|
Assistant Editor |
Chisako Yokoyama
Paul Elman
Tristan Mullane
|
|
Color Timer |
Paul Ensby
|
|
Art | Set Decoration |
Cindy Carr
|
Art Direction |
Richard L. Johnson
Virginia Randolph-Weaver
|
|
Leadman |
Jon Danniells
|
|
Supervising Art Director |
William Hiney
|
|
Set Designer |
Thomas Minton
|
|
Property Master |
Eric J. Bates
Allan Gordon
|
|
Assistant Art Director |
Bill Taliaferro
Rob Simons
|
|
Construction Coordinator |
Dan Pemberton
|
|
Construction Manager |
Ron Breedlove
|
|
Sound | Original Music Composer |
Trevor Jones
|
ADR Editor |
Robert Gavin
|
|
Sound Re-Recording Mixer |
Graham Daniel
Ray Merrin
|
|
Boom Operator |
Jules Strasser
Timothy P. Salmon
|
|
Foley Editor |
John Ireland
|
|
Music Editor |
Andrew Glen
Alex Marcou
|
|
Music Supervisor |
Kathy Nelson
|
|
Production Sound Mixer |
Keith A. Wester
|
|
Sound Mixer |
David M. Ronne
|
|
Dialogue Editor |
John Cochrane
|
|
Supervising Sound Editor |
Campbell Askew
|
|
Musician |
Paul Clarvis
Phil Todd
Charlie Morgan
Clem Clempson
|
|
Music Coordinator |
Victoria Seale
|
|
Sound Editor |
Jeremy Child
|
|
Assistant Sound Editor |
Adrian Trent
Derek Lomas
Sarah Dane
|
|
Costume & Make-Up | Costume Design |
Marilyn Vance
|
Assistant Makeup Artist |
Kylie Bell
|
|
Key Makeup Artist |
Cheri Minns
Cheryl Markowitz
|
|
Key Hair Stylist |
Diana Acrey
Dorothy D. Fox
|
|
Costume Supervisor |
David Rawley
Ed Fincher
|
|
Makeup Artist |
Rodger Jacobs
Brad Wilder
|
|
Key Costumer |
Joe McCloskey
|
|
On Set Dresser |
Chuck Askerneese
|
|
Camera | Still Photographer |
Phil Bray
|
Second Unit Director of Photography |
Dan Mindel
|
|
Director of Photography |
Hugh Johnson
|
|
First Assistant Camera |
John Skotchdopole
Tony Rivetti Jr.
Fred L. McLane
William McConnell
|
|
Camera Operator |
Craig Haagensen
Terry Bowen
|
|
Grip |
Sean Finnegan
Scott W. Leftridge
Edward 'Gooch' Gutierrez
Rick Uva
Frank Ryan
Andrew Taylor
Kevin Jackson
|
|
Key Grip |
Gary Kangrga
W.C. 'Chunky' Huse
|
|
Second Assistant Camera |
Frank D. Parrish
David Brink
|
|
Best Boy Grip |
Daniel R. Haizlip
|
|
Second Company Grip |
Gerrit Garretsen
|
|
Writing | Screenplay |
David Twohy
Danielle Alexandra
|
Story |
Danielle Alexandra
|
|
Crew | Stunt Double |
Keith Woulard
Leigh Hennessy
Cinda-Lin James
|
Post Production Supervisor |
Michael Solinger
|
|
Utility Stunts |
Steve Bolan
G. Peter King
Duffy Gaver
Mark Lonsdale
Scott Helvenston
|
|
Stunts |
Darrin Prescott
Charles Grisham
Brian Finn
Hash Shallan
Chris Soule
|
|
Transportation Coordinator |
Russell McEntyre
Tommy Tancharoen
Gene R. Johnson
|
|
Stunt Coordinator |
Phil Neilson
|
|
Transportation Captain |
Danny Mortenson
Robert W. Simpson
Lee Garibaldi
Gilbert Young
|
|
Unit Publicist |
Terry J. Erdmann
|
|
Additional Music |
Peter Cobbin
|
|
Special Effects |
Chris Brenczewski
Ken Gorrell
Ray Svedin
Jeff Frink
Morgan Guynes
Phillip Beck Jr.
Allen Richardson
Jeff Sparks
|
|
Technical Advisor |
Harry Humphries
Karyn V. Cody
|
|
Special Effects Coordinator |
Steve Galich
|
|
Aerial Coordinator |
David Paris
|
|
Production Controller |
Andy Birmingham
|
|
Video Assist Operator |
Richard Scarpone
|
|
Craft Service |
Craig Glaser
|
|
Actor's Assistant |
Mark Hunter Reinking
|
|
Set Production Assistant |
Adam Collins
|
|
Stand In |
Kelly Wroe
|
|
Set Medic |
Frank Moorefield
|
|
Lighting | Gaffer |
Chuck Finch
|
Best Boy Electric |
Steven Litecky
Jeff Sondberg
|
|
Electrician |
Andrew Reed Conner
Bill Fiedler
Robert Spencer
Michael Goldman
Stuart Bicknell
Todd Ranson
|
|
Rigging Gaffer |
Craig Ligget
Chris Walters
|
|
Key Rigging Grip |
Lee Shapira
Steve Owen
|
|
Department | Role | Name |