Goodnight, My Love
(1972) The time: 1946. The men: Hogan and Doyle, private eyes. Their client: A luscious blonde with a figure that would knock you out and some friends who would knock you dead. | Released
Ratings
7
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line: The time: 1946. The men: Hogan and Doyle, private eyes. Their client: A luscious blonde with a figure that would knock you out and some friends who would knock you dead.
Status: Released
Average Rating: 7
Release Date: Oct 18, 1972
Rating: NR
Run Time: 1h 13m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: ABC Circle Films , American Broadcasting Company (ABC)
Genres
Keywords
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Synopsis
Gruff gumshoe Francis Hogan is hired by a mysterious woman to find her boyfriend who has gone missing. With his perpetually hungry partner in tow, Hogan must untangle a web of intrigue involving the criminal underworld and a dead courier. One double-cross follows another as Hogan investigates the whole sordid affair.
Crew
| Department | Role | Name |
|---|---|---|
| Art | Production Design |
Joseph R. Jennings
|
| Art Direction |
Peter Wooley
|
|
| Set Decoration |
Charles Pierce
|
|
| Property Master |
Russell Goble
|
|
| Construction Coordinator |
Gerald MacDonald
|
|
| Sound | Sound Mixer |
Harold Lewis
|
| Sound Effects Editor |
John Jolliffe
|
|
| Original Music Composer |
Harry Betts
|
|
| Costume & Make-Up | Makeup Artist |
William Tuttle
|
| Hairstylist |
Scotty Rackin
|
|
| Costume Supervisor |
John S. Perry
|
|
| Directing | Director |
Peter Hyams
|
| Script Supervisor |
Betty A. Griffin
|
|
| Assistant Director |
Kurt Neumann
|
|
| Second Assistant Director |
Charles Ziarko
|
|
| Writing | Writer |
Peter Hyams
|
| Editing | Editor |
James Mitchell
|
| Assistant Editor |
Michael McCroskey
|
|
| Crew | Stunt Coordinator |
Hal Needham
|
| Special Effects |
Charles S. Moody
|
|
| Production | Casting |
Hoyt Bowers
|
| Production Driver |
Chris Haynes
|
|
| Producer |
Ward Sylvester
|
|
| Unit Production Manager |
Kurt Neumann
|
|
| Camera | Director of Photography |
Earl Rath
|
| Key Grip |
Ray Rich
|
|
| Lighting | Gaffer |
Larry Gilhooly
|
| Department | Role | Name |