Graveyard Shift
(1990) Stephen King took you to the edge with The Shining and Pet Sematary. This time... he pushes you over. | Released
Ratings
28%
5.3
4.8
13%
Financials
Revenue: $11,582,891
Budget: $10,500,000
Profit: + $1,082,891
Movie Details
Tag Line: Stephen King took you to the edge with The Shining and Pet Sematary. This time... he pushes you over.
Status: Released
Average Rating: 5
Release Date: Oct 26, 1990
Rating: 1990-10-26
Run Time: 1h 29m
Original Language: English
Website: -
Production Countries: Japan , United States of America
Production Companies: Paramount , Graveyard Productions , JVC
Sources:
Genres
Keywords
People Rated This
Where to watch Graveyard Shift
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Synopsis
John Hall is a drifter who wanders into a small town in Maine. He needs a job and decides to seek employment at the community's top business: a large textile mill. He is hired to work the "graveyard shift" -- from around midnight to dawn -- and, along with a few others, he is charged with cleaning out the basement. This task strikes the workers as simple enough, but then, as they proceed deeper underground, they encounter an unspeakable monstrosity intent on devouring them all.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Ralph S. Singleton
|
| First Assistant Director |
Barry K. Thomas
|
|
| Second Assistant Director |
Mark Cotone
|
|
| Second Unit Director |
Peter Chesney
|
|
| Script Supervisor |
Lynne Twentyman
|
|
| Second Unit First Assistant Director |
John G. Scotti
|
|
| Writing | Screenplay |
John Esposito
|
| Short Story |
Stephen King
|
|
| Production | Casting |
Mary Margiotta
Sharon Bialy
Richard Pagano
|
| Executive Producer |
Larry Sugar
Bonnie Sugar
|
|
| Associate Producer |
Joan Singleton
Anthony Labonte
|
|
| Producer |
William J. Dunn
Ralph S. Singleton
|
|
| Unit Production Manager |
William Hassell
Diane Foti
|
|
| Local Casting |
Laura Butterworth
|
|
| Art | Art Direction |
Jack Jennings
|
| Production Design |
Gary Wissner
|
|
| Set Decoration |
George R. Nelson
|
|
| Assistant Art Director |
Gershon Ginsburg
|
|
| Assistant Set Decoration |
Rhonda Hardwick
|
|
| Camera | Director of Photography |
Peter Stein
|
| Camera Operator |
Rusty Geller
|
|
| First Assistant Camera |
Gary Baum
|
|
| Second Assistant Camera |
Kent P. Hughes
Beth Cotter
|
|
| Still Photographer |
Toris Von Wolfe
|
|
| Second Unit Director of Photography |
Tony Cutrono
|
|
| Editing | Editor |
Jim Gross
Randy Jon Morgan
|
| Assistant Editor |
Amy Shorr
Karen Dale Greene
|
|
| Sound | Original Music Composer |
Anthony Marinelli
Brian Banks
|
| Sound Mixer |
Bernie Blynder
|
|
| Boom Operator |
Jeffrey Blynder
|
|
| Sound Effects |
Jon Johnson
|
|
| ADR Supervisor |
Howard Neiman
|
|
| Foley Supervisor |
Howard Neiman
|
|
| Dialogue Editor |
Richard Corwin
Harry Harris
Hank Brodkin
|
|
| ADR Editor |
Richard Corwin
Harry Harris
Hank Brodkin
|
|
| Foley Artist |
Jerry Trent
Audrey Trent
|
|
| Sound Re-Recording Mixer |
Doug E. Turner
Frank A. Montaño
Grover B. Helsley
|
|
| ADR Engineer |
Ron Bedrosian
|
|
| Music Editor |
Christopher Kennedy
|
|
| Costume & Make-Up | Costume Design |
Sarah Lemire
|
| Costumer |
Donna King
Angela Hajianis
|
|
| Key Makeup Artist |
June Brickman
|
|
| Makeup Artist |
Karen Blynder
|
|
| Hairstylist |
Candy Walker
|
|
| Crew | Stunt Coordinator |
Randy Fife
|
| Stunts |
Michael Adams
Carl Ciarfalio
Kerrie Cullen
Greg Elam
Cliff McLaughlin
|
|
| Post Production Supervisor |
David Gaines
|
|
| Department | Role | Name |