Ratings
Financials
Revenue: $0
Budget: $50,300,000
Profit: - $-50,300,000
Movie Details
Tag Line: The only thing more dangerous than the front lines was the fight to get there.
Status: Released
Average Rating: 7
Release Date: Jul 9, 2020
Rating: 2020-07-09
Run Time: 1h 32m
Original Language: English
Website: Link
Production Countries: Canada , China , United States of America
Production Companies: Playtone , Bron Studios , FilmNation Entertainment , Sycamore Pictures , Zhengfu Pictures , Sony Pictures , Stage 6 Films
Genres
Keywords
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Synopsis
A first-time captain leads a convoy of allied ships carrying thousands of soldiers across the treacherous waters of the "Black Pit" to the front lines of WWII. With no air cover protection for 5 days, the captain and his convoy must battle the surrounding enemy Nazi U-boats in order to give the allies a chance to win the war.
Crew
Department | Role | Name |
---|---|---|
Directing | Director |
Aaron Schneider
|
Script Supervisor |
Luca Kouimelis
|
|
First Assistant Director |
Kim H. Winther
|
|
Second Unit Director |
Steven Quale
|
|
Writing | Screenplay |
Tom Hanks
|
Novel |
C. S. Forester
|
|
Production | Producer |
Gary Goetzman
|
Executive Producer |
Michael Jackman
Han Sanping
Milan Popelka
Alex Zhang
Jason Cloth
Aaron Ryder
Steven Shareshian
Anjay Nagpal
Alison Cohen
Aaron L. Gilbert
Ben Nearn
Tom Rice
David Coatsworth
Richard McConnell
|
|
Casting |
Francine Maisler
|
|
Unit Production Manager |
David Coatsworth
|
|
Co-Producer |
Nori Chia
|
|
ADR Voice Casting |
Robert McGee
Terri Douglas
Ruth Lambert
|
|
Location Coordinator |
Deirdre Peterson
|
|
Casting Associate |
Kathy Driscoll-Mohler
Molly Rose
|
|
Production Accountant |
John Semedik
|
|
Production Secretary |
Rieve Stanford
|
|
Payroll Accountant |
Beatriz Madrigal
|
|
Extras Casting |
Blossom Peters
Mary Huber
Adam Hochfeld
|
|
Local Casting |
Meagan Lewis
|
|
Assistant Location Manager |
Shedrick Nellon
|
|
Production Coordinator |
Kristy Choo
|
|
Location Manager |
Aquiles Montalvo
|
|
Costume & Make-Up | Key Makeup Artist |
Courtney Jarrell
|
Costume Design |
Julie Weiss
|
|
Makeup Artist |
Mary Ashton Honore
Stacey Perry
|
|
Hair Department Head |
Christine Fennell
|
|
Costume Supervisor |
John Casey
Hope Slepak
|
|
Makeup Department Head |
Judy Chin
|
|
Key Costumer |
Krista Guggia
|
|
Costumer |
Megan McAfee
Bekah Frient
Vicente Parada
Sandra Algood
Wyatt Bartlett
|
|
Set Costumer |
Peggy Donovan
Suzanne M.B. Chambliss
|
|
Key Hair Stylist |
Emily Stegeman
|
|
Editing | Editor |
Markus Czyzewski
Sidney Wolinsky
|
First Assistant Editor |
Carmen Morrow
|
|
Assistant Editor |
Christine Park
John Mullin
|
|
Colorist |
Bryan Smaller
|
|
Art | Production Design |
David Crank
|
Art Direction |
Lauren Rosenbloom
|
|
Set Decoration |
Leonard R. Spears
|
|
Set Decoration Buyer |
Brian Becnel
Hank Langlois
|
|
Art Department Coordinator |
Lydia Lucente
|
|
Set Designer |
Brian A. Waits
Tristan Paris Bourne
Cosmas A. Demetriou
|
|
Assistant Property Master |
Drew Guajardo
|
|
Property Master |
Edward J. Borasch Jr
|
|
Set Dresser |
Allie Battle
Trey Capdevielle
David May
Ty Landry
Leo Kukuy
|
|
Graphic Designer |
Ben Wolcott
|
|
Supervising Art Director |
Tom Frohling
|
|
Leadman |
Tommy Wilson
|
|
Construction Coordinator |
Richard Blankenship
|
|
Sound | Original Music Composer |
Blake Neely
|
ADR Supervisor |
Dave McMoyler
|
|
Sound Re-Recording Mixer |
Christian P. Minkler
Michael Minkler
Richard Kitting
Beau Borders
|
|
Supervising Sound Editor |
Michael Minkler
Warren Shaw
|
|
Sound Mixer |
David Wyman
|
|
Music Editor |
Angela Claverie
|
|
Music Supervisor |
Deva Anderson
|
|
Boom Operator |
Betsy Lindell
|
|
ADR Mixer |
Michael Miller
Thomas J. O'Connell
|
|
Conductor |
Blake Neely
|
|
Sound Effects Editor |
Jeff Sawyer
Jason King
Odin Benitez
|
|
Dialogue Editor |
Michelle Pazer
David Tichauer
Paul Timothy Carden
|
|
Sound Designer |
Ann Scibelli
Jon Title
|
|
Foley Editor |
Luke Gibleon
|
|
Orchestrator |
Blake Neely
|
|
First Assistant Sound Editor |
Pernell L. Salinas
|
|
Foley Mixer |
George A. Lara
|
|
Foley Artist |
Marko Costanzo
|
|
Camera | Director of Photography |
Shelly Johnson
|
"B" Camera Operator |
George Billinger III
|
|
Key Grip |
Robert J. Babin
|
|
"A" Camera Operator |
Don Devine
|
|
First Assistant "A" Camera |
Michael Charbonnet
|
|
Steadicam Operator |
George Billinger III
|
|
Second Assistant "B" Camera |
Taylor Fenno
|
|
Second Assistant "A" Camera |
Jonathan Robinson
|
|
First Assistant "B" Camera |
Ryosuke Kawanaka
|
|
Best Boy Grip |
Luke Porterfield
|
|
Drone Pilot |
Aaron Cohan
|
|
Still Photographer |
Niko Tavernise
|
|
Drone Cinematographer |
Eric Ulbrich
|
|
Dolly Grip |
Matthew Malsbury
Ryland Witten-Smith
|
|
Second Unit Director of Photography |
Steven Quale
|
|
Visual Effects | Visual Effects Producer |
Mike Chambers
|
Visual Effects Supervisor |
Nathan McGuinness
|
|
Visual Effects Coordinator |
Michael McHalffey
Mark Patch
Mack Robinson
|
|
Special Effects Supervisor |
Yves De Bono
|
|
VFX Artist |
Aviv Bar-Ami
|
|
Crew | Stunts |
Aaron Matthews
Tyler Galpin
Kenny Bartram
Hunter Baxley
Chris J. Fanguy
Allen Robinson
Jeff Brockton
Adam Horwitz
Matt Cipro
Michael Yahn
Preston Schrag
|
Stunt Coordinator |
Doug Coleman
|
|
Marine Coordinator |
John Arbuckle
|
|
Transportation Captain |
Willie D. Partin
Brian Kay
|
|
Transportation Coordinator |
John McLaughlin
|
|
Unit Publicist |
Rachael M. Roth
|
|
Lighting | Chief Lighting Technician |
Bob Bates
|
Department | Role | Name |