Ratings
Financials
Revenue: $2,313,364
Budget: $0
Profit: + $2,313,364
Movie Details
Tag Line: Australia's untold history
Status: Released
Average Rating: 7
Release Date: Feb 23, 2020
Rating: 2021-05-14
Run Time: 1h 44m
Original Language: English
Website: -
Production Countries: Australia
Production Companies: Screen Australia , Film Victoria , High Ground Pictures , Maxo , Savage Films
Sources:
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Keywords
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Synopsis
In a remote corner of the wild country, a bloody war rages. Travis is a bounty hunter with one last hope of redemption. Gutjuk is a young Indigenous man trying to save the last of his family. Together they embark on a manhunt, which unravels a secret that ultimately pits them against each other.
Crew
Department | Role | Name |
---|---|---|
Writing | Writer |
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Chris Anastassiades
|
Script Consultant |
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Andy Cox
|
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Script Editor |
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Maggie Miles
![]()
Andy Cox
![]()
Karin Altmann
|
|
Story |
![]()
Stephen Johnson
![]()
Chris Anastassiades
![]()
Witiyana Marika
|
|
Directing | Director |
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Stephen Johnson
|
Assistant Director |
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Mark Boskell
|
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Script Supervisor |
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Benedict Paxton-Crick
|
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Second Second Assistant Director |
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David Fraser Young
|
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Second Assistant Director |
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Robert K. Rogers
|
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First Assistant Director |
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Mark Boskell
|
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Production | Producer |
![]()
David Jowsey
![]()
Maggie Miles
![]()
Witiyana Marika
![]()
Greer Simpkin
![]()
Stephen Johnson
|
Casting |
![]()
Anousha Zarkesh
|
|
Production Manager |
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Darren McFarlane
|
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Production Secretary |
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Stephanie Westwood
|
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Production Coordinator |
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Chrissy Rosman
|
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Production Runner |
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Carmen Robinson
![]()
Nathaniel Paterson
![]()
Niki Bazukiewicz
|
|
Line Producer |
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Darren McFarlane
|
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Production Assistant |
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Kelly Hamilton
![]()
Katherine Gillespie
|
|
Production Accountant |
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Jannine Barnes
|
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Location Manager |
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Andrew Perry
|
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Location Assistant |
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Nicci Dillon
|
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Post Producer |
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Gemila Iezzi
![]()
Alexandra Doering
|
|
Casting Associate |
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Micaeley Gibson
|
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Camera | Director of Photography |
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Andrew Commis
|
Best Boy Grip |
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John Regan
![]()
Mark Hanneysee
|
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Second Unit Director of Photography |
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Thom Neal
|
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First Assistant "A" Camera |
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Gerard Maher
|
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Second Assistant Camera |
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Kristi Gilligan
![]()
Matt Bedford
|
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Still Photographer |
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Sarah Enticknap
|
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"B" Camera Operator |
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Pietro Cusimano
|
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Key Grip |
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Glenn Arrowsmith
|
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Editing | Editor |
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Jill Bilcock
|
Assistant Editor |
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Shaun Smith
![]()
Michael Melis
|
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Colorist |
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Dee McClelland
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Cj Dobson
|
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Sound | Sound Designer |
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Chris Goodes
|
Sound |
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Nick Emond
|
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ADR Coordinator |
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Ash Cottrell
|
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ADR Recordist |
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Liesl Pieterse
|
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Dialogue Editor |
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Glenn Newnham
![]()
Liesl Pieterse
|
|
Sound Re-Recording Mixer |
![]()
Chris Goodes
![]()
Detlef Halaski
|
|
Sound Recordist |
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Glenn Fitzpatrick
![]()
Nick Emond
|
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Sound Editor |
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Glenn Newnham
![]()
Dylan Burgess
|
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Sound Assistant |
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Veronica Lynch
|
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Supervising Sound Editor |
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Chris Goodes
|
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Foley Recordist |
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Alex Francis
|
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ADR Mixer |
![]()
Aidan Dykes
![]()
Will Carroll
|
|
Art | Production Design |
![]()
Ross Wallace
|
Property Master |
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Marney McKenna
|
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Construction Manager |
![]()
Phil Ghys
|
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Props |
![]()
Tim Disney
|
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Art Department Coordinator |
![]()
Ash Cottrell
|
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Costume & Make-Up | Costume Designer |
![]()
Erin Roche
|
Makeup Artist |
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Marie Kealy
|
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Costume Assistant |
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Madolyn McCarthy
|
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Costumer |
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Sabrina Santucci
|
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Costume Standby |
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Lachy Lang
![]()
Renee Goodman
|
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Costume Supervisor |
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Michael Davies
|
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Crew | Armorer |
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Scott Warwick
|
Stunt Coordinator |
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Reg Roordink
|
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Actor's Assistant |
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Katherine Gillespie
![]()
Heath Baxter
|
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Post Production Scripts |
![]()
Reezy Miller
|
|
Drone Operator |
![]()
Josh Labita
|
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Stunts |
![]()
Mick Glancy
|
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Special Effects Assistant |
![]()
Mark Feltrin
|
|
Scenic Artist |
![]()
Ross Wallace
|
|
Lighting | Gaffer |
![]()
Ruru Reedy
|
Assistant Electrician |
![]()
Chris Mitchell
![]()
Nathan Grant
|
|
Lighting Technician |
![]()
Crispian Hayler
|
|
Visual Effects | Visual Effects Supervisor |
![]()
David Redman
|
VFX Artist |
![]()
Leath Mattner
![]()
Rui Li
![]()
Greg Cooper
|
|
Special Effects Supervisor |
![]()
John Sanderson
|
|
Department | Role | Name |