High Life
(2018) Oblivion Awaits. | Released
Ratings
5.8
5.9
83%
Financials
Revenue: $2,133,033
Budget: $8,933,400
Profit: - $-6,800,367
Movie Details
Tag Line: Oblivion Awaits.
Status: Released
Average Rating: 6
Release Date: Sep 26, 2018
Rating:
Run Time: 1h 53m
Original Language: English
Website: Link
Production Countries: France , Germany , Poland , United Kingdom , United States of America
Production Companies: Wild Bunch , ARTE France Cinéma , Pandora Film , Andrew Lauren Productions , Alcatraz Films , The Apocalypse Films , Madants , ZDF , BFI
Genres
Keywords
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Synopsis
A father and his daughter struggle to survive in deep space where they live in isolation.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Casting |
Des Hamilton
Piotr Bartuszek
|
| Producer |
Christoph Friedel
Claudia Steffen
Andrew Lauren
Oliver Dungey
Laurence Clerc
Olivier Théry-Lapiney
Klaudia Śmieja-Rostworowska
D.J. Gugenheim
|
|
| Co-Producer |
Olivier Père
|
|
| Line Producer |
Beata Rzezniczek
|
|
| Executive Producer |
Isabel Davis
Julia Balaeskoul Nusseibeh
|
|
| Camera | Director of Photography |
Yorick Le Saux
|
| Still Photographer |
Martin Menke
Anna Włoch
|
|
| First Assistant Camera |
Paweł Żelazko
Daniella Schadrin
Mario Loibl
Marie-Laure Prost
|
|
| Grip |
Marcin Grzegory
Igor Słupecki
|
|
| Key Grip |
Rudi Kurth
Sebastian Frac
|
|
| Second Assistant Camera |
Matthias Edler
Dustin Hasberg
Przemyslaw Klej
|
|
| Art | Production Design |
François-Renaud Labarthe
Ólafur Eliasson
Jagna Dobesz
Mela Melak
|
| Art Direction |
Bertram Strauß
|
|
| Construction Foreman |
Lorenzo Sartor
|
|
| Set Decoration |
Susan Gohsmann
|
|
| Construction Manager |
Boris Bartholomäus
|
|
| Assistant Art Director |
Anna Freiter
|
|
| Set Dresser |
Anna Marzęda
|
|
| Writing | Screenplay |
Claire Denis
Jean-Pol Fargeau
Geoff Cox
|
| Writers' Assistant |
Nick Laird
|
|
| Directing | Director |
Claire Denis
|
| Second Assistant Director |
Juliette Picollot
Malgorzata Suwala
|
|
| First Assistant Director |
Laure Monrreal
|
|
| Assistant Director |
Arianna Singhania
|
|
| Second Unit Director |
Katharina Meyer-Josten
|
|
| Sound | Songs |
Robert Pattinson
|
| Foley Artist |
Carsten Richter
|
|
| Foley Editor |
Kuen-Il Song
Helene Seidl
|
|
| Supervising Sound Editor |
Andreas Hildebrandt
|
|
| Foley Mixer |
Hanse Warns
|
|
| Original Music Composer |
Tindersticks
Stuart Staples
|
|
| Sound Designer |
Stuart Staples
|
|
| Sound Re-Recording Mixer |
Olivier Dô Hùu
|
|
| ADR Supervisor |
Fred Mays
|
|
| Editing | Editor |
Guy Lecorne
|
| Crew | Additional Writing |
Andrew Litvack
|
| Stunts |
Paweł Staszewski
Łukasz Czubak
|
|
| Stunt Coordinator |
Christoph Knobloch
Jarosław Golec
|
|
| Cinematography |
Tomasz Naumiuk
|
|
| Stunt Double |
Teresa Henn
|
|
| Visual Effects | Visual Effects |
Pierre Buffin
|
| Visual Effects Producer |
Annabelle Zoellin
|
|
| Costume & Make-Up | Costume Design |
Judy Shrewsbury
|
| Makeup Department Head |
Marcin Rodak
|
|
| Makeup & Hair |
Katarzyna Wilk
Céline Planchenault
|
|
| Key Makeup Artist |
Denis Gastou
|
|
| Hairstylist |
Alexandre Charles-Gillot
|
|
| Lighting | Gaffer |
Nicolas Sand
Łukasz Głaszczka
|
| Electrician |
Jan Peltzer
Christophe Boissy
Patryk Zadrozny
|
|
| Department | Role | Name |
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