Ratings
Financials
Revenue: $14,569,236
Budget: $16,000,000
Profit: - $-1,430,764
Movie Details
Tag Line: It's going to be a shot in the dark!
Status: Released
Average Rating: 7
Release Date: May 3, 2002
Rating: 2002-05-03
Run Time: 1h 52m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: DreamWorks Pictures , Gravier Productions , Capitol Films
Genres
Keywords
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Synopsis
Woody Allen stars as Val Waxman, a two-time Oscar winner turned washed-up, neurotic director in desperate need of a comeback. When it comes, Waxman finds himself backed into a corner: Work for his ex-wife Ellie or forfeit his last shot. Is Val blinded by love when he opts for the reconnect? Is love blind when it comes to Ellie's staunch support? Literally and figuratively, the proof is the picture.
Crew
Department | Role | Name |
---|---|---|
Directing | Director |
Woody Allen
|
First Assistant Director |
Richard Patrick
|
|
Second Assistant Director |
Danielle Rigby
|
|
Script Supervisor |
Kay Chapin
|
|
Production | Producer |
Letty Aronson
|
Casting |
Juliet Taylor
Laura Rosenthal
|
|
Co-Producer |
Helen Robin
|
|
Unit Production Manager |
Helen Robin
|
|
Production Supervisor |
Janice Williams
|
|
Location Manager |
Christie Mullen
|
|
Production Accountant |
Pietro Lorino, Jr.
|
|
Casting Associate |
Patricia Kerrigan DiCerto
|
|
Assistant Location Manager |
Lynn H. Powers
|
|
Assistant Accountant |
Abby Bailey
|
|
Payroll Accountant |
Steve Guilbaud
|
|
Assistant Production Coordinator |
Alicia Haldenwang
|
|
Extras Casting |
Karen E. Etcoff
|
|
Co-Executive Producer |
Charles H. Joffe
Jack Rollins
|
|
Executive Producer |
Stephen Tenenbaum
|
|
Editing | Editor |
Alisa Lepselter
|
First Assistant Editor |
Sara Corrigan
|
|
Assistant Editor |
Morgan Neville
|
|
Camera | Director of Photography |
Wedigo von Schultzendorff
|
Camera Operator |
Michael Green
|
|
First Assistant Camera |
David E. Baron
|
|
Second Assistant Camera |
Matt Balzarini
|
|
Camera Loader |
Mark Schwartzbard
|
|
Steadicam Operator |
Larry McConkey
|
|
Still Photographer |
John Clifford
|
|
Key Grip |
Gary Martone
|
|
Best Boy Grip |
Pedro Hernández
|
|
Writing | Screenplay |
Woody Allen
|
Art | Location Scout |
Neil Konigsberg
Sandra Trebilcock
Eric Wrolstad
|
Assistant Art Director |
Jonathan Arkin
|
|
Set Decoration |
Regina Graves
|
|
Leadman |
Daniel K. Grosso
|
|
Greensman |
Lawrence Amanuel
|
|
Art Department Coordinator |
Glenn Lloyd
|
|
Property Master |
Peter Gelfman
|
|
Assistant Property Master |
Eric Cheripka
Robin McAllister
|
|
Construction Coordinator |
Ron Petagna
|
|
Head Carpenter |
Frank Didio
|
|
Standby Carpenter |
Paul Brush Jr.
|
|
Production Design |
Santo Loquasto
|
|
Art Direction |
Tom Warren
|
|
Sound | Production Sound Mixer |
Gary Alper
|
Boom Operator |
Sam Perry
|
|
Dolby Consultant |
Bradford L. Hohle
|
|
Assistant Sound Editor |
David Wahnon
Jamie Morris
|
|
Dialogue Editor |
Sylvia Menno
|
|
Foley Editor |
Todd Milner
Dave Flynch
|
|
Foley Recording Engineer |
Ryan Collison
|
|
Foley Artist |
Brian Vancho
|
|
Sound Re-Recording Mixer |
Lee Dichter
|
|
Supervising Sound Editor |
Robert Hein
|
|
Sound Effects Editor |
Glenfield Payne
Stuart Stanley
|
|
Crew | Cableman |
Jerry Yuen
|
Special Effects Coordinator |
John Ottesen
Ron Ottesen
|
|
Scenic Artist |
Margot Therre
Chinyere Ryan
|
|
Projection |
Carl Turnquest
|
|
Transportation Captain |
Peter Tavis
|
|
Craft Service |
Dedra Mack
|
|
Stunt Coordinator |
Manny Siverio
|
|
Stunt Double |
Jay Carrado
|
|
Lighting | Gaffer |
Scott H. Ramsey
|
Best Boy Electric |
Tom Anderson
|
|
Costume & Make-Up | Assistant Costume Designer |
Erica Westheimer
|
Wardrobe Supervisor |
Daniel J. Adkins
Lisa R. Frucht
|
|
Key Makeup Artist |
Lori Hicks
|
|
Makeup Artist |
Nuria Sitja
|
|
Key Hair Stylist |
Wayne Herndon
|
|
Hairstylist |
Robert Fama
|
|
Costume Design |
Melissa Toth
|
|
Department | Role | Name |