I Don't Want to Talk About It
(1993) | Released
Ratings
6
7
80%
Financials
Revenue: $249,530
Budget: $0
Profit: + $249,530
Movie Details
Tag Line:
Status: Released
Average Rating: 6
Release Date: May 20, 1993
Rating:
Run Time: 1h 46m
Original Language: Spanish
Website: -
Production Countries: Argentina , Italy
Production Companies: Oscar Kramer S.A. , Aura Film , Mojame S.A.
Genres
Keywords
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Synopsis
In an Argentine village in the 1930s, the willful Leonor discovers that her beloved daughter, Charlotte, has dwarfism. Attempting to let her have as normal a childhood as possible, Leonor never discusses Charlotte's lack of stature, nor lets anyone else in the village ever mention it. As Charlotte grows up into a smart and self-possessed young woman, local eccentric Ludovico, who collects miniatures, becomes smitten with her.
Crew
| Department | Role | Name |
|---|---|---|
| Sound | Music |
Nicola Piovani
|
| Conductor |
Nicola Piovani
|
|
| Sound |
José Luis Díaz
|
|
| Sound Engineer |
Carlos Abbate
|
|
| Sound Re-Recording Mixer |
Javier Salinas
|
|
| Sound Assistant |
Omar Jadur
|
|
| Sound Effects |
Pedro Marra
Guillermo Rodríguez
|
|
| Sound Supervisor |
Néstor Starek
|
|
| Sound Mix Technician |
Fabio Venturi
|
|
| Production | Producer |
Óscar Kramer
|
| Production Assistant |
Juan Pablo Galli
|
|
| Co-Producer |
Roberto Cicutto
Vincenzo Di Leo
|
|
| Line Producer |
Raúl Outeda
|
|
| Production Director |
Carlos Latreyte
|
|
| Extras Casting |
Jorge Gómez
|
|
| Camera | Steadicam Operator |
Checco Varese
Javier Galasse
|
| Second Assistant Camera |
Albertina Carri
|
|
| Camera Operator |
Andrés Mazzon
Diana Quiroga
|
|
| Camera Intern |
Guillermo Nespolo
Marcelo Tarantino
|
|
| Assistant Camera |
Luis Castelletti
|
|
| "B" Camera Operator |
Ricardo Cosenza
|
|
| Focus Puller |
Soledad Irizar
|
|
| Still Photographer |
Juan Ángel Urrozola
|
|
| Grip |
Miguel 'Pipi' Zarcovich
|
|
| Writing | Dialogue |
Jorge Goldenberg
|
| Screenplay |
María Luisa Bemberg
|
|
| Story |
Julio Llinás
|
|
| Costume & Make-Up | Makeup Artist |
Jorge Bruno
|
| Hairstylist |
Mirella Ginnoto
Maria Isabel Nanotti
|
|
| Costume Designer |
Graciela Galán
|
|
| Additional Hairstylist |
Nélida Aued
|
|
| Wardrobe Assistant |
Paula Taratuto
Cristina Tavano
|
|
| Assistant Hairstylist |
Silvia Fontenla
Alejandro Roquetta
Iris Vieira
|
|
| Assistant Makeup Artist |
Sigisfredo Piccone
Sergio Spaccarotella
|
|
| Wardrobe Intern |
Oria Puppo
|
|
| Crew | Cinematography |
Félix Monti
|
| Script |
Aldo Romero
|
|
| Special Effects |
Tom Cundom
|
|
| Post-Production Manager |
Raúl Outeda
|
|
| Carpenter |
Claudio Sacchi
|
|
| Generator Operator |
Elvio Basso Carro
|
|
| Directing | Director |
María Luisa Bemberg
|
| Continuity |
Aldo Romero
|
|
| Third Assistant Director |
Mercedes García Guevara
Sebastián Puenzo
|
|
| Assistant Director |
Alejandro Maci
|
|
| Second Assistant Director |
Diego Flesca
|
|
| Editing | Editor |
Juan Carlos Macías
|
| Assistant Editor |
Jorge Firdman
Fabio Pallero
|
|
| Color Timer |
Beto Acevedo
|
|
| Negative Cutter |
Marta Selvi
|
|
| Art | Art Department Coordinator |
José Luis Almada
Fabián Harsanyi
|
| Art Department Assistant |
Lizzie Cuello Gebetsberger
Sergio García Ramírez
|
|
| Production Design |
Jorge Sarudiansky
|
|
| Property Master |
Oreste Sacchi
|
|
| Props |
Jorge Mondello
|
|
| Lighting | Best Boy Electric |
Juan José Fernández
|
| Electrician |
Daniel Ianatempo
Carlos Gabriel Saavedra
Héctor Álvarez
Jorge Fernández
|
|
| Department | Role | Name |
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