Ratings
Financials
Revenue: $27,734,391
Budget: $15,000,000
Profit: + $12,734,391
Movie Details
Tag Line: Trust him... he's a cop.
Status: Released
Average Rating: 6
Release Date: Jan 12, 1990
Rating: 1990-01-12
Run Time: 1h 55m
Original Language: English
Website: -
Production Countries: Canada , United States of America
Production Companies: Paramount Pictures , Image Organization , Malofilm , Out of the Town Films
Genres
Keywords
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Synopsis
Keen young Raymold Avila joins the Internal Affairs Department of the Los Angeles police. He and partner Amy Wallace are soon looking closely at the activities of cop Dennis Peck whose financial holdings start to suggest something shady. Indeed Peck is involved in any number of dubious or downright criminal activities. He is also devious, a womaniser, and a clever manipulator, and he starts to turn his attention on Avila.
Crew
Department | Role | Name |
---|---|---|
Editing | Editor |
Robert Estrin
|
First Assistant Editor |
Tracy Granger
|
|
Assistant Editor |
Craig Galloway
|
|
Color Timer |
Bob Noland
|
|
Directing | Director |
Mike Figgis
|
Second Assistant Director |
Chris Auer
Cellin Gluck
|
|
Second Unit Director |
Gary Hymes
|
|
First Assistant Director |
J. Stephen Buck
|
|
Script Supervisor |
Sharron Reynolds-Enriquez
|
|
Writing | Writer |
Henry Bean
|
Sound | Original Music Composer |
Mike Figgis
Anthony Marinelli
|
Music |
Brian Banks
|
|
Sound Re-Recording Mixer |
Bob Beemer
Greg P. Russell
Donald O. Mitchell
|
|
Sound Mixer |
David Brownlow
|
|
Boom Operator |
Glenn E. James
Tom Caton
|
|
Sound Editor |
Hal Sanders
Chester Slomka
Pieter Hubbard
Elliott Koretz
|
|
Assistant Sound Editor |
Bruce Foster
|
|
Foley Artist |
Jeffrey Wilhoit
|
|
Orchestrator |
Anthony Marinelli
|
|
Music Editor |
Christopher Kennedy
|
|
Supervising Sound Editor |
Gary S. Gerlich
|
|
ADR Supervisor |
Devon Heffley Curry
|
|
Camera | Director of Photography |
John A. Alonzo
|
Second Unit Director of Photography |
Michael Ferris
|
|
Best Boy Grip |
Ric Urbauer
|
|
Dolly Grip |
Mike Connors
|
|
First Assistant Camera |
Horace Jordan
Gary D. Scott
|
|
Second Assistant Camera |
Gregory W. Smith
|
|
Camera Operator |
Pernell Youngblood Tyus
|
|
Still Photographer |
Luke Wynne
|
|
Production | Producer |
Frank Mancuso Jr.
|
Location Manager |
David L. Wolfson
|
|
Associate Producer |
Mara Trafficante
Pam O'Har
|
|
Casting |
Shani Ginsberg
Carrie Frazier
|
|
Post Production Coordinator |
Jon Kuyper
|
|
Unit Production Manager |
Lisa Hackett
|
|
Production Supervisor |
Vikki Williams
|
|
Co-Producer |
David Streit
|
|
Production Coordinator |
Harlan M. Freedman
|
|
Assistant Location Manager |
Les Godwin
|
|
Executive Producer |
Pierre David
René Malo
|
|
Art | Title Designer |
Dan Perri
|
Construction Coordinator |
Patrick H. Finnegan
|
|
Leadman |
Ronald E. Hairston
|
|
Property Master |
Robert J. Visciglia Sr.
Glenn M. Carrere
|
|
Production Design |
Waldemar Kalinowski
|
|
Set Designer |
Clare Scarpulla
|
|
Assistant Property Master |
Jean Visciglia
|
|
Art Direction |
Michael Costanza
Nicholas T. Preovolos
|
|
Set Decoration |
Florence Fellman
|
|
Crew | Carpenter |
Kevin Predieri
Mark Wieringa
Doug Crawford
|
Stunt Coordinator |
Gary Hymes
|
|
Stunts |
Lisa Cain
Rick Avery
Rick LeFevour
Gene LeBell
|
|
Scenic Artist |
Genevieve M. Lorick
|
|
Transportation Coordinator |
Perry Husman
|
|
Transportation Captain |
Jon Reeves
|
|
Lighting | Electrician |
James Reischling
Dean Welch
Jesus J. Tango Jr.
|
Best Boy Electric |
Jesse Tango
|
|
Assistant Chief Lighting Technician |
Mark A. Shelton
|
|
Rigging Grip |
Darrell B. Sheldon
|
|
Gaffer |
Rick A. West
|
|
Costume & Make-Up | Makeup Artist |
Julie Purcell
|
Assistant Hairstylist |
Lelis A. Arroyo
Chris Rubel
|
|
Costume Supervisor |
Libby Jacobs
|
|
Assistant Costume Designer |
Beverly Kline
|
|
Costume Design |
Rudy Dillon
|
|
Hairstylist |
Nina Paskowitz
|
|
Department | Role | Name |