Joe Torre: Curveballs Along the Way
(1997) | Released
Ratings
5
5.6
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line:
Status: Released
Average Rating: 5
Release Date: Oct 17, 1997
Rating: PG
Run Time: 1h 36m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: British American Entertainment , Norman Twain Productions , Showtime Networks
Genres
Keywords
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Synopsis
Joe Torre after failing to win a championship when he was a professional baseball player and as Manager to three teams is named Manager of the Yankees. And he finds himself having players like Dwight Gooden, Wade Boggs and Daryl Strawberry who are considered has beens. And players like David Cone who are ill. But nevertheless thinks he can win with them. At the same he deals with the loss of one brother and another brother battling the same condition that killed his brother.
Crew
| Department | Role | Name |
|---|---|---|
| Editing | Editor |
Ronald Sanders
|
| Assistant Editor |
Tad Seaborn
|
|
| Camera | Director of Photography |
Mark Irwin
|
| Camera Operator |
Mark Irwin
|
|
| Second Unit Director of Photography |
Brian Heller
|
|
| Still Photographer |
Ben Mark Holzberg
|
|
| First Assistant Camera |
Jeffrey N. Civa
Jeff Hohener
Rebekah Michaels
|
|
| Second Assistant Camera |
Kris Enos
Andrew Macklin
Mark Cabiddu
|
|
| Production | Casting |
Patricia McCorkle
|
| Co-Executive Producer |
Steven Hewitt
|
|
| Unit Production Manager |
Peter Pastorelli
|
|
| Executive Producer |
Bernard F. Conners
Thomas F. Leahy
|
|
| Producer |
Norman Twain
|
|
| Executive In Charge Of Production |
Steve Wakefield
|
|
| Production Manager |
Tina Grewal
|
|
| Assistant Production Coordinator |
Nicki Skinner
|
|
| Local Casting |
Ron Leach
|
|
| Production Coordinator |
Mary Patelidis
|
|
| Extras Casting |
Eleanor Lavender
|
|
| Post Production Coordinator |
David Bailey
|
|
| Directing | Director |
Sturla Gunnarsson
|
| First Assistant Director |
Wendy Ord
|
|
| Second Unit Director |
Peter Pastorelli
|
|
| Script Supervisor |
Oliver Olsen
|
|
| Second Assistant Director |
Filomena Guarasci
Harvey Epstein
|
|
| Third Assistant Director |
David Forsyth
Alison Jones
|
|
| Second Unit First Assistant Director |
Peggy Craven
|
|
| Crew | Stunt Coordinator |
Matt Birman
|
| Post Production Supervisor |
Tim King
|
|
| Sound | Sound Re-Recording Mixer |
Steve Foster
Paul Shubat
|
| Original Music Composer |
John Welsman
|
|
| Foley Artist |
John Sievert
|
|
| Dialogue Editor |
Joe Mancuso
|
|
| Sound Effects Editor |
Dan Sexton
|
|
| Boom Operator |
Mark "Boomwallah" McNeilly
Buzz Reynolds
Andrew Zuch
|
|
| Production Sound Mixer |
Henry Embry
|
|
| Foley Mixer |
Steve Copley
|
|
| Sound Mixer |
Bernie Zuch
|
|
| ADR Editor |
Ed Poty
|
|
| Music Coordinator |
Susan Pilcher
|
|
| Art | Production Design |
Ed Hanna
|
| Lead Set Dresser |
Peter Waffle
|
|
| Set Dresser |
Julian Peters
Robert Hamilton
|
|
| Art Direction |
Ann Bromley
|
|
| Set Decoration |
Peter Razmofsky
|
|
| First Assistant Art Direction |
Tony Ianni
|
|
| Writing | Writer |
Philip Rosenberg
|
| Costume & Make-Up | Assistant Costume Designer |
Suzanne Aplin
|
| Costume Designer |
Suzette Daigle
|
|
| Key Hair Stylist |
Moira Verwijk
|
|
| Key Makeup Artist |
Kathleen Graham
|
|
| Wardrobe Supervisor |
Victoria McKay
|
|
| Wardrobe Assistant |
Gillian Steinhardt
|
|
| Department | Role | Name |