Ratings
Financials
Revenue: $82,468,705
Budget: $14,000,000
Profit: + $68,468,705
Movie Details
Tag Line: It's definitely not a good time to be a Nazi
Status: Released
Average Rating: 8
Release Date: Oct 18, 2019
Rating: 2020-02-18
Run Time: 1h 48m
Original Language: English
Website: Link
Production Countries: New Zealand , United States of America
Production Companies: Fox Searchlight Pictures , Defender Films , Piki Films
Sources:
Genres
Keywords
People Rated This
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Synopsis
A World War II satire that follows a lonely German boy whose world view is turned upside down when he discovers his single mother is hiding a young Jewish girl in their attic. Aided only by his idiotic imaginary friend, Adolf Hitler, Jojo must confront his blind nationalism.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Taika Waititi
|
| First Assistant Director |
Mark Taylor
Frantisek Rezek
|
|
| Third Assistant Director |
David Strangmüller
Karel Kubis
Martin Oktabec
|
|
| Continuity |
Adéla Kroupová
|
|
| Second Second Assistant Director |
Martina Frimelova
|
|
| Script Supervisor |
Vera Homolacova
|
|
| Second Assistant Director |
Martina Götthansova
|
|
| Writing | Screenplay |
Taika Waititi
|
| Novel |
Christine Leunens
|
|
| Production | Producer |
Chelsea Winstanley
Carthew Neal
Taika Waititi
|
| Executive Producer |
Kevan Van Thompson
|
|
| Casting |
Maya Kvetny
Des Hamilton
|
|
| Unit Production Manager |
Vaclav Mottl
Pavel Voráček
|
|
| Associate Producer |
T.K. Knowles
John O'Grady
|
|
| Production Assistant |
Angela Vitas
|
|
| Art | Production Design |
Ra Vincent
|
| Concept Artist |
Brendan Heffernan
|
|
| Set Decoration |
Nora Sopková
|
|
| Art Direction |
Ondřej Lipenský
Pierre Bonhomme
Radek Hanák
|
|
| Set Dresser |
Martin Svandrlik
|
|
| Costume & Make-Up | Costume Design |
Mayes C. Rubeo
|
| Makeup & Hair |
Dannelle Satherley
|
|
| Costume Supervisor |
Kateřina Polanská
|
|
| Set Costumer |
Vendy Vosatkova
|
|
| Makeup Artist |
Christine Beveridge
Linda Kvasničková
|
|
| Editing | Editor |
Tom Eagles
|
| Colorist |
Tim Stipan
|
|
| Camera | Director of Photography |
Mihai Malaimare Jr.
|
| Steadicam Operator |
Aleš Belak
Daniel Vagenknecht
|
|
| "C" Camera Operator |
Milan Chadima
Karel Fairaisl
|
|
| First Assistant "C" Camera |
Petr Braun
Martin Maryška
|
|
| Second Assistant "B" Camera |
Jan Dvorak
Marek Havel
|
|
| Still Photographer |
Kimberly French
Petr Stuna
|
|
| First Assistant "D" Camera |
Ondřej Kos
|
|
| Second Assistant "C" Camera |
Ondřej Kudrna
|
|
| First Assistant "A" Camera |
Shaun Mayor
|
|
| First Assistant "B" Camera |
Tomas Munzberger
|
|
| "B" Camera Operator |
Jiří Málek
|
|
| Second Assistant "A" Camera |
Jan Prokeš
|
|
| Dolly Grip |
Lukás Rezek
David Vacek
|
|
| Key Grip |
Kim Worthington
|
|
| Visual Effects | Visual Effects Supervisor |
Jason Chen
Brendan Seals
|
| VFX Artist |
Rick Ravenell
Doug Spilatro
Russell Hopwood
|
|
| Visual Effects Producer |
Michael Perdew
Paul Driver
|
|
| Sound | Original Music Composer |
Michael Giacchino
|
| ADR Mixer |
David Betancourt
Daniel Douglass
Nick Kray
Charleen Richards-Steeves
|
|
| Foley Artist |
Steve Baine
|
|
| Dialogue Editor |
David V. Butler
Helen Luttrell
|
|
| Boom Operator |
Tomáš Červenka
Petr Forejt
Matěj Němec
Martin Švojger
|
|
| Foley Editor |
Justin M. Davey
|
|
| Supervising ADR Editor |
Susan Dawes
|
|
| Sound Engineer |
Geoff Ethridge
Samuel R. Green
|
|
| Production Sound Mixer |
Petr Forejt
|
|
| ADR Recordist |
Jesse Johnstone
David Lucarelli
Tristan Rose
|
|
| Sound Re-Recording Mixer |
Ai-Ling Lee
|
|
| Supervising Sound Editor |
Ai-Ling Lee
|
|
| ADR Coordinator |
Annabel Martin
|
|
| Sound Mixer |
Daniel Němec
|
|
| Foley Mixer |
Peter Persaud
|
|
| Sound Designer |
Tobias Poppe
|
|
| Sound Effects Editor |
Jon Title
|
|
| Music Editor |
Paul Apelgren
|
|
| Scoring Mixer |
Dennis S. Sands
|
|
| Crew | Post Production Supervisor |
David McKimmie
|
| Stunts |
Jan Blahák
|
|
| Department | Role | Name |







