King Lear
(2018) | Released
Ratings
6
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line:
Status: Released
Average Rating: 6
Release Date: May 28, 2018
Rating: 2018-09-27
Run Time: 1h 55m
Original Language: English
Website: Link
Production Countries: United Kingdom
Production Companies: Playground Entertainment , Sonia Friedman Productions , BBC , Amazon Studios , Lemaise Pictures
Sources:
Genres
Keywords
People Rated This
Where to watch King Lear
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Synopsis
An aging King invites disaster, when he abdicates to his corrupt, toadying daughters, and rejects his loving and honest one.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Richard Eyre
|
| Script Supervisor |
Karen Savage
|
|
| First Assistant Director |
Nick Shuttleworth
|
|
| Second Assistant Director |
Alex Gavigan
|
|
| Third Assistant Director |
Luc Gavigan
|
|
| Production | Executive Producer |
Scott Huff
Sonia Friedman
Lucy Richer
Colin Callender
Laura Macara
Fergus Haycock
|
| Location Manager |
Ben Gladstone
|
|
| Production Manager |
Sharon Moran
|
|
| Producer |
Noëlette Buckley
|
|
| Casting Director |
Nina Gold
|
|
| Line Producer |
Michelle Mullen
|
|
| Associate Producer |
Elyse Dolbec
|
|
| Casting Associate |
Martin Ware
Lauren Evans
|
|
| Unit Manager |
Martin Walker
|
|
| Sound | Sound Re-Recording Mixer |
Andrew Caller
Brendan Nicholson
|
| ADR Editor |
Emilie O'Connor
|
|
| Original Music Composer |
Stephen Warbeck
|
|
| Dialogue Editor |
Emilie O'Connor
|
|
| Production Sound Mixer |
Simon Clark
|
|
| Sound Effects Editor |
Mark Heslop
|
|
| Foley Editor |
Glen Gathard
Adam Oakley
|
|
| Foley Mixer |
Sam Walsh
|
|
| Music Editor |
Lewis Morison
|
|
| Foley Artist |
Zoe Freed
Peter Burgis
Jason Swanscott
|
|
| Costume & Make-Up | Hair Designer |
Naomi Donne
|
| Makeup & Hair |
Lolly Goodship
Doone Forsyth
|
|
| Costume Design |
Fotini Dimou
|
|
| Key Hairdresser |
Sara Kramer
|
|
| Costume Supervisor |
Tessa Phillips
|
|
| Makeup Designer |
Naomi Donne
|
|
| Key Makeup Artist |
Sara Kramer
|
|
| Tailor |
Laura Panayiotou
|
|
| Editing | Editor |
Dan Farrell
|
| Assistant Editor |
Helena Evans
|
|
| Visual Effects | Special Effects Supervisor |
Chris Reynolds
|
| Visual Effects Producer |
Mark Wellband
|
|
| Visual Effects Coordinator |
Chiara Finello
|
|
| Art | Title Designer |
Matt Curtis
|
| Production Design |
Peter Francis
|
|
| Set Decoration |
Charlotte Dirickx
|
|
| Art Direction |
Astrid Sieben
|
|
| Property Master |
Paul Carter
|
|
| Set Dresser |
Sam Farr
|
|
| Standby Property Master |
Kevin Day
|
|
| Camera | Director of Photography |
Ben Smithard
|
| Second Assistant "A" Camera |
Arron Monkman
|
|
| Second Assistant "B" Camera |
Lorena Pagés
|
|
| Still Photographer |
John L. Wilson
|
|
| Steadicam Operator |
Simon Baker
|
|
| First Assistant "A" Camera |
Tristan Haley
|
|
| Camera Trainee |
Moe Owoborode
|
|
| Writing | Theatre Play |
William Shakespeare
|
| Writer |
Richard Eyre
|
|
| Crew | Post Production Supervisor |
Gisela Evert
|
| Armorer |
Sam Dormer
|
|
| Stunt Coordinator |
Andreas Petrides
|
|
| Set Medic |
Rachel McLean
|
|
| Lighting | Electrician |
Richard Harrowing
|
| Gaffer |
Michael McDermott
|
|
| Rigging Gaffer |
James Smith-Pryor
|
|
| Lighting Technician |
Pawel Polak
|
|
| Department | Role | Name |