Kissing a Fool
(1998) May the best man win. | Released
Ratings
5.6
5.6
27%
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line: May the best man win.
Status: Released
Average Rating: 6
Release Date: Feb 27, 1998
Rating: 1998-02-27
Run Time: 1h 33m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Universal Pictures
Genres
Keywords
People Rated This
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Synopsis
An egotistical television personality enlists the assistance of his best friend in putting the fidelity of his fiancé to the test in this amiable comedy of the sexes. Told in flashback, the film takes a familiar love-triangle scenario and gives it a bitter twist. With a bride who seems too good for either suitor, the film is sustained by one question - who will she choose?
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Doug Ellin
|
| Script Supervisor |
Alicia Accardo
|
|
| First Assistant Director |
Gary B. Goldman
|
|
| Second Assistant Director |
Don H. Julien
|
|
| Writing | Story |
James Frey
|
| Screenplay |
James Frey
Doug Ellin
|
|
| Sound | Original Music Composer |
Joseph Vitarelli
|
| Music Supervisor |
Michelle Kuznetsky Silverman
Mary Ramos
|
|
| Sound Mixer |
David Obermeyer
|
|
| Boom Operator |
Blair Scheller
|
|
| Supervising Sound Editor |
Richard E. Yawn
|
|
| Supervising ADR Editor |
Becky Sullivan
|
|
| Assistant Sound Editor |
Shawn Egan
|
|
| Sound Editor |
Donald L. Warner Jr.
Joe Divitale
Bernard Weiser
Bruce Fortune
Shawn Sykora
Lance Laurienzo
Anthony Milch
Brian Best
Kim Secrist
|
|
| ADR Mixer |
Dean St. John
|
|
| ADR Recordist |
Joseph Bosco
|
|
| Foley Mixer |
James B. Howe
|
|
| Sound Re-Recording Mixer |
Tim Philben
Robert L. Harman
Wayne Artman
Dave Yamamoto
|
|
| Sound Recordist |
Brian Harman
|
|
| Supervising Music Editor |
Allan K. Rosen
|
|
| Music Editor |
Patty von Arx
|
|
| Camera | Director of Photography |
Thomas Del Ruth
|
| Camera Operator |
Gerrit Dangremond
|
|
| First Assistant Camera |
David Morenz
|
|
| Second Assistant Camera |
Richard Sobin
|
|
| Key Grip |
Art Bartels
|
|
| Still Photographer |
Charles S. Hodes
|
|
| Editing | Editor |
David Finfer
|
| Additional Editing |
William S. Scharf
Liza McDonald
|
|
| Assistant Editor |
Martha Pike
|
|
| Color Timer |
Robert LaRossa
|
|
| Production | Casting |
Ferne Cassel
|
| Producer |
Rick Lashbrook
Andrew Form
Tag Mendillo
|
|
| Executive Producer |
Stephen Levinson
David Schwimmer
|
|
| Associate Producer |
Mark S. Hoerr
James Frey
|
|
| Location Manager |
Wileen Dragovan
|
|
| Assistant Location Manager |
Andrew Marcus
|
|
| Line Producer |
Thomas J. Busch
|
|
| Unit Production Manager |
Thomas J. Busch
|
|
| ADR Voice Casting |
Sandy Holt
|
|
| Production Accountant |
David Abbitt
|
|
| Art | Production Design |
Charles William Breen
|
| Set Decoration |
Tricia Schneider
|
|
| Leadman |
David Conaghan
|
|
| Property Master |
Amie McCarthy Winn
|
|
| Costume & Make-Up | Costume Design |
Susan Kaufmann
|
| Key Makeup Artist |
Denise Wynbrandt
|
|
| Makeup Artist |
Judie Tallman
|
|
| Makeup Department Head |
Ashlee Petersen
|
|
| Hair Department Head |
Ashlee Petersen
|
|
| Key Hair Stylist |
Mary 'Dugan' Buono
|
|
| Set Costumer |
Gina Marie Ome
|
|
| Crew | Cableman |
Jason Johnston
|
| Transportation Coordinator |
John P. McAuliffe
|
|
| Creative Consultant |
Randee Lynne Jensen
|
|
| Lighting | Best Boy Electric |
Mel P. Mack
|
| Gaffer |
James A. Miller
|
|
| Department | Role | Name |