Ratings
47%
6
6.1
45%
Financials
Revenue: $27,640,028
Budget: $20,000,000
Profit: + $7,640,028
Movie Details
Tag Line: What Could Be Safer Than Living Next to a Cop?
Status: Released
Average Rating: 6
Release Date: Sep 19, 2008
Rating: PG-13
Run Time: 1h 50m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Screen Gems , Overbrook Entertainment
Genres
Keywords
People Rated This
Main Cast
Crew
| Department | Role | Name |
|---|---|---|
| Production | Casting |
Heidi Levitt
|
| Producer |
John Cameron
Will Smith
James Lassiter
Orin Woinsky
|
|
| Unit Production Manager |
John Cameron
|
|
| Executive Producer |
David Loughery
Jeffrey Graup
Joe Pichirallo
|
|
| Casting Assistant |
Lauren Fernandes
|
|
| Assistant Location Manager |
Duffy Taylor
|
|
| Production Supervisor |
Karen Ruth Getchell
|
|
| Location Manager |
Kevin Funston
|
|
| Production Accountant |
Chris Romberg
|
|
| Extras Casting |
Rich King
|
|
| Art | Production Design |
Bruton Jones
|
| Art Direction |
Thomas T. Taylor
Paul Sonski
|
|
| Construction Coordinator |
David Elliott
|
|
| Set Decoration |
Don Diers
|
|
| Property Master |
Will Blount
|
|
| Set Designer |
Mick Cukurs
|
|
| Art Department Coordinator |
Meg Harker
|
|
| Leadman |
Ken Turek
|
|
| Writing | Screenplay |
David Loughery
Howard Korder
|
| Story |
David Loughery
|
|
| Sound | Original Music Composer |
Mychael Danna
Jeff Danna
|
| Foley Artist |
Vincent Guisetti
Pamela Kahn
|
|
| Dialogue Editor |
Robert Troy
|
|
| Supervising Sound Editor |
Ronald Eng
|
|
| Foley Editor |
Willard Overstreet
|
|
| Sound Re-Recording Mixer |
Bill W. Benton
Gary C. Bourgeois
|
|
| Sound Effects Editor |
Steve Tushar
|
|
| ADR Editor |
David A. Cohen
|
|
| Music Editor |
Jen Monnar
|
|
| Foley Mixer |
Kyle Rochlin
|
|
| ADR Mixer |
Howard London
Brian Smith
|
|
| Sound Mixer |
Lee Orloff
|
|
| Assistant Sound Editor |
Dana LeBlanc Frankley
|
|
| Boom Operator |
Todd O. Russell
|
|
| Sound Recordist |
Fred Peck III
|
|
| Crew | Special Effects Coordinator |
John Hartigan
|
| Stunt Coordinator |
Ben Hernandez Bray
|
|
| Stunts |
Tanoai Reed
|
|
| Post Production Supervisor |
Eric Bergman
|
|
| Studio Teacher |
Karri Mayo
|
|
| Unit Publicist |
Paulette Dauber
|
|
| Video Assist Operator |
Steve Irwin
|
|
| Craft Service |
Charlie Scott
|
|
| Camera | Director of Photography |
Rogier Stoffers
|
| "A" Camera Operator |
Paul Sanchez
|
|
| Still Photographer |
Chuck Zlotnick
|
|
| Steadicam Operator |
Kirk R. Gardner
|
|
| First Assistant "B" Camera |
David Eubank
|
|
| "B" Camera Operator |
Patrick Rousseau
|
|
| Camera Loader |
Robin Bursey
|
|
| Key Grip |
Brian H. Reynolds
|
|
| Dolly Grip |
Fred Cooper
|
|
| First Assistant "A" Camera |
Alan R. Disler
|
|
| Second Assistant "A" Camera |
Tommy Tieche
|
|
| Second Assistant "B" Camera |
Andrae Crawford
|
|
| Costume & Make-Up | Hairstylist |
Robert L. Stevenson
|
| Makeup Department Head |
Allan A. Apone
|
|
| Costume Supervisor |
Stacy Horn
|
|
| Costumer |
Askia Won-Ling Jacob
Anita Louise Brown
Amelia Buhrman
|
|
| Hair Department Head |
Linda Villalobos
|
|
| Key Makeup Artist |
Sara Vaughn
|
|
| Key Hair Stylist |
Rhonda O'Neal
|
|
| Key Costumer |
Kimberly Johnson
|
|
| Directing | Director |
Neil LaBute
|
| Second Assistant Director |
Peter Dress
|
|
| Script Supervisor |
Jillian Giacomini
|
|
| First Assistant Director |
Donald Murphy
|
|
| Second Second Assistant Director |
Renee Hill-Sweet
|
|
| Editing | Editor |
Joel Plotch
|
| Additional Editor |
Keith Brachmann
|
|
| Digital Colorist |
Scott Gregory
|
|
| Visual Effects | Visual Effects Supervisor |
Dick Edwards
Rocco Passionino
|
| Visual Effects Producer |
Raoul Bolognini
|
|
| Visual Effects Coordinator |
Sean Tompkins
|
|
| Compositing Supervisor |
R. Matt Smith
|
|
| Lighting | Chief Lighting Technician |
Christopher Prampin
|
| Assistant Chief Lighting Technician |
Greg Etheredge
|
|
| Department | Role | Name |
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