Ratings
67%
7.3
7.6
83%
Financials
Revenue: $120,207,127
Budget: $15,000,000
Profit: + $105,207,127
Movie Details
Tag Line: If these two can learn to stand each other... the bad guys don't stand a chance.
Status: Released
Average Rating: 7
Release Date: Mar 6, 1987
Rating: 1987-03-06
Run Time: 1h 50m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Silver Pictures , Warner Bros. Pictures
Sources:
Genres
Keywords
People Rated This
Main Cast
Crew
| Department | Role | Name |
|---|---|---|
| Production | Producer |
Richard Donner
Joel Silver
|
| Casting |
Marion Dougherty
|
|
| Associate Producer |
Jennie Lew Tugend
|
|
| Unit Production Manager |
Steve Perry
|
|
| Location Manager |
David Israel
John Panzarella
Paula Shaw
|
|
| Production Secretary |
Laura Hoffman
|
|
| Production Accountant |
Jan Garner
|
|
| Writing | Screenplay |
Shane Black
|
| Sound | Original Music Composer |
Eric Clapton
Michael Kamen
|
| Production Sound Mixer |
Bill Nelson
|
|
| Boom Operator |
Jules Strasser
|
|
| Supervising Sound Editor |
Robert G. Henderson
Alan Robert Murray
|
|
| Supervising ADR Editor |
Jay Engel
|
|
| Music Editor |
Christopher Brooks
|
|
| Sound Re-Recording Mixer |
Les Fresholtz
Rick Alexander
Vern Poore
|
|
| ADR Editor |
Juno J. Ellis
|
|
| Sound Editor |
Richard Oswald
David M. Horton
Bruce Lacey
Gordon Davidson
Neil Burrow
Milton C. Burrow
|
|
| Music Producer |
James Guthrie
|
|
| Camera | Director of Photography |
Stephen Goldblatt
|
| Camera Operator |
Richard Walden
|
|
| First Assistant Camera |
Geary McLeod
Calmar Roberts
|
|
| Second Assistant Camera |
Bess Wiley
Rick Whitesman
|
|
| Key Grip |
Charles Saldaña
|
|
| Best Boy Grip |
Ron Peebles
|
|
| Dolly Grip |
Kirk Bales
|
|
| Aerial Director of Photography |
Frank M. Holgate
|
|
| Still Photographer |
John R. Shannon
|
|
| Editing | Editor |
Stuart Baird
|
| Assistant Editor |
William J. Meshover
|
|
| Directing | Director |
Richard Donner
|
| First Assistant Director |
Benjamin Rosenberg
|
|
| Second Assistant Director |
Terry Miller
|
|
| Script Supervisor |
Marion Tumen
|
|
| Additional Second Assistant Director |
Willie E. Simmons, Jr.
|
|
| Art | Set Decoration |
Marvin March
|
| Production Design |
J. Michael Riva
|
|
| Assistant Art Director |
Eva Anna Andry
Virginia Randolph-Weaver
|
|
| Leadman |
Jack Eberhart
|
|
| Property Master |
Erik L. Nelson
|
|
| Construction Coordinator |
George Stokes
|
|
| Construction Foreman |
James F. Orendorff
|
|
| Costume & Make-Up | Costume Design |
Mary Malin
|
| Makeup Artist |
Scott H. Eddo
|
|
| Costume Supervisor |
Barry Francis Delaney
|
|
| Assistant Costume Designer |
Paki Wolfe
|
|
| Costumer |
Dallas D. Dornan
|
|
| Hairstylist |
Paul Abascal
|
|
| Crew | Stunts |
Mary Peters
Dar Robinson
Mic Rodgers
John Alden
Billy Hank Hooker
Gregory J. Barnett
Jeff Imada
Jophery C. Brown
Mark Lonsdale
Dana Mackey
Monty Cox
Bennie Moore
Jeffrey J. Dashnaw
Jimmy Nickerson
Steve DeFrance
Mike De Luna
Chad Randall
Shane Dixon
Ronnie Rondell Jr.
David R. Ellis
Keith Tellez
Richard M. Ellis
Cisco Valderrama
Donna Evans
Randell Dennis Widner
Diane Hetfield
Glenn R. Wilder
Freddie Hice
Annie Ellis
|
| Cableman |
Mychal D. Smith
|
|
| Dialogue Coach |
Julie Adams
|
|
| Stunt Coordinator |
Bobby Bass
|
|
| Special Effects Coordinator |
Chuck Gaspar
|
|
| Unit Publicist |
Katherine Ann Moore
|
|
| Transportation Coordinator |
Myra Hill
|
|
| Lighting | Gaffer |
Michael Strong
|
| Best Boy Electric |
Bill King
|
|
| Rigging Gaffer |
Tim McArdle
|
|
| Department | Role | Name |
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