Life as a House
(2001) Seen from a distance, it's perfect. | Released
Ratings
45%
7.1
7.5
47%
Financials
Revenue: $0
Budget: $18,000,000
Profit: - $-18,000,000
Movie Details
Tag Line: Seen from a distance, it's perfect.
Status: Released
Average Rating: 7
Release Date: Oct 25, 2001
Rating: 2001-10-26
Run Time: 2h 05m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: New Line Cinema
Sources:
Genres
Keywords
People Rated This
Where to watch Life as a House
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Synopsis
When a man is diagnosed with terminal cancer, he takes custody of his misanthropic teenage son, for whom quality time means getting high, engaging in small-time prostitution, and avoiding his father.
Crew
| Department | Role | Name |
|---|---|---|
| Camera | Director of Photography |
Vilmos Zsigmond
|
| Key Grip |
Dick Deats
|
|
| Second Assistant "A" Camera |
Don Duffield
|
|
| First Assistant "A" Camera |
Tony Nagy
|
|
| First Assistant "B" Camera |
Jimmy E. Jensen
Brian W. Nordheim
|
|
| "B" Camera Operator |
Chris Squires
|
|
| "A" Camera Operator |
Joseph D. Urbanczyk
|
|
| Camera Loader |
Tom Hutchinson
|
|
| Steadicam Operator |
Chris Squires
|
|
| Second Assistant "B" Camera |
Nick Shuster
|
|
| Still Photographer |
Merie Weismiller Wallace
|
|
| Dolly Grip |
Sean Devine
Antonio V. Garrido
|
|
| Grip |
Mark Wojciechowski
|
|
| Best Boy Grip |
Jerry C. Deats
|
|
| Additional Director of Photography |
Johnny E. Jensen
|
|
| Production | Producer |
Rob Cowan
Irwin Winkler
|
| Executive In Charge Of Post Production |
Jody Levin
|
|
| Executive In Charge Of Production |
Carla Fry
|
|
| Unit Production Manager |
Brian E. Frankish
|
|
| Production Executive |
Erik Holmberg
|
|
| Production Supervisor |
Don Tardino
|
|
| Production Coordinator |
Karen Ruth Getchell
|
|
| First Assistant Accountant |
Rick Coffee
|
|
| Payroll Accountant |
Sara Tower
|
|
| Production Accountant |
Lynell Bangs
|
|
| Location Manager |
Robbie Goldstein
|
|
| Casting Associate |
Rebecca Mangieri
|
|
| Casting |
Randi Hiller
Sarah Halley Finn
|
|
| Executive Producer |
Michael De Luca
Lynn Harris
Brian E. Frankish
|
|
| Editing | Editor |
Julie Monroe
|
| Negative Cutter |
Gary Burritt
|
|
| Color Timer |
Terry Hager
|
|
| Assistant Editor |
Jennifer Hatton
|
|
| Associate Editor |
F. Paul Benz
|
|
| Directing | Director |
Irwin Winkler
|
| First Assistant Director |
Vincent Lascoumes
|
|
| Sound | Original Music Composer |
Mark Isham
|
| Utility Sound |
George Flores
Tony Gray
|
|
| Sound Mixer |
Richard Lightstone
|
|
| Boom Operator |
Gabriel Cubos
|
|
| Sound Supervisor |
Mathew Waters
|
|
| Dialogue Editor |
David Grant
Robert Jackson
Michael Hertlein
Robert Getty
Jed M. Dodge
|
|
| Sound Effects Editor |
Michael Kamper
Carrie Lisonbee
Javier Bennassar
Michael Mullane
|
|
| Assistant Sound Editor |
Susan Cahill
Alec St. John
Chato Hill
|
|
| Foley Artist |
Jerry Trent
Diane Marshall
|
|
| Sound Re-Recording Mixer |
Mathew Waters
John Ross
Derek Marcil
|
|
| Foley Editor |
Craig Jurkiewicz
|
|
| ADR Supervisor |
Thomas Jones
|
|
| Foley Mixer |
Lucy Sustar
|
|
| ADR Mixer |
Alan Freedman
|
|
| Music Editor |
Thomas A. Carlson
|
|
| Writing | Screenplay |
Mark Andrus
|
| Crew | Stunt Double |
Danny Downey
|
| Stunt Coordinator |
Gary J. Wayton
|
|
| Post Production Supervisor |
Jay Vinitsky
|
|
| Video Assist Operator |
Roger C. Johnson
|
|
| Production Controller |
Paul Prokop
|
|
| Dialect Coach |
Francie Brown
|
|
| Transportation Coordinator |
Don Tardino
|
|
| Studio Teacher |
Rhonda Sherman
|
|
| Craft Service |
John Starr
|
|
| Special Effects |
Christy Sumner
|
|
| Digital Effects Supervisor |
Tim Sassoon
|
|
| Unit Publicist |
Vic Heutschy
|
|
| Pilot |
Cliff Fleming
|
|
| Transportation Captain |
Timothy P. Ryan
|
|
| Special Effects Coordinator |
Robbie Knott
|
|
| Transportation Co-Captain |
James Brown
|
|
| Art | Set Designer |
Louis M. Mann
John Leimanis
Ann Harris
|
| Production Illustrator |
Joseph Musso
|
|
| Leadman |
Greg Sanger
Nicholas Rymond
|
|
| Set Dresser |
Mark W. Brown
Alan Baptiste
Rick Glenn
|
|
| Assistant Property Master |
Monica Perez
Brian Seccombe
|
|
| Property Master |
Ritchie Kremer
|
|
| Construction Coordinator |
Bryan Belair
|
|
| Painter |
Gary DeBortoli
|
|
| Lead Painter |
Kenneth Robertson
|
|
| Production Design |
J. Dennis Washington
|
|
| Art Direction |
Thomas T. Taylor
|
|
| Set Decoration |
Denise Pizzini
|
|
| Lighting | Electrician |
Steven D. Castaneda
Harold Groshon
|
| Best Boy Electrician |
Christopher Warren
|
|
| Chief Lighting Technician |
Colin J. Campbell
|
|
| Costume & Make-Up | Makeup Artist |
Christina Smith
Tammy Ashmore
Jo-Anne Smith-Ojeil
|
| Key Makeup Artist |
Bonita DeHaven
|
|
| Key Hair Stylist |
Virginia G. Hadfield
|
|
| Hairstylist |
Barbara Lorenz
Michele Payne
|
|
| Set Costumer |
Tammy Hynes
|
|
| Key Set Costumer |
Mary Elizabeth Still
|
|
| Costume Supervisor |
Emma Trenchard
|
|
| Costume Design |
Molly Maginnis
|
|
| Department | Role | Name |
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