Ratings
Financials
Revenue: $28,600,000
Budget: $10,000,000
Profit: + $18,600,000
Movie Details
Tag Line: The Life, Love and Genius of Brian Wilson
Status: Released
Average Rating: 7
Release Date: May 29, 2015
Rating: PG-13
Run Time: 2h 00m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: John Wells Productions , River Road Entertainment , Roadside Attractions , Lionsgate , Stage 6 Films
Genres
Keywords
People Rated This
Watch Love & Mercy
Stream with a subscription
Purchase (Rent or Buy this movie)
Synopsis
In the late 1960s, the Beach Boys' Brian Wilson stops touring, produces "Pet Sounds" and begins to lose his grip on reality. By the 1980s, under the sway of a controlling therapist, he finds a savior in Melinda Ledbetter.
Crew
Department | Role | Name |
---|---|---|
Crew | Post Production Supervisor |
Gerry Robert Byrne
|
Stunt Coordinator |
Jeffrey J. Dashnaw
|
|
Choreographer |
Kenny Wormald
|
|
Stunts |
Tracy Keehn-Dashnaw
Tim Rigby
Heidi Moneymaker
|
|
Special Effects Coordinator |
Anthony Simonaitis
|
|
Marine Coordinator |
Rick Hicks
|
|
Sound | Sound Designer |
Eugene Gearty
|
Sound Re-Recording Mixer |
Eugene Gearty
Chris Jenkins
|
|
Sound mixer |
Edward Tise
|
|
Foley Artist |
Marko Costanzo
|
|
Music Editor |
Nicholas Renbeck
|
|
Supervising Sound Editor |
Nicholas Renbeck
|
|
Boom Operator |
Robert Jackson
|
|
Original Music Composer |
Atticus Ross
|
|
Utility Sound |
Rene Defrancesch
|
|
Foley Editor |
Steven Visscher
|
|
Production | Executive Producer |
Ann Ruark
Oren Moverman
Jim Lefkowitz
|
Unit Production Manager |
Ann Ruark
|
|
Casting |
Kerry Barden
Paul Schnee
|
|
Producer |
Bill Pohlad
John Wells
Claire Rudnick Polstein
|
|
Production Coordinator |
Erin Sahlstrom
|
|
Location Manager |
Boyd Wilson
|
|
Production Supervisor |
Alex G. Scott
|
|
Production Assistant |
Sam Patton
|
|
Assistant Location Manager |
Jim Small
|
|
Assistant Production Coordinator |
Blake Nabavi
|
|
Camera | Director of Photography |
Robert D. Yeoman
|
Still Photographer |
François Duhamel
|
|
Second Assistant Camera |
Noah Thomson
Doug Price
|
|
"B" Camera Operator |
Casey Hotchkiss
|
|
Steadicam Operator |
Chris Haarhoff
Henry Tirl
|
|
Grip |
Dustin VonLossberg
Bruce Carothers
William J. McDevitt
|
|
First Assistant Camera |
Nick Infield
|
|
Key Grip |
Joseph Dianda
|
|
Best Boy Grip |
Richard Boyle
|
|
Camera Loader |
Diana Ulzheimer
|
|
Second Assistant "B" Camera |
Oliver Ponce
|
|
Costume & Make-Up | Costume Design |
Danny Glicker
|
Makeup Department Head |
Alessandro Bertolazzi
|
|
Costume Supervisor |
Charlene Amateau
|
|
Makeup Artist |
Rolf John Keppler
|
|
Assistant Costume Designer |
Annalisa Adams
|
|
Key Makeup Artist |
Zoe Hay
|
|
Hair Department Head |
Martin Samuel
Cyndra Dunn
|
|
Hairstylist |
Lauren Upshaw
Karen Zanki
|
|
Costumer |
Danny Vick
Caroline Patterson
|
|
Art | Production Design |
Keith P. Cunningham
|
Art Direction |
Andrew Max Cahn
|
|
Set Decoration |
Maggie Martin
|
|
Assistant Art Director |
Bradley Rubin
Julien Pougnier
|
|
Property Master |
Will Blount
Jim Stubblefield
|
|
Art Department Coordinator |
Candice Muriedas
|
|
Leadman |
Cheryl Gould Strang
|
|
Construction Coordinator |
Dave DeGaetano
|
|
Graphic Designer |
Ellen Lampl
|
|
Set Dressing Buyer |
Amina Allean Dieye
|
|
Greensman |
Richard J. Bell
|
|
Painter |
Cliff Berns
|
|
Set Dresser |
Gregory Byrne
Paul Ford
|
|
Directing | Second Unit Director |
Jeffrey J. Dashnaw
|
Director |
Bill Pohlad
|
|
Script Supervisor |
Scott Peterson
|
|
First Assistant Director |
Thomas Patrick Smith
|
|
Second Assistant Director |
Robert E. Kay
|
|
Writing | Screenplay |
Oren Moverman
|
Editing | Editor |
Dino Jonsäter
|
Lighting | Gaffer |
John Vecchio
|
Rigging Gaffer |
Kevin J. Lang
|
|
Electrician |
Jerry D. Knight
Alan Frazier
Michael Kennedy
|
|
Key Rigging Grip |
Matthew Thomas Moles
|
|
Best Boy Electric |
Craig Molsberry
|
|
Department | Role | Name |