Luminous Motion
(2000) an amoral tale | Released
Ratings
4.9
5.5
50%
Financials
Revenue: $51,380
Budget: $0
Profit: + $51,380
Movie Details
Tag Line: an amoral tale
Status: Released
Average Rating: 5
Release Date: May 19, 2000
Rating: 2000-05-19
Run Time: 1h 35m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Fiona Films , Good Machine
Sources:
Genres
Keywords
People Rated This
Where to watch Luminous Motion
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Synopsis
A mom and her 10-year-old son motor around the country as she makes ends meet by turning tricks until her car breaks down. She then temporarily takes up with a hardware store owner until she gets her own place. Then the kid's father shows up to try to take the two over.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Bette Gordon
|
| First Assistant Director |
Adam Escott
|
|
| Second Assistant Director |
Victoria Robinson
|
|
| Second Second Assistant Director |
Michael Jortner
|
|
| Script Supervisor |
Jennifer Getzinger
|
|
| Production | Executive Producer |
Eric Rudin
|
| Co-Producer |
Elyse Goldberg
|
|
| Producer |
Anthony Bregman
Ted Hope
|
|
| Line Producer |
Dara Weintraub
|
|
| Casting |
Ellen Parks
|
|
| Unit Production Manager |
Dara Weintraub
|
|
| Production Supervisor |
Exile Ramirez
|
|
| Location Manager |
Joseph Zolfo
|
|
| Assistant Location Manager |
Tauhid Hakein
|
|
| Production Secretary |
Alisha Berger
|
|
| Production Coordinator |
G. Carleton Henrich
|
|
| Assistant Production Coordinator |
Allegra Brosco
|
|
| Extras Casting |
Karen E. Etcoff
|
|
| Casting Associate |
Rebecca Brooke
|
|
| Writing | Novel |
Scott Bradfield
|
| Screenplay |
Scott Bradfield
Robert Roth
|
|
| Camera | Director of Photography |
Teodoro Maniaci
|
| First Assistant Camera |
P.J. Dillon
|
|
| Second Assistant Camera |
Marc Hillygus
|
|
| Steadicam Operator |
Will Arnot
|
|
| Still Photographer |
Walter Thomson
Brian Myers
|
|
| Key Grip |
Cesar Baptista
|
|
| Best Boy Grip |
Patrick R. Heffernan
Arthur E. Marcolin
|
|
| Costume & Make-Up | Costume Design |
Melissa Toth
|
| Assistant Costume Designer |
Jill Kliber
|
|
| Key Makeup Artist |
Maryse Félix
|
|
| Assistant Hairstylist |
Viviann Sevier
Ana Rita Da'piedade
|
|
| Assistant Makeup Artist |
Viviann Sevier
Ana Rita Da'piedade
|
|
| Sound | Original Music Composer |
Lesley Barber
|
| Music Supervisor |
Tracy McKnight
|
|
| Sound Designer |
Eugene Gearty
|
|
| Sound Re-Recording Mixer |
Eugene Gearty
Reilly Steele
|
|
| Production Sound Mixer |
Noah Timan
|
|
| Boom Operator |
Jansen Lambie
Matthew Armstrong
|
|
| Sound Editor |
Adam Lipsius
|
|
| Assistant Sound Editor |
Igor Nikolic
|
|
| ADR Engineer |
Jared Blume
Matt Thornton
Merry Cheers
Dave Paterson
|
|
| Music Editor |
Keiko Deguchi
|
|
| Music Coordinator |
Linda Cohen
|
|
| Orchestrator |
Lesley Barber
|
|
| Editing | Editor |
Keiko Deguchi
|
| Assistant Editor |
Tim Streeto
David A. Smith
|
|
| Art | Production Design |
Lisa Albin
|
| Art Direction |
Paul Avery
|
|
| Set Decoration |
Alisa Grifo
|
|
| Leadman |
Steven Kreuch
|
|
| Property Master |
Rae McGrath
|
|
| Title Designer |
Peter Himmelstein
|
|
| Crew | Post Production Supervisor |
Glen Basner
|
| Transportation Captain |
Richard Curry
|
|
| Lighting | Gaffer |
Steve Ramsey
|
| Best Boy Electric |
Martin Nowlan
|
|
| Department | Role | Name |