Miss Fisher and the Crypt of Tears
(2020) So glamorous it's criminal. | Released
Ratings
6.2
6.1
65%
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line: So glamorous it's criminal.
Status: Released
Average Rating: 6
Release Date: Feb 27, 2020
Rating: 2020-03-23
Run Time: 1h 42m
Original Language: English
Website: Link
Production Countries: Australia
Production Companies: Every Cloud Productions , Screen Australia , Film Victoria
Sources:
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Keywords
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Synopsis
After freeing a young Bedouin girl from her unjust imprisonment in Jerusalem, an Australian adventuress, together with her devoted police detective friend, begins to unravel a decade-old mystery concerning priceless emeralds, an ancient curse and the disappearance of the girl's mother and massacre of her tribe.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Tony Tilse
|
| First Assistant Director |
Mehdi Elkhaoudy
Chris Odgers
|
|
| Second Assistant Director |
Dean Fay
|
|
| Third Assistant Director |
Dylan Saulwick
|
|
| Script Supervisor |
Aria Harrison
|
|
| Production | Producer |
Lucy Maclaren
Fiona Eagger
|
| Executive Producer |
Deb Cox
Fiona Eagger
|
|
| Casting Associate |
Lucy McLaughlin
|
|
| Casting |
Ann Robinson
|
|
| Line Producer |
Khadija Alami
Sue Edwards
|
|
| Associate Producer |
Essie Davis
|
|
| Extras Casting |
Fiona McMaster
|
|
| Production Accountant |
Mounim Hajjam
|
|
| Production Coordinator |
Christine Hutchins
Latifa Irassi
|
|
| Production Secretary |
Lynette Lai
|
|
| Writing | Writer |
Deb Cox
|
| Script Consultant |
John Collee
Ysabelle Dean
|
|
| Script Editor |
Keith Thompson
|
|
| Editing | Assistant Editor |
Sean Courtney Lewis
|
| Editor |
Stephen Evans
|
|
| Crew | Cinematography |
Roger Lanser
|
| Scenic Artist |
Liam Siddel
|
|
| Visual Effects Editor |
Belinda Fithie
|
|
| Stunts |
Hami Belal
|
|
| Stunt Coordinator |
Othman Ilyassa
|
|
| Stunt Double |
Laura Vortler
Zoë Amanda Wilson
|
|
| Drone Operator |
Christopher Lansell
|
|
| Armorer |
Kyle Phillpotts
|
|
| Choreographer |
Bernadette Wynack
|
|
| Costume & Make-Up | Costume Design |
Margot Wilson
|
| Hair Supervisor |
Kate Birch
|
|
| Makeup Supervisor |
Kate Birch
|
|
| Makeup & Hair |
Natalie Burley
Linda Cowell
Jo Fletcher
Liz Harper
Deborah Lanser
Kirsten Veysey
|
|
| Makeup Artist |
Khadija Hamdan
|
|
| Makeup Designer |
Anna Karpinski
|
|
| Hair Designer |
Anna Karpinski
|
|
| Hairstylist |
Hamdan Malika
Ian Loughnan
|
|
| Costume Supervisor |
Lyn Askew
|
|
| Sound | Original Music Composer |
Greg Walker
|
| ADR Mixer |
Tristan Baylis
|
|
| Sound Recordist |
Steven Bond
|
|
| ADR Recordist |
Will Carroll
Liesl Pieterse
|
|
| Foley Artist |
Alex Francis
Mario Vaccaro
|
|
| Sound Designer |
Chris Goodes
|
|
| Foley Editor |
Megan Howieson
Lee Yee
Michael Zachariou
|
|
| Supervising Dialogue Editor |
Glenn Newnham
|
|
| Sound Effects Editor |
Nathalie Resciniti
|
|
| Camera | Director of Photography |
Roger Lanser
|
| First Assistant "A" Camera |
Zakaria Badreddine
|
|
| First Assistant Camera |
Amine Boudour
|
|
| Drone Pilot |
Davor Breznik
|
|
| Key Grip |
Moulay Mustapha El Idrissi
Brian Pribble
|
|
| Still Photographer |
Sarah Enticknap
Ben King
|
|
| Second Unit Director of Photography |
Brendan Lavelle
|
|
| Second Assistant Camera |
Mohamed Louizi
Younes Zoughi
|
|
| Best Boy Grip |
Darren McAngus
|
|
| Camera Operator |
Lilia Sellami
|
|
| Steadicam Operator |
Brenden Shaw
|
|
| Art | Production Design |
Robbie Perkins
|
| Art Direction |
Tricia Collins
Myriam Laraki
|
|
| Set Decoration |
Sean Dennis
|
|
| Construction Manager |
Mustapha Benkiram
Dean Norman
|
|
| Property Master |
Harvey Mawson
|
|
| Supervising Art Director |
Lance Whitehouse
|
|
| Lighting | Gaffer |
Matt Begg
Aziz Zougar
|
| Best Boy Electric |
Jack Kenneally
|
|
| Department | Role | Name |